Huda J. Fakhreddine – författare
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3 produkter
3 produkter
2 169 kr
Skickas inom 3-6 vardagar
Huda J. Fakhreddine explores the ‘new genre’ of the Arabic prose poem as a poetic practice and a critical lens. This poetic form gave rise to a profound, contentious and continuing debate about Arabic poetry: its definition, its limits and its relation to its readers. Fakhreddine examines the history of the prose poem, its claims of autonomy and distance from its socio-political context, and the anxiety and scandal it generated.
559 kr
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Examines one of the most controversial poetic forms in Arabic: the Arabic prose poemExamines the 'new genre' of the prose poem as a poetic practice and as a critical lens Adopts a case-study approach to a number of poets, including: Adonis, Muhammad al-Maghut, Salim Barakat, Mahmoud Darwish and Wadi' Sa?adehAdopts a comparative approach across time periods, genres, identity and cultural traditionsThe Arabic prose poem gave rise to a profound, contentious and continuing debate about Arabic poetry: its definition, its limits and its relation to its readers. Huda J. Fakhreddine examines the history of the prose poem, its claims of autonomy and distance from its socio-political context, and the anxiety and scandal it generated. When the modernist movement in Arabic poetry was launched in the 1940s, it threatened to blur the distinctions between poetry and everything else. The Arabic prose poem is probably the most subversive and extreme manifestation of this blurring. It is often described as an oxymoron, a non-genre, an anti-genre, a miracle and even a conspiracy.
162 kr
Skickas inom 5-8 vardagar
Introduces renowned Kurdish-Syrian writer Salim Barkat to an English audience for the first time, with translated selections from his most acclaimed works of poetry.Although Salim Barakat is one of the most renowned and respected contemporary writers in Arabic letters, he remains virtually unknown in the English-speaking world. This first collection of his poetry in English, representing every stage of his career, remedies that startling omission. Come, Take a Gentle Stab features selections from his most acclaimed works of poetry, including excerpts from his book-length poems, rendered into an English that captures the exultation of language for which he is famous. A Kurdish-Syrian man, Barakat chose to write in Arabic, the language of cultural and political hegemony that has marginalized his people. Like Paul Celan, he mastered the language of the oppressor to such an extent that the course of the language itself has been compelled to bend to his will. Barakat pushes Arabic to a point just beyond its linguistic limits, stretching those limits. He resists coherence, but never destroys it, pulling back before the final blow. What results is a figurative abstraction of struggle, as alive as the struggle itself. And always beneath the surface of this roiling water one can glimpse the deep currents of ancient Kurdish culture.