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    1. Skönlitteratur
    2. Litteraturvetenskap
    3. Litteraturvetenskap

    Literature and Culture in Modern Britain: Volume Three

    1956 - 1999

    AvClive Bloom,Gary Day

    Inbunden, Engelska, 2016

    1 686 kr

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    Häftad

    686 kr

    Beskrivning

    British culture has changed almost beyond recognition since 1956. Angry young men have been displaced by Yuppies, Elvis by the Spice Girls, and meat and two veg by continental cuisine. What is more, as the death of Diana, Princess of Wales showed, the British are now more famous for a trembling lower lip than a stiff upper one. This volume, the last in the series, examines the transformations in literature and culture over the last forty years. An introductory essay provides a context for the following chapters by arguing that although there have been significant changes in British life, there are also profound continuities. It also discusses the rise of 'theory' and its impact on the humanities. Each essay in the volume concentrates on a facet of British culture over the last half century from painting to poetry, from the seriousness of the novel to the postmodern ironies of the computing age. What we get from this selection is not only an informed history of the relations between literature and culture but also a lively sense of cultural change, not least of which is the new found relationship between literature and other arts which ushers us into the new millennium.

    Produktinformation

    • Utgivningsdatum:2016-12-23
    • Mått:138 x 216 x 20 mm
    • Vikt:453 g
    • Format:Inbunden
    • Språk:Engelska
    • Antal sidor:302
    • Förlag:Taylor & Francis Ltd
    • ISBN:9781138177123

    Utforska kategorier

    • Litteraturvetenskap inom Skönlitteratur
    • Kultur och medier inom Samhälle och politik

    Mer om författaren

    Clive Bloom is a reader in English and American Studies at Middlesex University. He is the author and editor of many books on popular literature and culture, recipient of literary awards from the Horror Writers Association and the International Horror Guild, and a nominee for the British Library Association.Gary Day is a principal lecturer and subject leader of English at De Montfort University. He is the author of Re-reading Leavis- 'Culture' and Literary Criticism and of a forthcoming book, Class. He is also the editor of a number of books on literature and culture.

    Innehållsförteckning

    • AcknowledgementsSeries PrefaceList of ContributorsChronologyIntroduction Gary DayEconornic and social policyCultureConclusion1. British Poetry 1956-99 Jessíca MaynardThe poetics of clichéChance encounters: Larkin, TornlinsonMetamorphoses: Fisher, ClarkAutobiographies: Betjeman, Bunting, PrynneTwo varieties of irony2. Novel Voices Steven EamshawRogue malesLone voicesFrom the rniddle-brow to the high forehead:women-centred fictionThe dark godsEmpireExperimental literatureGenre fictionThe postmodem'There's no such thing as society .. .'Martin ArnisVoice projectionsLíterature and Culture in Modern Britain: 1956-993. Popular Fiction Michael HayesMarket stall to global marketFictions galo reConsuming passionsPopular fiction: The Legacy4. Lifting the Lid: Theatre 1956-99 Michael WoolfPrologueWhat is 'theatre'?Beyond censorshipLost Edens: politics and nostalgiaA humanist theatreThe music hallJoe Orton and the outrage of Mrs Edna WelthorpeThe presence of Harold PinterAyckboum: a singular exceptionConclusion: theatre and the segmented society5. British Newspapers Nicho/as Rance'A dreadful, long-running detective story': reporting thecase of the Y orkshire RipperConclusion6. British Cinema: A Struggle for Identity Lez Cooke 143The British 'new wave'The social problem filmHarnmer horror: the retum of the repressedCarry On and the 'camivalesque'The Empire strikes back?'Swinging London'The 1970s: mainstream decline and the rise ofindependent cinemaBritish cinema and ThatcherismThe British film renaissance of the 1990s7. Television Lez CookeThe impact of ITV on the BBCThe 'Golden Age' of British televisionBritish television in the 1970s: a mirror to society?The 1980s: Channel 4, competition and deregulationBritish television in the 1990s8. British Art David MastersThe avant-garde moves home: Paris to New York'The situation in London now'Abstraction - a new realism? 206...and the situation in St Ives 208IG, TIT and pop 209Later pop 210Challenging modernism: artists with attitude 212When concept replaced the unique art object 215A crisis of modernity? The emergence of postmodernismand anti-modernism 217'Nostalgia for the unattainable' 218Some went mad o o o some ran away 2199. Popular Music since the 1950s Andrew Blake 224Popular music before pop 224Aspects of amateurism: folk roots and r 'n' b 226Professionalism and pop 227The 1960s and after 228The ambivalence of broadcasting 230y outh and music 231The urban soundscape 233Let's mix again 23510. Technology 1956-99 John Moms 239What is technology and where is it taking us? 239The information explosion 242Genetic engineering 246Outcomes of the high techo process 252Final thoughts 25511. Epilogue and Overture Clive BloomThe role of the universityCriticism at the end of the centuryN ew and future approachesBritish culture at the MillenniumIndex