The prehistoric native peoples of the Mississippi River Valley and other areas of the Eastern Woodlands of the United States shared a complex set of symbols and motifs that constituted one of the greatest artistic traditions of the pre-Columbian Americas. Traditionally known as the Southeastern Ceremonial Complex, these artifacts of copper, shell, stone, clay, and wood were the subject of the groundbreaking 2007 book Ancient Objects and Sacred Realms: Interpretations of Mississippian Iconography, which presented a major reconstruction of the rituals, cosmology, ideology, and political structures of the Mississippian peoples.Visualizing the Sacred advances the study of Mississippian iconography by delving into the regional variations within what is now known as the Mississippian Iconographic Interaction Sphere (MIIS). Bringing archaeological, ethnographic, ethnohistoric, and iconographic perspectives to the analysis of Mississippian art, contributors from several disciplines discuss variations in symbols and motifs among major sites and regions across a wide span of time and also consider what visual symbols reveal about elite status in diverse political environments. These findings represent the first formal identification of style regions within the Mississippian Iconographic Interaction Sphere and call for a new understanding of the MIIS as a network of localized, yet interrelated religious systems that experienced both continuity and change over time.

This book offers a fascinating review of native American myths. Modern Westerners say the lights in the sky are stars, but culturally they are whatever we humans say they are. Some say they are Forces that determine human lives, some declare they are burning gaseous masses, and some see them as reminders of a gloried past by which elders can teach and guide the young - mnemonics for narratives. Lankford's volume focuses on the ancient North Americans and the ways in which they identified, patterned, ordered, and used the stars to light their culture and illuminate their traditions. They knew them as regions that could be visited by human spirits, and so the lights for them were not distant points of light, but ""reachable stars."" Guided by the night sky and its constellations, they created oral traditions, or myths, that contained their wisdom and which they used to pass on to succeeding generations their particular world view. However, they did not all tell the same stories. This study uses that fact - patterns of agreement and disagreement - to discover prehistoric relationships between Indian groups. Which groups saw a constellation in the same way and told the same story? How did that happen? Although these preliterate societies left no written records, the mythic patterns across generations and cultures enable contemporary researchers to examine the differences in how they understood the universe - not as early scientists, but as creators of cosmic order. In the process of doing that, the myth-tellers left the footprints of their international cultural relationships behind them. ""Reachable Stars"" is the story of their stories.

“The 131 texts assembled here suggest the breadth and richness of the dozens of oral traditions from which they originated.” —CHOICE

Modern Westerners say the lights in the sky are stars, but culturally they are whatever we humans say they are. Some say they are Forces that determine human lives, some declare they are burning gaseous masses, and some see them as reminders of a gloried past by which elders can teach and guide the young—mnemonics for narratives. Lankford’s volume focuses on the ancient North Americans and the ways they identified, patterned, ordered, and used the stars to light their culture and illuminate their traditions. They knew them as regions that could be visited by human spirits, and so the lights for them were not distant points of light, but “reachable stars.” Guided by the night sky and its constellations, they created oral traditions, or myths, that contained their wisdom and which they used to pass on to succeeding generations their particular world view.   However, they did not all tell the same stories. This study uses that fact—patterns of agreement and disagreement—to discover prehistoric relationships between Indian groups. Which groups saw a constellation in the same way and told the same story? How did that happen? Although these preliterate societies left no written records, the mythic patterns across generations and cultures enable contemporary researchers to examine the differences in how they understood the universe—not as early scientists, but as creators of cosmic order. In the process of doing that, the myth-tellers left the footprints of their international cultural relationships behind them. Reachable Stars is the story of their stories.

All students of the past bump into what seem to be impenetrable walls and are left looking longingly beyond the barrier for the lore that seems hopelessly lost. This book is an argument that all that information is not necessarily lost. It may just need a different approach–perhaps multidisciplinary, perhaps a new method, or maybe just with a new hypothesis for testing. Vanished societies have left behind masses of raw data, but it is up to us to discover new ways to look through these windows into the past.   Especially in light of the growing relationship—and tensions—between cultural traditions and scientific inquiry, Lankford’s breadth of knowledge, long-term engagement with the issues, and excellent writing style bring clarity to this issue. It is not an easy process, but it is engaging. Any puzzle-solver will find this sort of historical detective work worth the effort.

