Gay Talese – författare

From legendary journalist Gay Talese, a collection of his greatest reporting on New York City.“Along with Joan Didion, Norman Mailer, Tom Wolfe and others, Mr. Talese has been acclaimed as a virtuoso of the novelistic New Journalism.” —Wall Street Journal“They fly in quietly—unnoticed, like the cats, the ants, the doorman with three bullets in his head, and most of the other offbeat wonders in this town without time.” —from “New York Is a City of Things Unnoticed,” Talese’s first Esquire story, 1960For over six decades, Gay Talese has told New York stories. They are the stories of daring bridge builders, disappearing gangsters, intrepid Vogue editors, unassuming doormen who’ve seen too much. They are set in the star-studded salons of George Plimpton’s apartment, in the tense newsroom of a still burgeoning New York Times, in an electric studio session with Tony Bennett and Lady Gaga recording their debut.With the wit, elegance, and depth of insight that has long characterized his work, Talese’s New York reporting showcases a master of the form at his finest, making intelligible the city’s vibrant beating pulse, capturing the charming, the eccentric, and the overlooked. Whether prowling the night streets to discover the social hierarchy of alley cats, or uncovering the triumph and terror of building the Verrazano-Narrows Bridge, or plunging into the hidden, sordid world of a recently blown-up apartment building, Talese excavates the city around him with a reporter’s eye and an artist’s flair, crafting delightful, profound, indelible portraits of the people who live there. Spanning the 1950s to today, the fourteen pieces in this collection are a time capsule of what New York once was and still is—Talese proves time and time again that, even as the city changes, his view of it remains as timeless as ever.

From legendary journalist Gay Talese, a collection of his greatest reporting on New York City.“Along with Joan Didion, Norman Mailer, Tom Wolfe and others, Mr. Talese has been acclaimed as a virtuoso of the novelistic New Journalism.” —Wall Street Journal“They fly in quietly—unnoticed, like the cats, the ants, the doorman with three bullets in his head, and most of the other offbeat wonders in this town without time.” —from “New York Is a City of Things Unnoticed,” Talese’s first Esquire story, 1960For over six decades, Gay Talese has told New York stories. They are the stories of daring bridge builders, disappearing gangsters, intrepid Vogue editors, unassuming doormen who’ve seen too much. They are set in the star-studded salons of George Plimpton’s apartment, in the tense newsroom of a still burgeoning New York Times, in an electric studio session with Tony Bennett and Lady Gaga recording their debut.With the wit, elegance, and depth of insight that has long characterized his work, Talese’s New York reporting showcases a master of the form at his finest, making intelligible the city’s vibrant beating pulse, capturing the charming, the eccentric, and the overlooked. Whether prowling the night streets to discover the social hierarchy of alley cats, or uncovering the triumph and terror of building the Verrazano-Narrows Bridge, or plunging into the hidden, sordid world of a recently blown-up apartment building, Talese excavates the city around him with a reporter’s eye and an artist’s flair, crafting delightful, profound, indelible portraits of the people who live there. Spanning the 1950s to today, the fourteen pieces in this collection are a time capsule of what New York once was and still is—Talese proves time and time again that, even as the city changes, his view of it remains as timeless as ever.

A selection of witty and provocative essays from the father of New Journalism, Gay Talese's Frank Sinatra Has a Cold and Other Essays is published in Penguin Modern Classics.Gay Talese is the father of American New Journalism, who transformed traditional reportage with his vivid scene-setting, sharp observation and rich storytelling. His 1966 piece for Esquire, one of the most celebrated magazine articles ever published, describes a morose Frank Sinatra silently nursing a glass of bourbon, struck down with a cold and unable to sing, like 'Picasso without paint, Ferrari without fuel - only worse'. The other writings in this selection include a description of a meeting between two legends, Fidel Castro and Muhammad Ali; a brilliantly witty dissection of the offices of Vogue magazine; an account of travelling to Ireland with hellraising actor Peter O'Toole; and a profile of fading baseball star Joe DiMaggio, which turns into a moving, immaculately-crafted meditation on celebrity. Gay Talese (b. 1932) is an American author. He wrote for The New York Times in the early 1960s and helped to define literary journalism or 'new nonfiction reportage', also known as New Journalism. His most famous articles are about Joe DiMaggio, Dean Martin and Frank Sinatra. He lives in New York with his wife, Nan Talese.If you enjoyed Frank Sinatra has a Cold, you might like George Orwell's Essays, also published in Penguin Modern Classics.'The best American prose of the second half of the twentieth century' Atlantic Monthly'The best non-fiction writer in America' Mario Puzo, author of The Godfather'A masterful New Journalism pioneer ... raises the magazine article to the level of an art form'Los Angeles Times

Gay Talese is the father of American New Journalism, who transformed traditional reportage with his vivid scene-setting, sharp observation and rich storytelling. His 1966 piece for Esquire, one of the most celebrated magazine articles ever published, describes a morose Frank Sinatra silently nursing a glass of bourbon, struck down with a cold and unable to sing, like 'Picasso without paint, Ferrari without fuel - only worse'. The other writings in this selection include a description of a meeting between two legends, Fidel Castro and Muhammad Ali; a brilliantly witty dissection of the offices of Vogue magazine; an account of travelling to Ireland with hellraiser Peter O'Toole; and a profile of fading baseball star Joe DiMaggio, which turns into a moving, immaculately-crafted meditation on celebrity.

