Giles Gunn – författare

The writings of William James represent one of America's most original contributions to the history of ideas. Ranging from philosophy and psychology to religion and politics, James composed the most engaging formulation of American pragmatism. 'Pragmatism' grew out of a set of lectures and the full text is included here along with 'The Meaning of Truth', 'Psychology', 'The Will to Believe', and 'Talks to Teachers on Psychology'.

In a unique and probing analysis, this study examines the function of literary criticism in religious studies and explores the relation of literature to religion in the works of major American writers.

From the days of discovery, when America was for Europeans more dream than reality, to our own days of disillusionment and faltering hope, poets, philosophers, historians, novelists, and theologians have drawn on religious themes and motifs to express the meaning of their encounter with America. Here, in more than one hundred selections, is the record of their quest for a New World metaphysicsDLa spiritual narrative of hope and order expressive of the Americanexperience.Comprehensive in scope, New World Metaphysics draws on a diverse body of material, ranging from travel narratives and personal diaries to lyric poetry and theologicaltreatises, by such writers as Shakespeare, Anne Bradstreet, Jonathan Edwards, Benjamin Franklin, Ralph Waldo Emerson, William James, H. L. Mencken, John Dewey, Reinhold Niebuhr, Malcolm X, and Norman Mailer. Introductions by the editor highlight the principal themes.

This important new work is at once a provocative defence of the kind of moral reflection once associated in America with the writings of Lionel Trilling and Edmund Wilson and an acknowledgement that this pragmatic legacy must be revaluated in the light of challenges posed by structuralist and post-structuralist theory. Gunn challenges the assumptions of modern criticism with a revised interpretation of pragmatism and its critical legacy.

This collection gathers together original essays dealing with Melville's relations with his historical era, with class, with the marketplace, with ethnic otherness, and with religion. These essays are framed by a new, short biography by Robert Milder, an introduction by Giles Gunn, an illustrated chronology, and a bibliographical essay. Taken together, these pieces afford a fresh and searching set of perspectives on Melville's connections both with his own age and also with our own. This book makes the case, as does no other collection of criticism of its size, for Melville's commanding centrality to nineteenth-century American writing.

In this text Giles Gunn asks how human solidarity can be reconceived when its expressions have become increasingly exceptionalist and outmoded, and when the pressures of globalization divide as much as they unify. Drawing on the work of Williams and Henry James, John Dewey, Primo Levi, Richard Rorty and others, as well as postcolonial writings, Jewish literature of the holocaust and the cultural and religious experience of African Americans in slavery, Gunn points pragmatism in a transnational direction and shows how it can better account for the consequences of diversity.

In this text Giles Gunn asks how human solidarity can be reconceived when its expressions have become increasingly exceptionalist and outmoded, and when the pressures of globalization divide as much as they unify. Drawing on the work of Williams and Henry James, John Dewey, Primo Levi, Richard Rorty and others, as well as postcolonial writings, Jewish literature of the holocaust and the cultural and religious experience of African Americans in slavery, Gunn points pragmatism in a transnational direction and shows how it can better account for the consequences of diversity.

In Thinking Across the American Grain Giles Gunn makes a major contribution to the current revival of pragmatism in America by showing how it provides the most critically resilient and constructive response to the intellectual challenges of postmodernism. Gunn reclaims and refurbishes elements of the pragmatic tradition that either have been lost or have undergone important changes and shows how newer critical approaches have strong roots in the pragmatic tradition. For Gunn, pragmatism is no longer concerned solely with the nature of knowledge and the meaning of truth. Because of its insistence on critical self-awareness, its opposition to closed systems of thought, and its concern with the ethical, political, and practical contexts of ideas, pragmatism offers a blueprint for performing intellectual work in a world without absolutes. The world Gunn's pragmatism recognizes is one of multiple truths, unstable interpretations, and competing interests. After critically reexamining the nature and scope of the pragmatic legacy, Gunn explores the way pragmatism successfully responds to conceptual and methodological controversies, from the rebirth of ideology, the spread of interdisciplinarity, and the development of the new historicism, to the revolt against theory, the erosion of public discourse, and the problematics of American civil religion. Drawing throughout on the work of William James, Henry James, Sr., John Dewey, Kenneth Burke, W. E. B. Du Bois, Richard Poirier, Stanley Cavell, Clifford Geertz, Frank Lentricchia, Richard Rorty, Richard J. Bernstein, and others, Gunn shows that pragmatism, because it offers a way of thinking across the categories of modern intellectual specializations, is located at the intersection of these critical, and often competitive, discourses. The postmodern challenge for the pragmatist thinker is not only how to render these different discourses conversible with one another, but how to turn the salient insights of each into elements of a new democratic and critical public culture, one able to counter the twin threats of ideology and solipsism. Giles Gunn is one of our most acclaimed contemporary critics, and this broad and ambitious book is certain to become one of the central works in the current revival of critical pragmatism and cultural studies.

