Hua Hsu – författare

Winner of the Pulitzer Prize in MemoirOne of The New York Times 100 Best Books of the 21st CenturyA deeply moving memoir about growing up in the 90s, written in the wake of the senseless killing of a beloved friend.'A quiet, occasionally hilarious, ultimately devastating book . . . the most moving and memorable piece of autobiography I read this year.' – The Independent, 'The Ten Best Books of the Year''A powerful and beautifully written meditation on guilt, memory and male friendship' – The Guardian, 'Best Books of the Year'When Hua Hsu first meets Ken in a Berkeley college dorm room, he hates him. A frat boy with terrible taste in music. For Hua, who makes zines and haunts indie record shops, Ken represents the mainstream. The only thing Hua, the son of Taiwanese immigrants, and Ken, whose Japanese American family has been in the US for generations, have in common is that American culture doesn’t seem to have a place for either of them.But despite his first impressions, Hua and Ken become friends, a friendship built on late-night conversations over cigarettes, long drives along the California coast, and the successes and humiliations of everyday college life. And then violently, senselessly, Ken is gone, killed in a carjacking, not even three years after the day they first meet.Capturing a coming-of-age cut short, and a portrait of a beautiful friendship, Stay True is an intimate memoir about growing up and moving through the world in search of meaning and belonging.'One of the best nonfiction books about friendship ever, right up there with Patti Smith’s Just Kids' – The Atlantic

PULITZER PRIZE WINNER • NEW YORK TIMES BESTSELLER • A gripping memoir on friendship, grief, the search for self, and the solace that can be found through art, by the New Yorker staff writer Hua Hsu“This book is exquisite and excruciating and I will be thinking about it for years and years to come.” —Rachel Kushner, New York Times bestselling author of The Flamethrowers and The Mars RoomIn the eyes of eighteen-year-old Hua Hsu, the problem with Ken—with his passion for Dave Matthews, Abercrombie & Fitch, and his fraternity—is that he is exactly like everyone else. Ken, whose Japanese American family has been in the United States for generations, is mainstream; for Hua, the son of Taiwanese immigrants, who makes ’zines and haunts Bay Area record shops, Ken represents all that he defines himself in opposition to. The only thing Hua and Ken have in common is that, however they engage with it, American culture doesn’t seem to have a place for either of them.But despite his first impressions, Hua and Ken become friends, a friendship built on late-night conversations over cigarettes, long drives along the California coast, and the successes and humiliations of everyday college life. And then violently, senselessly, Ken is gone, killed in a carjacking, not even three years after the day they first meet.Determined to hold on to all that was left of one of his closest friends—his memories—Hua turned to writing. Stay True is the book he’s been working on ever since. A coming-of-age story that details both the ordinary and extraordinary, Stay True is a bracing memoir about growing up, and about moving through the world in search of meaning and belonging.

Who gets to speak for China? During the interwar years, when American condescension toward “barbarous” China yielded to a fascination with all things Chinese, a circle of writers sparked an unprecedented public conversation about American-Chinese relations. Hua Hsu tells the story of how they became ensnared in bitter rivalries over which one could claim the title of America’s leading China expert.The rapturous reception that greeted The Good Earth—Pearl Buck’s novel about a Chinese peasant family—spawned a literary market for sympathetic writings about China. Stories of enterprising Americans making their way in a land with “four hundred million customers,” as Carl Crow said, found an eager audience as well. But on the margins—in Chinatowns, on Ellis Island, and inside FBI surveillance memos—a different conversation about the possibilities of a shared future was taking place.A Floating Chinaman takes its title from a lost manuscript by H. T. Tsiang, an eccentric Chinese immigrant writer who self-published a series of visionary novels during this time. Tsiang discovered the American literary market to be far less accommodating to his more skeptical view of U.S.-China relations. His “floating Chinaman,” unmoored and in-between, imagines a critical vantage point from which to understand the new ideas of China circulating between the world wars—and today, as well.