Helen Southworth – författare
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13 produkter
13 produkter
Häftad, Engelska, 2025
91 kr
Skickas inom 5-8 vardagar
'Nothing is real except the dance, the light, the freedom, the music.'Colette's semi-autobiographical novel The Vagabond (1910) follows thirty-three-year-old Renée Néré as she embarks on a stage career after a divorce from philandering ex-husband, painter Adolphe Taillandy. Unlike the earlier Claudine series, which began as a collaboration between Colette and her first husband, Colette worked alone on The Vagabond to create a leading lady navigating the Parisian working world on her own terms. The music hall performers are Renée's familiars and confidants, her fellow vagabonds; for the first time, the reader is offered a look behind the scenes from a woman's perspective, a view enabled by Colette's own simultaneous experience as writer and dancer. Unambiguously feminist and unabashedly sensual, The Vagabond established Colette as a serious novelist, showcasing her talent as an observer of the natural world and a painter of the beauty of the human form.Frances Egan's new translation provides a fresh take on Colette's voice, offering a highly readable text which pulls readers into Renée's world, while preserving as much of the original context as possible to bring Paris, the music hall, and its crew of vagabonds, to life. Attention is paid to Colette's depiction of class, race, and gender. Helen Southworth's in-depth introduction places the book in the context of Colette's life, offers background on Belle Epoque theatre and feminisms, and traces its reception and its importance to readers from Colette's time to our own. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around theglobe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of othervaluable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies forfurther study, and much more.
E-bok
PDF, Engelska, 202580 kr
Läs direkt efter köp
'Nothing is real except the dance, the light, the freedom, the music.'Colette's semi-autobiographical novel The Vagabond (1910) follows thirty-three-year-old RenA(c)e NA(c)rA(c) as she embarks on a stage career after a divorce from philandering ex-husband, painter Adolphe Taillandy. Unlike the earlier Claudine series, which began as a collaboration between Colette and her first husband, Colette worked alone on The Vagabond to create a leading lady navigating the Parisian working world on her own terms. The music hall performers are RenA(c)e's familiars and confidants, her fellow vagabonds; for the first time, the reader is offered a look behind the scenes from a woman's perspective, a view enabled by Colette's own simultaneous experience as writer and dancer. Unambiguously feminist and unabashedly sensual, The Vagabond established Colette as a serious novelist, showcasing her talent as an observer of the natural world and a painter of the beauty of the human form.Frances Egan's new translation provides a fresh take on Colette's voice, offering a highly readable text which pulls readers into RenA(c)e's world, while preserving as much of the original context as possible to bring Paris, the music hall, and its crew of vagabonds, to life. Attention is paid to Colette's depiction of class, race, and gender. Helen Southworth's in-depth introduction places the book in the context of Colette's life, offers background on Belle Epoque theatre and feminisms, and traces its reception and its importance to readers from Colette's time to our own. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around theglobe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of othervaluable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies forfurther study, and much more.
E-bok
Engelska, 202580 kr
Läs direkt efter köp
'Nothing is real except the dance, the light, the freedom, the music.'Colette's semi-autobiographical novel The Vagabond (1910) follows thirty-three-year-old RenA(c)e NA(c)rA(c) as she embarks on a stage career after a divorce from philandering ex-husband, painter Adolphe Taillandy. Unlike the earlier Claudine series, which began as a collaboration between Colette and her first husband, Colette worked alone on The Vagabond to create a leading lady navigating the Parisian working world on her own terms. The music hall performers are RenA(c)e's familiars and confidants, her fellow vagabonds; for the first time, the reader is offered a look behind the scenes from a woman's perspective, a view enabled by Colette's own simultaneous experience as writer and dancer. Unambiguously feminist and unabashedly sensual, The Vagabond established Colette as a serious novelist, showcasing her talent as an observer of the natural world and a painter of the beauty of the human form.Frances Egan's new translation provides a fresh take on Colette's voice, offering a highly readable text which pulls readers into RenA(c)e's world, while preserving as much of the original context as possible to bring Paris, the music hall, and its crew of vagabonds, to life. Attention is paid to Colette's depiction of class, race, and gender. Helen Southworth's in-depth introduction places the book in the context of Colette's life, offers background on Belle Epoque theatre and feminisms, and traces its reception and its importance to readers from Colette's time to our own. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around theglobe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of othervaluable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies forfurther study, and much more.