Cosmopolitanism and Its Discontents seeks to address the kinds of challenges that cosmopolitan perspectives and practices face in a world organized increasingly in relation to a proliferating series of global absolutisms – religious, political, social, and economic. While these challenges are often used to support the claim that cosmopolitanism is impotent to resist such totalizing ideologies because it is either a Western conceit or a globalist fiction, Gunn argues that cosmopolitanism is neither. Situating his discussion in an emphatically global context, Gunn shows how cosmopolitanism has been effective in resisting such essentialisms and authoritarianisms precisely because it is more pragmatic than prescriptive, more self-critical than self-interested and finds several of its foremost recent expressions in the work of an Indian philosopher, a Palestinian writer, and South African story-tellers. This kind of cosmopolitanism offers a genuine ethical alternative to the politics of dogmatism and extremism because it is grounded on a new delineation of the human and opens toward a new, indeed, an "other," humanism.

Cosmopolitanism and Its Discontents seeks to address the kinds of challenges that cosmopolitan perspectives and practices face in a world organized increasingly in relation to a proliferating series of global absolutisms – religious, political, social, and economic. While these challenges are often used to support the claim that cosmopolitanism is impotent to resist such totalizing ideologies because it is either a Western conceit or a globalist fiction, Gunn argues that cosmopolitanism is neither. Situating his discussion in an emphatically global context, Gunn shows how cosmopolitanism has been effective in resisting such essentialisms and authoritarianisms precisely because it is more pragmatic than prescriptive, more self-critical than self-interested and finds several of its foremost recent expressions in the work of an Indian philosopher, a Palestinian writer, and South African story-tellers. This kind of cosmopolitanism offers a genuine ethical alternative to the politics of dogmatism and extremism because it is grounded on a new delineation of the human and opens toward a new, indeed, an "other," humanism.

The attempt by the George W. Bush administration to reshape world order, especially but not exclusively after September 11, 2001, increasingly appears to have resulted in a catastrophic "misshaping" of geopolitics in the wake of bungled campaigns in the Middle East and their many reverberations worldwide. Journalists and scholars are now trying to understand what happened, and this volume explores the role of culture and rhetoric in this process of geopolitical transformation. What difference do cultural concepts and values make to the cognitive and emotional weather of which, at various levels, international politics is both consequence and perceived corrective? The distinguished scholars in this multidisciplinary volume bring the tools of cultural analysis to the profound ongoing debate about how geopolitics is mapped and what determines its governance.

Over the course of his distinguished interdisciplinary career, Giles Gunn has sustained his focus on the continuing threats to our collective sense of the human that seem to result from the link between the collision of fundamental values and the increase of systemic violence. He asks whether such threats can be at least mitigated, even if not removed, by understanding as opposed to force and what resources a more pragmatic cosmopolitanism might provide for doing so. How, in other words, might our sense of the human be reconstructed, not around suspicion or antipathy toward others, but around an epistemological and moral need of them?In this narrativized collection of his essays, Gunn introduces each one with a set of comments designed to explain his goal when first writing them and what they mean to him now. The variety of issues he addresses ranges from the theory of culture and cultural criticism (particularly in America), the philosophy of inter- and cross-disciplinary studies, and the psychology and politics of pragmatism to the ethics of human solidarity, the place of culture in the misshaping of international affairs, and the quest of both religion and culture for a new basis for the normative.

In The Pragmatist Turn, renowned scholar of American literature and thought Giles Gunn offers a new critical history of the way seventeenth-century religion and the eighteenth-century Enlightenment influenced the formation of subsequent American writing. This shaping was dependent on their pragmatic refiguration less as systems of belief and thought than as frames of reflection and structures of feeling, what he calls spiritual imaginaries.Drawing on a large number of figures from earlier periods and examining how they influenced generations of writers from the nineteenth century into the early twenty-first —including Henry Adams, Frederick Douglass, Emily Dickinson, Herman Melville, William James, Henry James, Kenneth Burke, and Toni Morrison—Gunn reveals how the idea or symbolic imaginary of ""America"" itself was drastically altered in the process.As only a seasoned scholar can, Gunn here presents the history of American religion and literature in broad strokes necessary to reveal the seismic philosophical shifts that helped form the American canon.

In The Pragmatist Turn, renowned scholar of American literature and thought Giles Gunn offers a new critical history of the way seventeenth-century religion and the eighteenth-century Enlightenment influenced the formation of subsequent American writing. This shaping was dependent on their pragmatic refiguration less as systems of belief and thought than as frames of reflection and structures of feeling, what he calls spiritual imaginaries.Drawing on a large number of figures from earlier periods and examining how they influenced generations of writers from the nineteenth century into the early twenty-first —including Henry Adams, Frederick Douglass, Emily Dickinson, Herman Melville, William James, Henry James, Kenneth Burke, and Toni Morrison—Gunn reveals how the idea or symbolic imaginary of ""America"" itself was drastically altered in the process.As only a seasoned scholar can, Gunn here presents the history of American religion and literature in broad strokes necessary to reveal the seismic philosophical shifts that helped form the American canon.

Introduces students to the ways that the world has been woven into a system of interrelated, but far from completely integrated, processes, interactions, and transformations since long before the beginning of the Common Era. The readings reflect patterns of transmission, dispersion, and exchange that reveal how the world has operated.