Literary legend (New York) Gay Talese revisits his pioneering career profiling the many nobodies who make New York so fascinating, culminating with the strange and riveting story of Dr. Nicholas Bartha, who blew up his Upper East Side brownstoneand himselfrather than give up his beloved patch of NYC real estate.New York is a city of things unnoticed, a young reporter named Gay Talese wrote sixty years ago. He would spend the rest of his legendary career defying that statement by noticing those details others missed, celebrating the people most reporters overlooked, understanding that it was through these minor characters that the epic story of New York and of America unfolded.Inspiredby Melvilles great short story Bartleby the Scrivener, Talese now remembers the unforgettable nobodies he has profiled in his pioneering careerfrom theNew York Timess anonymous obituary writer to Frank Sinatras entourage. In the books final act, a remarkable piece of original reporting titled Dr. Barthas Brownstone, Talese introduces readers to a new Bartleby, an unknown doctor who made his mark on the cityone summerday in 2006.Rising within the city of New York are about one million buildings. These include skyscrapers, apartment buildings, bodegas, schools, churches, hospitals, and homeless shelters. Also spread through the city are more than 19,000 vacant lots, one of which suddenly appeared some years agoat 34 East 62d Street, between Madison and Park Avenueswhen the unhappy owner of a brownstone at that address blew it up (with himself in it) rather than sell his cherished 19th-century high stoop Neo-Grecian residence in order to pay the court-ordered sum of four-million dollars to the woman who had divorced him three years earlier. This man was a physician of sixty-six named Nicholas Bartha.On the morning of July 10th, 2006,Dr. Bartha had filled his building with gas that he had diverted from a pipe in the basement, and then he set off an explosion that reduced the four-story premises into a fiery heap that would soon injure ten firefighters, five passersby, and damage the interiors of thirteen apartments that stood to the west of the crumbled brownstone.Gay Taleses byline has been synonymous with legendary portrayals of the citys characters, high and low.Bartleby and Mecontinues that tradition, concluding with an examination of a single 20 x 100 New York City building lot, its serpentine past, and theunexpectedtriumphs and disasters encountered by its residents and ownersan unlikely cast featuring society wannabes, striving immigrants, Gilded Age powerbrokers, Russian financiers, and even a turncoat during the War of Independence. Concise, elegant, tragic and whimsical,Bartleby and Meis the capstone of a master journalist.

The classic inside story of The New York Times, the most prestigious, and perhaps the most powerful, of all American newspapers. Bestselling author Talese lays bare the secret internal intrigues behind the tradition of front page exposes in a story as gripping as a work of fiction and as immediate as today''s headlines.

How has Gay Talese found his subjects? How has he gotten them onto the page? What drives him to write? These are some of the questions at the heart of the narrative that combines memory, reflection, explanation and a satisfying obsession. I his trademark prose - precise, beautifully crafted, elegant - Talese traces the paths his passionate interests have made through his life and writing. He talks about first becoming absorbed in issues of race as a student in Alabama, about covering the civil rights struggle and about a recent interracial wedding in Selma. He reflects on the changing American sexual mores he has written about over the last 50 years, and gives an incisive examination of the lives of Lorena and John Bobbitt. He talks about his legendary Esquire profile of Frank Sinatra - judged by the magazine to be the finest in its long history - and about the ordinary men and women whose stories led to some of his most memorable work. And as he delves into the life of a young female Chinese soccer player, we see his consuming interest in the world in its latest manifestation. In these and other recollections and stories, he gives us a fascinating picture of both the serendipity and meticulousness involved in getting a story, and getting it right.Candid, humorous, deeply impassioned - a dazzling book about the nature of writing in one man's life, and of writing itself.

UNTO THE SONS is Gay Talese's stirring epic of his family's exodus from a tiny village in southern Italy, caught up in the tide of young men who crossed the Atlantic to America at the end of the 19th century.

“Sinatra with a cold is Picasso without paint, Ferrari without fuel—only worse. For the common cold robs Sinatra of that uninsurable jewel, his voice, cutting into the core of his confidence.” — Gay TaleseIn the winter of 1965, writer Gay Talese set out for Los Angeles with an assignment from Esquire to write a major profile on Frank Sinatra. When he arrived, he found the singer and his vigilant entourage on the defensive: Sinatra was under the weather, not available, and not willing to be interviewed.Undeterred, Talese stayed, believing Sinatra might recover and reconsider, and used the meantime to observe the star and to interview his friends, associates, family members, and hangers-on. Sinatra never did grant the one-on-one, but Talese’s tenacity paid off: his profile Frank Sinatra Has a Cold went down in history as a tour de force of literary nonfiction and the advent of New Journalism.In this illustrated edition, Frank Sinatra Has a Cold is published with an introduction by Talese, reproductions of his manuscript pages, and correspondence. Interwoven are photographs from the legendary lens of Phil Stern, the only photographer granted access to Sinatra over four decades, as well as from top photojournalists of the ’60s, including John Bryson, John Dominis, and Terry O’Neill. The photographs complement Talese’s character study, painting an incisive portrait of Sinatra in the recording studio, on location, out on the town, and with the eponymous cold, which reveals as much about a singular star persona as it does about the Hollywood machine.