Häftad, Engelska, 2012
376 kr
Skickas inom 11-20 vardagar
'These essays catalyze a vital critical dialogue about how the "real" world of publishing and book production reflexively shaped the Woolfs’ aesthetic and political worldviews... important reading not just for Woolf critics, but also for those more generally interested in the history of the book, modernist publishing, network theory, and cultural studies.'Alice Staveley, Stanford University, Woolf Studies AnnualThis multi-authored volume focuses on Leonard and Virginia Woolf's Hogarth Press (1917-1941). Scholars from the UK and the US use previously unpublished archival materials and new methodological frameworks to explore the relationships forged by the Woolfs via the Press and to gauge the impact of their editorial choices on writing and culture. Combining literary criticism, book history, biography and sociology, the chapters weave together the stories of the lesser known authors, artists and press workers with the canonical names linked to the press following a 'rich, dialogic' forum or network. The book brings together a wide range of thematic material in three sections - 'Class and Culture', 'Global Bloomsbury' and 'Marketing Other Modernisms'. Topics addressed in the book include imperialism, the middlebrow, religion, translation, the marketplace and poetry, with case studies on West Indian writer C.L.R. James, Welsh poet Huw Menai, child poet Joan Easdale and American artist E. McKnight Kauffer. This original collection will contribute to three vibrant sub-fields now remaking twentieth-century scholarship: print culture, modernist studies, and Woolf studies.
Inbunden, Engelska, 2024
2 743 kr
Skickas inom 7-10 vardagar
Women's creative labour in publishing has often been overlooked. This book draws on dynamic new work in feminist book history and publishing studies to offer the first comparative collection exploring women's diverse, deeply embedded work in modern publishing. Highlighting the value of networks, collaboration, and archives, the companion sets out new ways of reading women's contributions to the production and circulation of global print cultures. With an international, intergenerational set of contributors using diverse methodologies, essays explore women working in publishing transatlantically, on the continent, and beyond the Anglosphere. The book combines new work on high-profile women publishers and editors alongside analysis of women's work as translators, illustrators, booksellers, advertisers, patrons, and publisher's readers; complemented by new oral histories and interviews with leading women in publishing today. The first collection of its kind, the companion helps establish and shape a thriving new research field.
E-bok
PDF, Engelska, 2024683 kr
Läs direkt efter köp
Women’s creative labour in publishing has often been overlooked. This book draws on dynamic new work in feminist book history and publishing studies to offer the first comparative collection exploring women’s diverse, deeply embedded work in modern publishing. Highlighting the value of networks, collaboration, and archives, the companion sets out new ways of reading women’s contributions to the production and circulation of global print cultures. With an international, intergenerational set of contributors using diverse methodologies, essays explore women working in publishing transatlantically, on the continent, and beyond the Anglosphere. The book combines new work on high-profile women publishers and editors alongside analysis of women’s work as translators, illustrators, booksellers, advertisers, patrons, and publisher’s readers; complemented by new oral histories and interviews with leading women in publishing today. The first collection of its kind, the companion helps establish and shape a thriving new research field.
E-bok
Engelska, 2024683 kr
Läs direkt efter köp
Women’s creative labour in publishing has often been overlooked. This book draws on dynamic new work in feminist book history and publishing studies to offer the first comparative collection exploring women’s diverse, deeply embedded work in modern publishing. Highlighting the value of networks, collaboration, and archives, the companion sets out new ways of reading women’s contributions to the production and circulation of global print cultures. With an international, intergenerational set of contributors using diverse methodologies, essays explore women working in publishing transatlantically, on the continent, and beyond the Anglosphere. The book combines new work on high-profile women publishers and editors alongside analysis of women’s work as translators, illustrators, booksellers, advertisers, patrons, and publisher’s readers; complemented by new oral histories and interviews with leading women in publishing today. The first collection of its kind, the companion helps establish and shape a thriving new research field.
Häftad, Engelska, 2027
554 kr
Kommande
Women’s creative labour in publishing has often been overlooked. This book draws on dynamic new work in feminist book history and publishing studies to offer the first comparative collection exploring women’s diverse, deeply embedded work in modern publishing. Highlighting the value of networks, collaboration, and archives, the companion sets out new ways of reading women’s contributions to the production and circulation of global print cultures. With an international, intergenerational set of contributors using diverse methodologies, essays explore women working in publishing transatlantically, on the continent, and beyond the Anglosphere. The book combines new work on high-profile women publishers and editors alongside analysis of women’s work as translators, illustrators, booksellers, advertisers, patrons, and publisher’s readers; complemented by new oral histories and interviews with leading women in publishing today. The first collection of its kind, the companion helps establish and shape a thriving new research field.
