Fiona Sze-Lorrain – författare

In her new collection, Fiona Sze-Lorrain offers a nuanced yet dynamic vision of humanity marked by perils, surprises, and the transcendence of a "ruined elegance." Through an intercultural journey that traces lives, encounters, exiles, and memories from France, America, and Asia, the poet explores a rich array of historical and literary allusions to European masters, Asian sources, and American influences. With candor and humor, each lyrical foray is sensitive to silence and experience: "I want to honor / the invisible. I'll use the fog to see white peaches." There are haunting narratives from a World War II concentration camp, the Stalinist Terror, and a persecuted Tibet during the Cultural Revolution. There are also poems that take as their point of departure writings, paintings, sketches, photographs, and music by Gu Cheng, Giorgio Caproni, Bonnard, Hiroshige, Gao Xingjian, Kertesz, and Debussy, among others. Grounded in the sensual, these poems probe existential questionings through inspirations from nature and the impermanent earth.Described by the Los Angeles Review of Books as "a high lyricist who refuses to resort to mere lyricism in order to articulate her experience," Sze-Lorrain renews her faith in music and poetic language by addressing the opposing aesthetics of "ruins" and "elegance," and how the experience of both defies judgment.

In her new collection, Fiona Sze-Lorrain offers a nuanced yet dynamic vision of humanity marked by perils, surprises, and the transcendence of a "ruined elegance." Through an intercultural journey that traces lives, encounters, exiles, and memories from France, America, and Asia, the poet explores a rich array of historical and literary allusions to European masters, Asian sources, and American influences. With candor and humor, each lyrical foray is sensitive to silence and experience: "I want to honor / the invisible. I'll use the fog to see white peaches." There are haunting narratives from a World War II concentration camp, the Stalinist Terror, and a persecuted Tibet during the Cultural Revolution. There are also poems that take as their point of departure writings, paintings, sketches, photographs, and music by Gu Cheng, Giorgio Caproni, Bonnard, Hiroshige, Gao Xingjian, Kertesz, and Debussy, among others. Grounded in the sensual, these poems probe existential questionings through inspirations from nature and the impermanent earth.Described by the Los Angeles Review of Books as "a high lyricist who refuses to resort to mere lyricism in order to articulate her experience," Sze-Lorrain renews her faith in music and poetic language by addressing the opposing aesthetics of "ruins" and "elegance," and how the experience of both defies judgment.

The highly anticipated new collection from a poet whose previous book was a finalist for the Los Angeles Times Book PrizeRain in Plural is the much-anticipated fourth collection of poetry by Fiona Sze-Lorrain, who has been praised by The Rumpus as "a master of musicality and enlightening allusions." In the wholly original world of these new poems, Sze-Lorrain addresses both private narratives and the overexposed discourse of the polis, using silence and montage, lyric and antilyric, to envision what she calls "creating between liberties." With a moral precision embracing us without eschewing I, she rethinks questions of citizenship, the selections of sensory memory, and, by extension, the tether of word and image to the actual. She writes, "I accept the truth in newspapers / by holding the murder of my friends against my chest. // To each weather forecast I give thanks: / merci for every outdated // dusk/dawn." Agrippina the Younger, Franz Kafka, Bob Dylan, a butoh performance, an unnamed Raku tea bowl—each has a place here. Made whole by time and its alteration in timelessness, synchrony, coincidences, and accidents, Rain in Plural beautifully reveals an elegiac yet ever-evolving inner life.

The highly anticipated new collection from a poet whose previous book was a finalist for the Los Angeles Times Book PrizeRain in Plural is the much-anticipated fourth collection of poetry by Fiona Sze-Lorrain, who has been praised by The Rumpus as "a master of musicality and enlightening allusions." In the wholly original world of these new poems, Sze-Lorrain addresses both private narratives and the overexposed discourse of the polis, using silence and montage, lyric and antilyric, to envision what she calls "creating between liberties." With a moral precision embracing us without eschewing I, she rethinks questions of citizenship, the selections of sensory memory, and, by extension, the tether of word and image to the actual. She writes, "I accept the truth in newspapers / by holding the murder of my friends against my chest. // To each weather forecast I give thanks: / merci for every outdated // dusk/dawn." Agrippina the Younger, Franz Kafka, Bob Dylan, a butoh performance, an unnamed Raku tea bowl—each has a place here. Made whole by time and its alteration in timelessness, synchrony, coincidences, and accidents, Rain in Plural beautifully reveals an elegiac yet ever-evolving inner life.

Ocean, as Much as Rain presents for the first time in the English-language world a collection of masterfully translated literary writings by prominent Tibetan writer Tsering Woeser. In these stories, lyrical essays, and poetry, Woeser interweaves texts, photographs, silences, and documentary details. Featuring a distinctively imaginative use of satire and digressive rhetoric, Woeser’s stories bring to life Tibetan characters whose lives are entwined with politics, history, and religion. Woeser illuminates the ruins and places that she has come across during her various sojourns in Chinese-ruled Tibet, reviving sites from the past of her parents and their generation. These writings range from ingenious retellings of cultural encounters and confrontation to insightful commentaries on ecological issues and tourism in Tibet that never shun contradictions, dilemmas, or questions about the future. With an introduction by Fiona Sze-Lorrain and an author interview by editors-translators Sze-Lorrain and Dechen Pemba, Ocean, as Much as Rain is a landmark publication that celebrates the work of a steadfast dissident and a leading Tibetan literary figure of our times.

Ocean, as Much as Rain presents for the first time in the English-language world a collection of masterfully translated literary writings by prominent Tibetan writer Tsering Woeser. In these stories, lyrical essays, and poetry, Woeser interweaves texts, photographs, silences, and documentary details. Featuring a distinctively imaginative use of satire and digressive rhetoric, Woeser’s stories bring to life Tibetan characters whose lives are entwined with politics, history, and religion. Woeser illuminates the ruins and places that she has come across during her various sojourns in Chinese-ruled Tibet, reviving sites from the past of her parents and their generation. These writings range from ingenious retellings of cultural encounters and confrontation to insightful commentaries on ecological issues and tourism in Tibet that never shun contradictions, dilemmas, or questions about the future. With an introduction by Fiona Sze-Lorrain and an author interview by editors-translators Sze-Lorrain and Dechen Pemba, Ocean, as Much as Rain is a landmark publication that celebrates the work of a steadfast dissident and a leading Tibetan literary figure of our times.