Gladys-Marie Fry – författare
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2 produkter
2 produkter
Häftad, Engelska, 2001
451 kr
Skickas inom 10-15 vardagar
How myths and lore reflect a time of terror During and after the days of slavery in the United States, one way in which slaveowners, overseers, and other whites sought to control the black population was to encourage and exploit a fear of the supernatural. By planting rumors of evil spirits, haunted places, body-snatchers, and ""night doctors"" - even by masquerading as ghosts themselves - they discouraged the unauthorized movement of blacks, particularly at night, by making them afraid of meeting otherworldly beings. Blacks out after dark also risked encounters with ""patterollers"" (mounted surveillance patrols) or, following the Civil War, the Ku Klux Klan. Whatever their guise, all of these ""night riders"" had one purpose: to manipulate blacks through terror and intimidation. First published in 1975, this book explores the gruesome figure of the night rider in black folk history. Gladys-Marie Fry skillfully draws on oral history sources to show that, quite apart from its veracity, such lore became an important facet of the lived experience of blacks in America. This classic work continues to be a rich source for students and teachers of folklore, African American history, and slavery and postemancipation studies.
Häftad, Engelska, 2002
418 kr
Skickas
Celebrates the artistry of enslaved quilters; This richly illustrated book offers a glimpse into the lives and creativity of African American quilters during the era of slavery. Originally published in 1989, Stitched from the Soul was the first book to examine the history of quilting in the enslaved community and to place slave-made quilts into historical and cultural context. It remains a beautiful and moving tribute to an African American tradition. Undertaking a national search to locate slave-crafted textiles, Gladys-Marie Fry uncovered a treasure trove of pieces. The 123 color and black and white photographs featured here highlight many of the finest and most interesting examples of the quilts, woven coverlets, counterpanes, rag rugs, and crocheted artifacts attributed to slave women and men. In a new preface, Fry reflects on the inspiration behind her original research - the desire to learn more about her enslaved great-great-grandmother, a skilled seamstress - and on the deep and often emotional chords the book has struck among readers bonded by an interest in African American artistry.