Glen Dudbridge – författare

In Chinese legend, the princess Miaoshan defied her father by refusing to marry, and pursued her austere religious vocation to the death, but returned to life to be his saviour and the saviour of all mankind. The story is inseparable from the female bodhisattva Guanyin, whose cult dominated religious life at all levels in traditional China and is still powerful in rural China today. Miaoshan herself became a lasting symbol of the tension in women''s lives between individual spiritual fulfilment and the imperatives of family duty.The previous edition of this book was the first full monograph on the subject. It deals with the story''s background, early history, and more developed later versions, bringing much of this material to the attention of modern readers for the first time. It analyses the basic sources, many of them in Buddhist scripture, and the overall pattern of development. It finally offers a range of interpretations which discover here myths of religious celibacy, of filial piety, and of ritual salvation of the dead. The legend of Miaoshan spans the uncertain boundaries between Chinese popular literature, theatre, and religion, and this book directly addresses students of those fields. But it holds a larger significance for those interested in the position of women in traditional society, and students of comparative literature and folklore will find here a version of the ''King Lear'' story.This new edition takes account of epigraphical evidence, discovered and accessed since the time of first publication, which enriches and refines the discussion. This and other additional evidence, introduced for the sake of a more complete picture, leave the argument and conclusions of the original study still essentially intact.

The anecdotal literature of late-medieval China is not unknown, but it is under-used. Glen Dudbridge explores two collections of anecdotal memoirs to construct an intimate portrait of the first half of the tenth century as seen by people who lived through it. The author Wang Renyu''s adult life coincided closely with that period, and his memoirs, though not directly transmitted, can be largely recovered from encyclopaedia quotations. His experience led from early lifeon the north-west border with Tibet, through service with the kingdom of Shu, to a mainstream career under four successive dynasties in northern China. He bore personal witness to some great events, but also travelled widely and transcribed material from a lifetime of conversations with colleaguesin the imperial Hanlin Academy.The study first sets Wang''s life in its historical context and discusses the nature and value of his memoirs. It then pursues a number of underlying themes that run through the collections, presenting nearly 80 distinct items in translation. Together these offer a characterization of an age of inter-regional warfare in which individual lives, not grand historical narrative, form the focus. A nuanced self-portrait of the author emerges, combining features that seem alien to modern values withothers that seem more familiar.Four appendixes give the text of the author''s tombstone epitaph; a detailed list of his surviving memoir items; data from Song catalogues on the early transmission of his writings; and Wang Renyu''s own definition of the four musical modes inherited from the Tang dynasty.

In Chinese legend, the princess Miaoshan defied her father by refusing to marry, and pursued her austere religious vocation to the death, but returned to life to be his saviour and the saviour of all mankind. The story is inseparable from the female bodhisattva Guanyin, whose cult dominated religious life at all levels in traditional China and is still powerful in rural China today. Miaoshan herself became a lasting symbol of the tension in women's lives between individual spiritual fulfilment and the imperatives of family duty.The previous edition of this book was the first full monograph on the subject. It deals with the story's background, early history, and more developed later versions, bringing much of this material to the attention of modern readers for the first time. It analyses the basic sources, many of them in Buddhist scripture, and the overall pattern of development. It finally offers a range of interpretations which discover here myths of religious celibacy, of filial piety, and of ritual salvation of the dead.The legend of Miaoshan spans the uncertain boundaries between Chinese popular literature, theatre, and religion, and this book directly addresses students of those fields. But it holds a larger significance for those interested in the position of women in traditional society, and students of comparative literature and folklore will find here a version of the 'King Lear' story.This new edition takes account of epigraphical evidence, discovered and accessed since the time of first publication, which enriches and refines the discussion. This and other additional evidence, introduced for the sake of a more complete picture, leave the argument and conclusions of the original study still essentially intact.

The anecdotal literature of late-medieval China is not unknown, but it is under-used. Glen Dudbridge explores two collections of anecdotal memoirs to construct an intimate portrait of the first half of the tenth century as seen by people who lived through it. The author Wang Renyu's adult life coincided closely with that period, and his memoirs, though not directly transmitted, can be largely recovered from encyclopaedia quotations. His experience led from early life on the north-west border with Tibet, through service with the kingdom of Shu, to a mainstream career under four successive dynasties in northern China. He bore personal witness to some great events, but also travelled widely and transcribed material from a lifetime of conversations with colleagues in the imperial Hanlin Academy. The study first sets Wang's life in its historical context and discusses the nature and value of his memoirs. It then pursues a number of underlying themes that run through the collections, presenting nearly 80 distinct items in translation. Together these offer a characterization of an age of inter-regional warfare in which individual lives, not grand historical narrative, form the focus. A nuanced self-portrait of the author emerges, combining features that seem alien to modern values with others that seem more familiar. Four appendixes give the text of the author's tombstone epitaph; a detailed list of his surviving memoir items; data from Song catalogues on the early transmission of his writings; and Wang Renyu's own definition of the four musical modes inherited from the Tang dynasty.

A study of the early versions of the classic Chinese novel known to readers in English as Monkey. Dr Dudbridge examines a long tradition of earlier versions in narrative and dramatic form through which the great episodic cycle slowly took shape. The two main fields of interest are popular culture and folklore and the development of Chinese vernacular literature. Dr Dudbridge provides a very thorough survey of present knowledge about the whole topic and discusses critically a good deal of theorising about it. This is a study for experts. It uses Chinese characters, both in text pages and in the bibliography, which is very extensive. The plates reproduce paintings, carvings and sections of text relevant to the tradition.

The remains of Tai Fu's lost collection Kuang-i chi ('The Great Book of Marvels') preserve three hundred short tales of encounters with the other world. This study develops a style of close reading through which those tales give access to the lives of individuals in eighth-century China. Through the eyes of a mid-century county official the picture emerges of a complex lay society, served by a mixed priesthood of ritual practitioners, whose members' lives at all levels were profoundly shaped by their perceived experience of contact with the other world. It was a society embarking on fundamental change, and this book uses the sharp historical focus of Tai Fu's collection to study the dynamics of that change. The work gracefully reveals the transition from the beliefs and institutions of early mediaeval China towards those we now recognize as modern.

The remains of Tai Fu's lost collection Kuang-i chi ('The Great Book of Marvels') preserve three hundred short tales of encounters with the other world. This study develops a style of close reading through which those tales give access to the lives of individuals in eighth-century China. Through the eyes of a mid-century county official the picture emerges of a complex lay society, served by a mixed priesthood of ritual practitioners, whose members' lives at all levels were profoundly shaped by their perceived experience of contact with the other world. It was a society embarking on fundamental change, and this book uses the sharp historical focus of Tai Fu's collection to study the dynamics of that change. The work gracefully reveals the transition from the beliefs and institutions of early mediaeval China towards those we now recognize as modern.