The prehistoric native peoples of the Mississippi River Valley and other areas of the Eastern Woodlands of the United States shared a complex set of symbols and motifs that constituted one of the greatest artistic traditions of the pre-Columbian Americas. Traditionally known as the Southeastern Ceremonial Complex, these artifacts of copper, shell, stone, clay, and wood were the subject of the groundbreaking 2007 book Ancient Objects and Sacred Realms: Interpretations of Mississippian Iconography, which presented a major reconstruction of the rituals, cosmology, ideology, and political structures of the Mississippian peoples.Visualizing the Sacred advances the study of Mississippian iconography by delving into the regional variations within what is now known as the Mississippian Iconographic Interaction Sphere (MIIS). Bringing archaeological, ethnographic, ethnohistoric, and iconographic perspectives to the analysis of Mississippian art, contributors from several disciplines discuss variations in symbols and motifs among major sites and regions across a wide span of time and also consider what visual symbols reveal about elite status in diverse political environments. These findings represent the first formal identification of style regions within the Mississippian Iconographic Interaction Sphere and call for a new understanding of the MIIS as a network of localized, yet interrelated religious systems that experienced both continuity and change over time.

This book offers a fascinating review of native American myths. Modern Westerners say the lights in the sky are stars, but culturally they are whatever we humans say they are. Some say they are Forces that determine human lives, some declare they are burning gaseous masses, and some see them as reminders of a gloried past by which elders can teach and guide the young - mnemonics for narratives. Lankford's volume focuses on the ancient North Americans and the ways in which they identified, patterned, ordered, and used the stars to light their culture and illuminate their traditions. They knew them as regions that could be visited by human spirits, and so the lights for them were not distant points of light, but ""reachable stars."" Guided by the night sky and its constellations, they created oral traditions, or myths, that contained their wisdom and which they used to pass on to succeeding generations their particular world view. However, they did not all tell the same stories. This study uses that fact - patterns of agreement and disagreement - to discover prehistoric relationships between Indian groups. Which groups saw a constellation in the same way and told the same story? How did that happen? Although these preliterate societies left no written records, the mythic patterns across generations and cultures enable contemporary researchers to examine the differences in how they understood the universe - not as early scientists, but as creators of cosmic order. In the process of doing that, the myth-tellers left the footprints of their international cultural relationships behind them. ""Reachable Stars"" is the story of their stories.

“The 131 texts assembled here suggest the breadth and richness of the dozens of oral traditions from which they originated.” —CHOICE

Modern Westerners say the lights in the sky are stars, but culturally they are whatever we humans say they are. Some say they are Forces that determine human lives, some declare they are burning gaseous masses, and some see them as reminders of a gloried past by which elders can teach and guide the young—mnemonics for narratives. Lankford’s volume focuses on the ancient North Americans and the ways they identified, patterned, ordered, and used the stars to light their culture and illuminate their traditions. They knew them as regions that could be visited by human spirits, and so the lights for them were not distant points of light, but “reachable stars.” Guided by the night sky and its constellations, they created oral traditions, or myths, that contained their wisdom and which they used to pass on to succeeding generations their particular world view.   However, they did not all tell the same stories. This study uses that fact—patterns of agreement and disagreement—to discover prehistoric relationships between Indian groups. Which groups saw a constellation in the same way and told the same story? How did that happen? Although these preliterate societies left no written records, the mythic patterns across generations and cultures enable contemporary researchers to examine the differences in how they understood the universe—not as early scientists, but as creators of cosmic order. In the process of doing that, the myth-tellers left the footprints of their international cultural relationships behind them. Reachable Stars is the story of their stories.

All students of the past bump into what seem to be impenetrable walls and are left looking longingly beyond the barrier for the lore that seems hopelessly lost. This book is an argument that all that information is not necessarily lost. It may just need a different approach–perhaps multidisciplinary, perhaps a new method, or maybe just with a new hypothesis for testing. Vanished societies have left behind masses of raw data, but it is up to us to discover new ways to look through these windows into the past.   Especially in light of the growing relationship—and tensions—between cultural traditions and scientific inquiry, Lankford’s breadth of knowledge, long-term engagement with the issues, and excellent writing style bring clarity to this issue. It is not an easy process, but it is engaging. Any puzzle-solver will find this sort of historical detective work worth the effort.