Fiona Kay - Böcker

This book analyses the current status of women in the law, drawing on two major studies in Canada in 1985 and 1990, and relating the findings to women and the legal profession in the United States.

Social capital is arguably the most critical idea to emerge in thesocial sciences in the last two decades. Emphasizing the importance ofsocial networks, communication, and the symbolic and material exchangesthat strengthen communities, social capital has been the subject of anexpansive body of literature. Social Capital, Diversity, and theWelfare State represents a landmark consideration of the diversemeanings, causal foundations, and positive and negative consequences ofsocial capital, with a particular focus on its role in mitigating orenhancing social inequalities.The chapters, written by economists, political scientists, andsociologists, address a range of empirical and theoretical issues. Thisbook is cutting-edge addition to the field that offers fresh insightsinto the conceptualization, operation, sources, and consequences ofsocial capital in Canadian society.

Victorian Fashions for Men explores British the styles and clothing throughout the long reign of Queen  Victoria from the late 1830s to the first years of the 20th century. Within are a superb overview of the suits, coats, hats, hair styles, accoutrements, shoes and boots that typified the prevailing styles of men's attire for each decade. From those who had enough money to have day and evening wear and clothes for sporting and outdoor activities to those with limited income and wardrobes or labouring folk with little more than the clothes they stood up in.All decades are illustrated with original photographs, adverts and contemporary magazine illustrations from the authors’ own remarkable collections and are accompanied by a knowledgeable and informative text that describes the fashions, their social history context and influences reflected in the clothes of the time. Laid out in clear and easy to follow chronological order the key features of the styles for each decade will help family historians to date family photographs and will provide a useful resource for students and costume historians or for anyone with a love of fashion and style to enjoy.

When the Second World War broke out in September 1939, everybody in Britain knew that the civilian population would be affected far more than they had been in the First World War. As aircraft got more advanced, Britain’s cities came within range and were vulnerable to attack from the air, possibly using poison gas. Before the war had started, plans were made to train civilians in first aid or to act as air raid wardens, to distribute air raid shelters that could be set up in back gardens and to evacuate children from the cities.Soon after the start of the war, Britain’s women were called up to work in the expanding factories that would feed the war effort, and on the farms in the Women’s Land Army. Food and clothing were rationed to make sure that there was enough to go around. After the Germans swept through Western Europe in the summer of 1940, the Home Guard was formed to help defend against invasion.In this book, Neil R. Storey and Fiona Kay paint an evocative picture of life in Britain during the war years, from Austerity to the friendly invasion of Americans.This book is part of the Britain’s Heritage series, which provides definitive introductions to the riches of Britain’s past, and is the perfect way to get acquainted with the home front in the Second World War in all its variety.

Despite – or perhaps because of – the privations of war, the 1940s was one of the greatest decades for fashion in Britain. The designs and fashions of the 1930s would linger on through the early years of the Second World War but with shortages and rationing firmly in place, the Utility clothing available in the shops had to overcome these restrictions and still look new and vivid. Because so much of the war effort depended on Britain’s women, fashion was considered important for morale.Fashion in the 1940s ranged from military uniforms (for men and women) to siren suits to be worn to keep warm in air raid shelters at night and the demob suits issued to those leaving the services at the end of the war. The mantra of ‘make-do and mend’ would spawn a decade of creativity, and a generation who would not let austerity prevent them from looking good. Transatlantic and military influences were everywhere, and after the war was over Dior’s ‘New Look’ set the scene for the fashions of the prosperous 1950s.This book is part of the Britain’s Heritage series, which provides definitive introductions to the riches of Britain’s past, and is the perfect way to get acquainted with 1940s fashion in all its variety.