Hans Walter Gabler – författare
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8 produkter
8 produkter
1 165 kr
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Over the past decade, Anglo-American notions of textual construction and editorial theory have begun major paradigm shifts. Many of the key emergent issues of Anglo-American debate -- such as theories of versions - -are already familiar in German theory. In other respects, including systematic reflection on the design and function of editorial apparatus, the German debate has already produced paradigms and procedures as yet unformulated in English. Contemporary German Editorial Theory makes available for the first time in English ten major essays by seven German theorists, together with an original introductory meditation by Hans Walter Gabler, editor of the celebrated edition of James Joyce's Ulysses. The volume thus participates in the paradigm shift in editorial theory that has led both to theoretical reconception of the field and to groundbreaking practical results. Topics discussed include the distinction between historical record and editor's interpretation, the display of multiple versions, concepts of authorization and intention, and the relations of textual theory to approaches like deconstruction and semiotics. The book also includes suggestions for further reading in both languages and a glossary of technical terms. Bringing together the heretofore separate Anglo-American and German approaches will strengthen each separately and prepare the way for a new hybrid combining the advantages of both orientations. Contributors are Hans Zeller, Miroslav Červenka, Elisabeth Höpker-Herberg, Gunter Martens, Henning Boetius, Siegfried Scheibe, and Gerhard Seidel.
668 kr
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First published in 1993. The seminal invention for James Joyce's A Portrait of the Artist as a Young Man was the narrative essay A Portrait of the Artist’. This reprinting also includes an introduction of its origin to publication in 1914 as a serialised narrative in ‘The Egoist’ journal.
416 kr
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First published in 1993. The seminal invention for James Joyce's A Portrait of the Artist as a Young Man was the narrative essay A Portrait of the Artist’. This reprinting also includes an introduction of its origin to publication in 1914 as a serialised narrative in ‘The Egoist’ journal.
508 kr
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714 kr
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554 kr
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776 kr
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1 339 kr
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Textual scholarship has always been closely linked to questions of canonicity, both in terms of what texts are edited and how they are edited. As attitudes towards the canon have altered over the last decade, textual scholarship too has changed, both in practice and theory. The essays in this collection examine the connections between textual scholarship and the canon, and the implications for textual scholarship of changing attitudes to the canon within the wider academic environment. As is now characteristic of Variants, essays range widely over time and space in their focus, reflecting the breadth of the Society’s membership and interests. Two essays focus on different aspects of the distinctive Lithuanian experience of the canon. Other essays trace the influence of the concept in Sweden, the problematic nature of the canon when dealing with unstable medieval texts, the debate within the German scholarly community about modes of editing, developments in the canon outside the academic world in the last decades, and an account of the problems of editing a very non-canonical text. Three essays not linked to the theme of the volume close the collection: an account of the galley proofs of Pynchon’s V., a survey of developments in book design for scholarly editions through print and beyond, and an account of the reception of Ossian, which fuses book history, textual scholarship and intellectual history.