Geoff Dyer – författare

Geoff Dyer had always wanted to write a book about D. H. Lawrence. He wanted, in fact, to write his "Lawrence book." The problem was, he had no idea what his "Lawrence book" would be though he was determined to write a "sober academic study." Luckily for the reader, he failed miserably. Out of Sheer Rage is a harrowing, comic, and grand act of literary deferral. At times a furious repudiation of the act of writing itself, this is not so much a book about Lawrence as a book about writing a book about Lawrence. As Lawrence wrote about his own study of Thomas Hardy, "It will be about anything but Thomas Hardy, I am afraid-queer stuff-but not bad."

Penguin presents the audiobook edition of ''Broadsword Calling Danny Boy'' by Geoff Dyer, read by Roy McMillan. From the acclaimed writer and critic Geoff Dyer, an extremely funny scene-by-scene analysis of Where Eagles Dare - published as the film reaches its 50th anniversaryA thrilling Alpine adventure starring a magnificent, bleary-eyed Richard Burton and a coolly anachronistic Clint Eastwood, Where Eagles Dare is the apex of 1960s war movies, by turns enjoyable and preposterous. ''Broadsword Calling Danny Boy'' is Geoff Dyer''s tribute to the film he has loved since childhood: an analysis taking us from its snowy, Teutonic opening credits to its vertigo-inducing climax. For those who have not even seen Where Eagles Dare, this book is a comic tour-de-force of criticism. But for the film''s legions of fans, whose hearts will always belong to Ron Goodwin''s theme tune, it will be the fulfilment of a dream.''Geoff Dyer''s funniest book yet. Who else would work in Martha Gellhorn on the first page of a book on the film Where Eagles Dare?'' Michael Ondaatje''One of our greatest living critics, not of the arts but of life itself, and one of our most original writers'' Kathryn Schulz, New York Magazine

Great photographs change the way we see the world; The Ongoing Moment changes the way we look at both.Focusing on the ways in which canonical figures like Alfred Stieglitz, Paul Strand, Walker Evans, André Kertész, Edward Weston, Dorothea Lange, Diane Arbus, and William Eggleston have photographed the same things—barber shops, benches, hands, roads, signs—award-winning writer Geoff Dyer seeks to identify their signature styles. In doing so, he constructs a narrative in which these photographers—many of whom never met—constantly encounter one another. The result is a kaleidoscopic work of extraordinary originality and insight.

From a writer whose mastery encompasses fiction, criticism, and the fertile realm between the two, comes a new book that confirms his reputation for the unexpected.In Zona, Geoff Dyer attempts to unlock the mysteries of a film that has haunted him ever since he first saw it thirty years ago: Andrei Tarkovsky’s Stalker, widely regarded as one of the greatest films of all time. (“Every single frame,” declared Cate Blanchett, “is burned into my retina.”) As Dyer guides us into the zone of Tarkovsky’s imagination, we realize that the film is only the entry point for a radically original investigation of the enduring questions of life, faith, and how to live. In a narrative that gives free rein to the brilliance of Dyer’s distinctive voice—acute observation, melancholy, comedy, lyricism, and occasional ill-temper—Zona takes us on a wonderfully unpredictable journey in which we try to fathom, and realize, our deepest wishes.Zona is one of the most unusual books ever written about film, and about how art—whether a film by a Russian director or a book by one of our most gifted contemporary writers—can shape the way we see the world and how we make our way through it.

One of Esquire''s best books of spring 2022An extended meditation on late style and last works from "one of our greatest living critics" (Kathryn Schulz, New York).When artists and athletes age, what happens to their work? Does it ripen or rot? Achieve a new serenity or succumb to an escalating torment? As our bodies decay, how do we keep on? In this beguiling meditation, Geoff Dyer sets his own encounter with late middle age against the last days and last works of writers, painters, footballers, musicians, and tennis stars who’ve mattered to him throughout his life. With a playful charm and penetrating intelligence, he recounts Friedrich Nietzsche’s breakdown in Turin, Bob Dylan’s reinventions of old songs, J. M. W. Turner’s paintings of abstracted light, John Coltrane’s cosmic melodies, Bjorn Borg’s defeats, and Beethoven’s final quartets—and considers the intensifications and modifications of experience that come when an ending is within sight. Throughout, he stresses the accomplishments of uncouth geniuses who defied convention, and went on doing so even when their beautiful youths were over.Ranging from Burning Man and the Doors to the nineteenth-century Alps and back, Dyer’s book on last things is also a book about how to go on living with art and beauty—and on the entrancing effect and sudden illumination that an Art Pepper solo or Annie Dillard reflection can engender in even the most jaded and ironic sensibilities. Praised by Steve Martin for his “hilarious tics” and by Tom Bissell as “perhaps the most bafflingly great prose writer at work in the English language today,” Dyer has now blended criticism, memoir, and humorous banter of the most serious kind into something entirely new. The Last Days of Roger Federer is a summation of Dyer’s passions, and the perfect introduction to his sly and joyous work.

Named a most anticipated book of 2025 by Vulture | The Guardian | Financial Times | The Observer | The Times (London) | Literary Hub"A picture of postwar England unlike any other . . . A highly original memoir that will provoke, amuse, beguile—and endure." —Antony Quinn, Financial Times"Homework is wonderful Geoff-Dyer writing, which we''ve all learned to crave; something to delight and to move us and to edify us on every page. I find him an irresistible writer." —Richard FordA portrait of a young boy, who keeps passing exams—and of a changing England in the 1960s and 1970s.The only child of a sheet-metal worker and a dinner lady who worked at the canteen of the local school, Geoff Dyer grew up in a world shaped by memories of the Depression and the Second World War. But far from being a story of hardship overcome, this loving memoir is a celebration of opportunities afforded by the postwar settlement, of which the author was an unconscious beneficiary. The crux comes at the age of eleven with the exam that decided the future of generations of British schoolkids: secondary modern or the transformative possibilities of grammar school? One of the lucky winners, Dyer goes to grammar school, where he develops a love of literature (and beer and prog rock).Mapping a path from primary school through the tribulations of teenage sport, gig-going, romantic fumblings, fights (well, getting punched in the face), and other misadventures with comic affection, Homework takes us to the threshold of university, where Dyer gets the first intimations that a short geographical journey—just forty miles—might extend to the length of a life.Recalling an eroded but strangely resilient England, Homework traces, in perfectly phrased and hilarious detail, roots that extend into the deep foundations of class society.