Inbunden, Engelska, 2017
1 892 kr
Skickas inom 5-8 vardagar
This is a detective story, cultural history and love story. It tells a tale of unconventionality, multifarious creativity, and a quest for new ways of living and loving amidst the complexities of Interwar Britain. For Francesca Allinson life and making art were synonymous, though both were cut short. Her story captures the topsy-turvy quality of a life singularly led; it shows how biography too gets turned upside down in the making -- how the story of a single individual can throw the literary and social perspective of the period into relief. Helen Southworth's initial goal was to discover how Francesca's fictional autobiography, A Childhood, made it onto Leonard and Virginia Woolf's The Hogarth Press list in 1937. The result was to be immediately drawn in to the company of prominent artistic figures of the period. Writer, musicologist, puppeteer and pacifist, British-German Jewish Allinson (19021945) published with the Woolfs, duelled with Ralph Vaughan Williams over the origins of folk song and was psychoanalysed by Adrian Stephen, younger brother of Virginia. Her connections register the cultural ferment of the Interwar years: a rich collaboration and unconsummated romance with homosexual composer Michael Tippett; an affair with Arts League of Service founder Judy Wogan; a friendship with designer Enid Marx; and an infatuation with poet Den Newton, 18 years her junior. Her life of promise, tragically cut short by suicide by drowning in 1945, is an eerie echo of Virginia Woolf's suicide. Allinson's story spans the Twentieth Century, closing with Tippett weeping on stage at the Wigmore Hall during a 1992 performance of The Heart's Assurance, the song cycle he dedicated to Francesca's memory forty years earlier. In parallel, Allinson's own A Childhood makes a second journey: a gift for a young woman living in recently liberated Belgium in 1942, the book comes alive again when she transforms it into an artist's book.
Häftad, Engelska, 2014
235 kr
Skickas inom 5-8 vardagar
Inbunden, Engelska, 2017
1 304 kr
Skickas inom 10-15 vardagar
This book addresses the gap between print and digital scholarly approaches by combining both praxis and theory in a case study of a new international collaborative digital project, the Modernist Archives Publishing Project (MAPP). MAPP is an international collaborative digital project, funded by the Social Sciences and Humanities Research Council of Canada, that uses digital tools to showcase archival traces of twentieth-century publishing. The twenty-first century has witnessed, and is living through, some of the most dynamic changes ever experienced in the publishing industry, arguably altering our very understanding of what it means to read a book. This book brings to both general readers and scholarly researchers a new way of accessing, and thereby assessing, the historical meanings of change within the twentieth-century publication industry by building a resource which organises, interacts with, and uses historical information about book culture to narrate the continuities and discontinuities in reading and publishing over the last century.
E-bok
Engelska, 20171 213 kr
Läs direkt efter köp
This book addresses the gap between print and digital scholarly approaches by combining both praxis and theory in a case study of a new international collaborative digital project, the Modernist Archives Publishing Project (MAPP). MAPP is an international collaborative digital project, funded by the Social Sciences and Humanities Research Council of Canada, that uses digital tools to showcase archival traces of twentieth-century publishing. The twenty-first century has witnessed, and is living through, some of the most dynamic changes ever experienced in the publishing industry, arguably altering our very understanding of what it means to read a book. This book brings to both general readers and scholarly researchers a new way of accessing, and thereby assessing, the historical meanings of change within the twentieth-century publication industry by building a resource which organises, interacts with, and uses historical information about book culture to narrate the continuities and discontinuities in reading and publishing over the last century.
Häftad, Engelska, 2018
950 kr
Skickas inom 10-15 vardagar
This book addresses the gap between print and digital scholarly approaches by combining both praxis and theory in a case study of a new international collaborative digital project, the Modernist Archives Publishing Project (MAPP). MAPP is an international collaborative digital project, funded by the Social Sciences and Humanities Research Council of Canada, that uses digital tools to showcase archival traces of twentieth-century publishing. The twenty-first century has witnessed, and is living through, some of the most dynamic changes ever experienced in the publishing industry, arguably altering our very understanding of what it means to read a book. This book brings to both general readers and scholarly researchers a new way of accessing, and thereby assessing, the historical meanings of change within the twentieth-century publication industry by building a resource which organises, interacts with, and uses historical information about book culture to narrate the continuities and discontinuities in reading and publishing over the last century.