Ian Collins – författare

This book is a glorious celebration of Rhoda Pritzker’s collection of 20th-century British art, much of which has been donated to the Yale Center for British Art. Pritzker, who was born in Manchester in1914 and emigrated to the United States during the Blitz, was an avid and daring collector of paintings, sculptures, and drawings. Keen to support artists whose reputations were still emerging, and loyal to no single school or style, she developed a unique and impressively diverse collection. While Pritzker most actively purchased pieces in the 1950s and 1960s, her collection offers a fascinating window onto postwar artistic production. Beautifully illustrated, this catalogue features a number of unpublished works and archival materials. Among the artists discussed are key figures, including L. S. Lowry, Barbara Hepworth, Anthony Caro, and Henry Moore, as well as lesser-known artists. The texts elucidate the factors that made Pritzker’s method of collecting so singular—namely her relationship to an evolving transatlantic artistic community and the deeply personal nature of the works she procured.Published by the Yale Center for British Art/Distributed by Yale University Press Exhibition Schedule:Yale Center for British Art, New Haven(05/11/2016-08/21/2016)

Uplifting and engaging, this story recounts the life and career of a rebellious 20th-century British artistBorn into a large, musical, and bohemian family in London, the British artist John Craxton (1922–2009) has been described as a Neo-Romantic, but he called himself a “kind of Arcadian”. His early art was influenced by Blake, Palmer, Miró, and Picasso. After achieving a dream of moving to Greece, his work evolved as a personal response to Byzantine mosaics, El Greco, and the art of Greek life. This book tells his adventurous story for the first time. At turns exciting, funny, and poignant, the saga is enlivened by Craxton’s ebullient pictures. Ian Collins expands our understanding of the artist greatly—including an in-depth exploration of the storied, complicated friendship between Craxton and Lucian Freud, drawing on letters and memories that Craxton wanted to remain private until after his death.

Born into a large, musical, and bohemian family in London, the British artist John Craxton (1922–2009) has been described as a Neo-Romantic, but he called himself a “kind of Arcadian”. His early art was influenced by Blake, Palmer, Miró, and Picasso. After achieving a dream of moving to Greece, his work evolved as a personal response to Byzantine mosaics, El Greco, and the art of Greek life. This book tells his adventurous story for the first time. At turns exciting, funny, and poignant, the saga is enlivened by Craxton’s ebullient pictures. Ian Collins expands our understanding of the artist greatly—including an in-depth exploration of the storied, complicated friendship between Craxton and Lucian Freud, drawing on letters and memories that Craxton wanted to remain private until after his death.

While thousands of international students study for Masters of Laws (LLM) degrees or other legal qualifications every year in the U.S. and other common law jurisdictions, many struggle to acculturate to the language demands of law school. Even with international exam scores demonstrating high levels of English, these students need to understand the concepts of common law to be successful. Since the hurdles to achieving success in EMI Law courses are greater than simply the challenge of mastering discipline-specific terminology, or learning particular grammar structures in legal texts, students need a resource that will help them learn to “think like a common law lawyer.”The English Language Common Law Workbook is designed to support students in developing the core competencies necessary for studying in a common law context. It provides readings and exercises based on authentic legal materials for practicing critical reading and writing skills. In particular, it includes an extensive number of statutes and cases and accompanying exercises that give students an opportunity to work with the type of sources they will encounter in English-medium law degree programs. By emphasizing common law principles throughout, the book helps international students coming from non–common law jurisdictions familiarize themselves with how statutes and cases in common law countries are written and structured. Students are supported in critically reading statutes and cases by focusing on key terminology and language structures. Finally, the book supports students in applying the skills they learn to construct basic case briefs and answer hypothetical legal questions using the IRAC structure.CEFR Levels: B2–C2

'Tender and revelatory, Blythe Spirit gives us both the patron saint of the English countryside and a frank portrait of a complex figure' MARK COCKER, COUNTRY LIFE BOOKS OF THE YEAR'Moving, candid, vivid, it is all that we could hope for in a memoir of this unique and treasured writer' ROWAN WILLIAMS'An unusually intimate and affectionate portrait' PATRICK BARKHAM, GUARDIAN'As a boy I dreamed of scholars and saints wandering around markets and cornfields, and of artists and poets sitting under the trees.'Ronald Blythe (1922-2023), author of the inimitable Akenfield, was a prolific and poetic chronicler of rural and spiritual life, nature and literature. He spent a joyful century close to his Suffolk roots, time travelling in his imagination and publishing forty books and thousands of essays. His wide creative network included John and Christine Nash, Cedric Morris, Benjamin Britten, E. M. Forster, Patricia Highsmith and Richard Mabey.From finding Thomas Hardy in February rain and John Clare in country tracks, to talking to his white cat and reading through a dragonfly's wings, the Blythe gift was to marvel in the everyday. His writing was intimate, meditative and often laced with a wry humour, inviting readers to share his enchanting perspective on the world. Yet few knew the 'real' Ronald Blythe. Leaving school at 14, he educated himself in libraries, churches and walks in the East Anglian landscape. He never spoke about early poverty and traumatic experience in the war, while his sexuality was kept private except from those closest to him.Drawing on unparalleled access to letters, notebooks, published works, drafts, and conversations from decades of friendship, Ian Collins tells the full story of Ronald Blythe for the first time. The result is a sensitive, revelatory portrait which celebrates a fascinating, complex man and casts new light on one of our greatest writers.

'Moving, candid, vivid, it is all that we could hope for in a memoir of this unique and treasured writer' ROWAN WILLIAMS'An unusually intimate and affectionate portrait' PATRICK BARKHAM, GUARDIAN'As a boy I dreamed of scholars and saints wandering around markets and cornfields, and of artists and poets sitting under the trees.'Ronald Blythe (1922-2023), author of the inimitable Akenfield, was a prolific and poetic chronicler of rural and spiritual life, nature and literature. He spent a joyful century close to his Suffolk roots, time travelling in his imagination and publishing forty books and thousands of essays. His wide creative network included John and Christine Nash, Cedric Morris, Benjamin Britten, E. M. Forster, Patricia Highsmith and Richard Mabey.From finding Thomas Hardy in February rain and John Clare in country tracks, to talking to his white cat and reading through a dragonfly's wings, the Blythe gift was to marvel in the everyday. His writing was intimate, meditative and often laced with a wry humour, inviting readers to share his enchanting perspective on the world. Yet few knew the 'real' Ronald Blythe. Leaving school at 14, he educated himself in libraries, churches and walks in the East Anglian landscape. He never spoke about early poverty and traumatic experience in the war, while his sexuality was kept private except from those closest to him.Drawing on unparalleled access to letters, notebooks, published works, drafts, and conversations from decades of friendship, Ian Collins tells the full story of Ronald Blythe for the first time. The result is a sensitive, revelatory portrait which celebrates a fascinating, complex man and casts new light on one of our greatest writers.