Frederick M. Link - Böcker

Willa Cather's first published novel, set in Boston, London, and Paris, is the story of a man unable to resolve the contradictions in his own nature. The central figures are Bartley Alexander, a world-famous engineer; his wife; Winifred, a Boston society matron; and his former love, Hilda Burgoyne, a London actress. Long considered an uncharacteristic production, in the light of recent scholarship Alexander's Bridge is seen to be closely linked to the body of Cather's work, thematically as well as in its use of myth and symbol. Bernice Slote's introduction considers the circumstances of its composition and its relationship to the later novels, particularly One of Ours, The Professor's House, and Lucy Gayheart. The text has been entirely reset from the first (1912) edition.

First published in 1923, A Lost Lady is one of Willa Cather's classic novels about life on the Great Plains. It harks back to Nebraska's early history and contrasts those days with an unsentimental portrait of the materialistic world that supplanted the frontier. In her subtle portrait of Marian Forrester, whose life unfolds in the midst of this disquieting transition, Cather created one of her most memorable and finely drawn characters. This Willa Cather Scholarly Edition of A Lost Lady is edited according to standards set by the Committee for Scholarly Editions of the Modern Language Association. The historical essay describes the origin, writing, and reception of the novel as well as motion pictures that were later based on it; and a selection of archival photographs illuminates the connection between the novel and the people and places from Cather's formative years in Nebraska. Explanatory notes identify locations, literary references, persons, events, and specialized terminology. The textual essays describe the production and subsequent revisions of the text.

The scholarly edition of The Professor's House incorporates into its textual analysis findings from a recently discovered and significantly reworked draft of the novel. Willa Cather's perennial claims that there were no extant drafts make this discovery especially important to Cather scholars. Written in 1925, when she was fifty-two years old, The Professor's House was Cather's seventh novel. Cather explained that in this novel she had attempted two structural experiments. The first experiment she took from the practice of early French and Spanish novelists of inserting a "nouvelle into the roman," hence the first-person "Tom Outland's Story" wedged between the other two parts of the novel. Second, she compared the novel's structure to a sonata form in music, with the center section in significant contrast to the surrounding sectionsBehind the understated prose relating the story of Professor Godfrey St. Peter, who, despite his success, experiences at midcareer a profound disappointment with life, is the fierce account of how he decides to continue living despite those disappointments. Tom Outland's thrilling tale of a long-lost civilization is both an ironic contrast to the professor's staid outer life and a mirror of the imaginative interior life he experiences in his attic study.

Although the land on which the Nebraska farm boy Claude Wheeler lives is settled, he himself has inherited the pioneer spirit of adventure, the frontiersman's purpose, and the settler's sense of idealism. In One of Ours, Willa Cather explores the dissonance between Claude's attitudes and his physical reality and studies how this conflict affects him. Drawing on her own family's experience of the war through her cousin G. P. Cather, who fought in World War I, Cather observes how an otherwise misdirected young man could find purpose and meaning in war and how his death would affect his family's memories of him. Winner of the Pulitzer Prize in 1922, One of Ours paints Claude as a young man who seeks an escape from a conventional and unfulfilling life through the realization of "something splendid" in his military experience in Europe. This Willa Cather Scholarly Edition puts One of Ours in a new and revealing context. The novel is edited according to standards set by the Committee for Scholarly Editions of the Modern Language Association and presents the full range of biographical, historical, and textual information on the novel.

Shadows on the Rock, written after Willa Cather discovered Quebec City during an unplanned stay in 1928, is the second of her "Catholic" historical novels and reflects her fascination with finding a little piece of France in eastern Canada. Set in the late seventeenth century, the novel centers on the activities of the widowed apothecary Euclide Auclair and his young daughter, Cecile. To Auclair's house and shop come trappers, missionaries, craftsmen, the indigent—those seeking cures, a taste of France, or liberation from the corruptions caused there by the excesses of the French court. Set against these fictional characters, historical personages such as Bishop Laval, Count Frontenac, and others contend in the political life of the vast colony. This edition, which is approved by the Modern Language Association, will be of special importance to Cather scholars. Not only is Cather's mining of historical sources explored in extensive explanatory notes, but a recently discovered reworked draft of the novel has been incorporated into the textual analysis. There is also a generous illustration section with maps of the setting.

Willa Cather's first published novel, set in Boston, London, and Paris, is the story of a man unable to resolve the contradictions in his own nature. The central figures are Bartley Alexander, a world-famous engineer; his wife; Winifred, a Boston society matron; and his former love, Hilda Burgoyne, a London actress. Long considered an uncharacteristic production, in the light of recent scholarship Alexander's Bridge is seen to be closely linked to the body of Cather's work, thematically as well as in its use of myth and symbol. Bernice Slote's introduction considers the circumstances of its composition and its relationship to the later novels, particularly One of Ours, The Professor's House, and Lucy Gayheart. The text has been entirely reset from the first (1912) edition.

"I’m no tame sigher, but a rampant lion of the forest," says Willmore, the Rover, on shore after a long voyage. "I have a world of love in store," he claims, searching through the streets for a woman to prove it. When he meets two young Spanish woman-"I love mischief," says one-all the chemistry of comic satire lets loose. The Rover roamed the English stage for a century and has been rediscovered in our own time as a theatrical masterpiece of wit and daring. Aphra Behn (1640–1689) combined dramatic genius and training with personal experience that gave her rare insight into manners and roles. She spied on the Dutch for the English king and was once imprisoned for debt. Behn is one of the very few great English playwrights to be honored in life by popular scandal and in death by burial at Westminster Abbey. She was the first English woman to earn her living by writing.

Aureng-Zebe was John Dryden's last rhymed play and it is frequently considered his best. In this tragedy, produced in 1675, published in 1676, the plot is loosely based on a contemporary account of the struggle between the four sons of Shah Jahan, the fifth Mogul emperor, for the succession to the throne. The hero is a figure of exemplary rationality, virtue, and patience whose stepmother lusts after him and whose father pursues the woman with whom Aureng-Zebe is himself in love. Dryden evinces a deeply disturbing awareness of the anarchy and impotence which threaten every aspect of human life, emotional, moral, and political.

First published in 1923, A Lost Lady is one of Willa Cather's classic novels about life on the Great Plains. It harks back to Nebraska's early history and contrasts those days with an unsentimental portrait of the materialistic world that supplanted the frontier. In her subtle portrait of Marian Forrester, whose life unfolds in the midst of this disquieting transition, Cather created one of her most memorable and finely drawn characters. This Willa Cather Scholarly Edition of A Lost Lady is edited according to standards set by the Committee for Scholarly Editions of the Modern Language Association. The historical essay describes the origin, writing, and reception of the novel as well as motion pictures that were later based on it; and a selection of archival photographs illuminates the connection between the novel and the people and places from Cather's formative years in Nebraska. Explanatory notes identify locations, literary references, persons, events, and specialized terminology. The textual essays describe the production and subsequent revisions of the text.