Gary Day – författare

This collection offers a reinterpretation of the history of British criticism by exploring the work of neglected as well as celebrated critics. The issue of value is also addressed as is the question of the future direction of criticism making this volume an important contribution to contemporary critical debate.

Dealing with a topic fraught with moral, political and sexual tensions, this volume provides a forum for a male/female dialogue concerning the history, dissemination and consequences of pornographic representation that will challenge established views and open doors to further exploration and debate.

This collection looks at the developments in British poetry from the Movement until the present. The introduction not only provides a context for these changes but also argues that poetry criticism has been debilitated by the quest for political respectability, a trend which can only be reversed by reconsidering the idea of tradition.

The essays collected here all take issue with the claim that the Victorian period is the antithesis of our own. They show how characteristic postmodern anxieties and celebrations concerning truth, certainty and identity informed Victorian culture at all levels. Covering everything from attitudes to drink to the poetry of Browning, from the Great Exhibition to the Elephant Man, this volume shows not only how the Victorians coped with these challenges but also what lessons they have for us today.

D. H. Lawrence's power as a writer, his passionate exploration of male and female relations, and his instinctive recoil from the emotional straitjacket of modernity make him a prophet of our time. This essential volume brings together the best contemporary critical accounts of two of Lawrence's most popular and enduring novels, The Rainbow and Women in Love. The essays are drawn from a wide range of theoretical perspectives, covering language, history, psychoanalysis, feminism and the relation of the novels to modernism, and look forward to new developments in Lawrence scholarship. A helpful introduction locates the two novels in their historical and critical contexts, making this selection of criticism an ideal resource for students and teachers of Lawrence's fiction.

D. H. Lawrence's power as a writer, his passionate exploration of male and female relations, and his instinctive recoil from the emotional straitjacket of modernity make him a prophet of our time. This essential volume brings together the best contemporary critical accounts of two of Lawrence's most popular and enduring novels, The Rainbow and Women in Love. The essays are drawn from a wide range of theoretical perspectives, covering language, history, psychoanalysis, feminism and the relation of the novels to modernism, and look forward to new developments in Lawrence scholarship. A helpful introduction locates the two novels in their historical and critical contexts, making this selection of criticism an ideal resource for students and teachers of Lawrence's fiction.

This book traces the phenomenon of class from the medieval to the postmodern period, uniquely examining its relevance to literary and cultural analysis. Drawing on historical, sociological and literary writings, Gary Day:* gives an account of class at different historical moments* shows the role of class in literary constructions of the social* examines the complex relations between 'class' and 'culture'* focuses attention on the role of class in constructions of 'the literary' and 'the canon'* employs a revived and revised notion of class to critique recent theoretical movements.

This book traces the phenomenon of class from the medieval to the postmodern period, uniquely examining its relevance to literary and cultural analysis. Drawing on historical, sociological and literary writings, Gary Day:* gives an account of class at different historical moments* shows the role of class in literary constructions of the social* examines the complex relations between 'class' and 'culture'* focuses attention on the role of class in constructions of 'the literary' and 'the canon'* employs a revived and revised notion of class to critique recent theoretical movements.

British culture has changed almost beyond recognition since 1956. Angry young men have been displaced by Yuppies, Elvis by the Spice Girls, and meat and two veg by continental cuisine. What is more, as the death of Diana, Princess of Wales showed, the British are now more famous for a trembling lower lip than a stiff upper one. This volume, the last in the series, examines the transformations in literature and culture over the last forty years. An introductory essay provides a context for the following chapters by arguing that although there have been significant changes in British life, there are also profound continuities. It also discusses the rise of 'theory' and its impact on the humanities. Each essay in the volume concentrates on a facet of British culture over the last half century from painting to poetry, from the seriousness of the novel to the postmodern ironies of the computing age. What we get from this selection is not only an informed history of the relations between literature and culture but also a lively sense of cultural change, not least of which is the new found relationship between literature and other arts which ushers us into the new millennium.

A THE Book of the WeekDid you know that Aristotle thought the best tragedies were those that ended happily? Or that the first mention of the motor car in literature may have been in 1791 in Boswell's Life of Johnson? Or that it was not unknown in the nineteenth century for book reviews to be 30,000 words long? These are just a few of the fascinating facts to be found in this absorbing history of literary criticism. From the Ancient Greek period to the present day, you learn about critics' lives, the times in which they lived and how the same problems of interpretation and valuation persist through the ages.Key Features:*The author is a well-known writer and critic, and has been a regular contributor to the Times Higher*Integrates a wide range of writers, critics and texts into a continuous history*Passionately defends the idea of the 'literary'

The Eighteenth-Century Literature Handbook is an invaluable introduction to literature and culture in the eighteenth century. It provides a one-stop resource for students with the essential information and guidance needed from the beginning of a course through to developing more advanced knowledge and skills. It includes: - introductions to authors, texts and contexts - guides to key critics, concepts and topics - an overview of major critical approaches, changes in the canon and directions of current and future research - case studies in reading literary and theoretical and critical texts - annotated further reading (including websites), timeline, glossary of critical terms. Written in clear language by leading academics, it is an indispensable starting point for anyone beginning their study of eighteenth-century literature.

