Hannah Roche – författare
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2 produkter
2 produkter
Häftad, Engelska, 2024
122 kr
Skickas inom 5-8 vardagar
'If our love is a sin, then heaven must be full of such tender and selfless sinning as ours.'The Well of Loneliness is among the most famous banned books in history. A pioneering work of literature, Radclyffe Hall's novel charts the development of a 'female sexual invert', Stephen Gordon, who from childhood feels an innate sense of masculinity and desire for women. After relocating from Malvern to London and then to Paris, Stephen encounters fellow queer characters from all walks of life, from the sapphic salon hostess Valérie Seymour to the 'miserable army' of outcasts that frequents the 'merciless, drug-dealing, death-dealing' bars of Montmartre. Although Stephen and her acquaintances, allies, and antagonists are of their time, Hall's novel has offered support and solidarity to generations of LGBTQ+ readers, and it continues to shape debates about gender and sexuality today.This edition highlights previously overlooked points of influence, inspiration, and connections with other texts as well as situating the novel in historical contexts. In addition, the editors provide vital insights into Hall's engagement with religion, sexology, literary history, and popular culture.
Inbunden, Engelska, 2019
567 kr
Skickas inom 5-8 vardagar
In a lecture delivered before the University of Oxford’s Anglo-French Society in 1936, Gertrude Stein described romance as “the outside thing, that . . . is always a thing to be felt inside.” Hannah Roche takes Stein’s definition as a principle for the reinterpretation of three major modernist lesbian writers, showing how literary and affective romance played a crucial yet overlooked role in the works of Stein, Radclyffe Hall, and Djuna Barnes. The Outside Thing offers original readings of both canonical and peripheral texts, including Stein’s first novel Q.E.D. (Things As They Are), Hall’s Adam’s Breed and The Well of Loneliness, and Barnes’s early writing alongside Nightwood.Is there an inside space for lesbian writing, or must it always seek refuge elsewhere? Crossing established lines of demarcation between the in and the out, the real and the romantic, and the Victorian and the modernist, The Outside Thing presents romance as a heterosexual plot upon which lesbian writers willfully set up camp. These writers boldly adopted and adapted the romance genre, Roche argues, as a means of staking a queer claim on a heteronormative institution. Refusing to submit or surrender to the “straight” traditions of the romance plot, they turned the rules to their advantage. Drawing upon extensive archival research, The Outside Thing is a significant rethinking of the interconnections between queer writing, lesbian living, and literary modernism.