This book presents a comprehensive, accessible and lucid coverage of Eighteenth-Century English literature, major issues and key figures, edited and written by well-established academics in clear, jargon-free language. "The Eighteenth-Century Literature Handbook" is an invaluable introduction to literature and culture in the eighteenth century. It provides a one-stop resource for students with the essential information and guidance needed from the beginning of a course through to developing more advanced knowledge and skills. It includes: introductions to authors, texts and contexts; guides to key critics, concepts and topics; an overview of major critical approaches, changes in the canon and directions of current and future research; case studies in reading literary and theoretical and critical texts; and, annotated further reading (including websites), timeline, glossary of critical terms.Written in clear language by leading academics, it is an indispensable starting point for anyone beginning their study of eighteenth-century literature."Literature and Culture Handbooks" are an innovative series of guides to major periods, topics and authors in British and American literature and culture. Designed to provide a comprehensive, one-stop resource for literature students, each handbook provides the essential information and guidance needed from the beginning of a course through to developing more advanced knowledge and skills.

British culture has changed almost beyond recognition since 1956. Angry young men have been displaced by Yuppies, Elvis by the Spice Girls, and meat and two veg by continental cuisine. What is more, as the death of Diana, Princess of Wales showed, the British are now more famous for a trembling lower lip than a stiff upper one. This volume, the last in the series, examines the transformations in literature and culture over the last forty years. An introductory essay provides a context for the following chapters by arguing that although there have been significant changes in British life, there are also profound continuities. It also discusses the rise of 'theory' and its impact on the humanities. Each essay in the volume concentrates on a facet of British culture over the last half century from painting to poetry, from the seriousness of the novel to the postmodern ironies of the computing age. What we get from this selection is not only an informed history of the relations between literature and culture but also a lively sense of cultural change, not least of which is the new found relationship between literature and other arts which ushers us into the new millennium.

The essays collected here all take issue with the claim that the Victorian period is the antithesis of our own. They show how characteristic postmodern anxieties and celebrations concerning truth, certainty and identity informed Victorian culture at all levels. Covering everything from attitudes to drink to the poetry of Browning, from the Great Exhibition to the Elephant Man, this volume shows not only how the Victorians coped with these challenges but also what lessons they have for us today.

Tracing the history of tragedy and comedy from their earliest beginnings to the present, this book offers readers an exceptional study of the development of both genres, grounded in analysis of landmark plays and their context. It argues that sacrifice is central to both genres, and demonstrates how it provides a key to understanding the grand sweep of Western drama. For students of literature and drama the volume serves as an accessible companion to over two millennia of drama organised by period, and reveals how sacrifice represents a through-line running from classical drama to today's reality TV and blockbuster movies.Across the chapters devoted to each period, Day explores how the meanings of sacrifice change over time, but never quite disappear. He charts the influences of religion, social change and politics on the status and purposes of theatre in each period, and on the drama itself. But it is through a close study of key plays that he reveals the continuities centred around sacrifice that persist and which illuminate aspects of human psychology and social organisation.Among the many plays and events considered are Aeschylus’ trilogy The Oresteia, Aristophanes’ Women at the Thesmorphia, Menander’s The Bad-Tempered Man, the spectacles of the Roman Games, Seneca's The Trojan Women, Plautus's The Rope, the Cycle plays and Everyman from the Middle Ages, Shakespeare's King Lear and A Midsummer Night’s Dream, Middleton's The Revenger’s Tragedy, Jonson's Every Man in His Humour, Thomas Otway's The Orphan, William Wycherley's The Country Wife, Wilde's A Woman of No Importance, Beckett' Waiting for Godot, Tennessee Williams's A Streetcar Named Desire, Suzan-Lori Parks's Topdog/Underdog, Sarah Kane's Blasted and Charlotte Jones’ Humble Boy. A conclusion examines the persistence of ideas of sacrifice in today's reality TV and blockbuster movies.

Tracing the history of tragedy and comedy from their earliest beginnings to the present, this book offers readers an exceptional study of the development of both genres, grounded in analysis of landmark plays and their context. It argues that sacrifice is central to both genres, and demonstrates how it provides a key to understanding the grand sweep of Western drama. For students of literature and drama the volume serves as an accessible companion to over two millennia of drama organised by period, and reveals how sacrifice represents a through-line running from classical drama to today's reality TV and blockbuster movies.Across the chapters devoted to each period, Day explores how the meanings of sacrifice change over time, but never quite disappear. He charts the influences of religion, social change and politics on the status and purposes of theatre in each period, and on the drama itself. But it is through a close study of key plays that he reveals the continuities centred around sacrifice that persist and which illuminate aspects of human psychology and social organisation.Among the many plays and events considered are Aeschylus’ trilogy The Oresteia, Aristophanes’ Women at the Thesmorphia, Menander’s The Bad-Tempered Man, the spectacles of the Roman Games, Seneca's The Trojan Women, Plautus's The Rope, the Cycle plays and Everyman from the Middle Ages, Shakespeare's King Lear and A Midsummer Night’s Dream, Middleton's The Revenger’s Tragedy, Jonson's Every Man in His Humour, Thomas Otway's The Orphan, William Wycherley's The Country Wife, Wilde's A Woman of No Importance, Beckett' Waiting for Godot, Tennessee Williams's A Streetcar Named Desire, Suzan-Lori Parks's Topdog/Underdog, Sarah Kane's Blasted and Charlotte Jones’ Humble Boy. A conclusion examines the persistence of ideas of sacrifice in today's reality TV and blockbuster movies.

The period 1890 to 1950 is remarkable for radical innovation and literary development. This volume looks back to the origins of Modernism and the traditions that shaped it, examining texts from France, America, England and Ireland to provide a stimulating and original take on this unique movement in literary history. Combining textual analysis with key critical approaches, the book considers central texts such as Eliot’s The Waste Land, Joyce’s The Portrait of the Artist and Lawrence’s Women in Love alongside wider debates on “Literature and War”, “Modernism, Music and the Visual Arts” and “Modernism and its Critics”.