Ilana Pardes – författare

Agnon's Moonstruck Lovers explores the response of Israel’s Nobel laureate S. Y. Agnon to the privileged position of the Song of Songs in Israeli culture. Standing at a unique crossroads between religion and secularism, Agnon probes the paradoxes and ambiguities of the Zionist hermeneutic project. In adopting the Song, Zionist interpreters sought to return to the erotic, pastoral landscapes of biblical times. Their quest for a new, uplifting, secular literalism, however, could not efface the haunting impact of allegorical configurations of love. With superb irony, Agnon's tales recast Israeli biblicism as a peculiar chapter within the ever-surprising history of biblical exegesis.

A wide-ranging exploration of the story of Ruth, a foreigner who became the founding mother of the Davidic dynasty  “[A]n insightful exploration of the book’s themes of otherness, kindness, and loyalty. This is a valuable contribution to the literature on Ruth.”—Publishers Weekly  “A virtuoso exploration of the Book of Ruth as an admirable touchstone in the realms of literature, art, and human values. Ilana Pardes foregrounds the timeless emergency of migrants and refugees with compassion and depth.”—Galit Hasan-Rokem, author of Web of Life  The biblical Ruth has inspired numerous readers from diverse cultural backgrounds across many centuries. In this insightful volume, Ilana Pardes invites us to marvel at the ever-changing perspectives on Ruth’s foreignness. She explores the rabbis’ lauding of Ruth as an exemplary convert, and the Zohar’s insistence that Ruth’s Moabite background is vital to her redemptive powers. In moving to early modern French art, she looks at pastoral paintings in which Ruth becomes a local gleaner, holding sheaves in her hands. Pardes concludes with contemporary adaptations in literature, photography, and film in which Ruth is admired for being a paradigmatic migrant woman. Ruth’s afterlives not only reveal much about their own times but also shine new light on this remarkable ancient tale and point to its enduring significance. In our own era of widespread migration and dislocation, Ruth remains as relevant as ever.

The nation - particularly in Exodus and Numbers - is not an abstract concept but rather a grand character whose history is fleshed out with remarkable literary power. In her innovative exploration of national imagination in the Bible, Pardes highlights the textual manifestations of the metaphor, the many anthropomorphisms by which a collective character named 'Israel' springs to life. She explores the representation of communal motives, hidden desires, collective anxieties, the drama and suspense embedded in each phase of the nation's life: from birth in exile, to suckling in the wilderness, to a long process of maturation that has no definite end. In the Bible, Pardes suggests, history and literature go hand in hand more explicitly than in modern historiography, which is why the Bible serves as a paradigmatic case for examining the narrative base of national constructions. Pardes calls for a consideration of the Bible's penetrating renditions of national ambivalence. She reads the rebellious conduct of the nation against the grain, probing the murmurings of the people, foregrounding their critique of the official line.The Bible does not provide a homogeneous account of nation formation, according to Pardes, but rather reveals points of tension between different perceptions of the nation's history and destiny. This fresh and beautifully rendered portrayal of the history of ancient Israel will be of vital interest to anyone interested in the Bible, in the interrelations of literature and history, in nationhood, in feminist thought, and in psychoanalysis.

Many writers in antebellum America sought to reinvent the Bible, but no one, Ilana Pardes argues, was as insistent as Melville on redefining biblical exegesis while doing so. In "Moby-Dick," he not only ventured to fashion a grand new inverted Bible in which biblical rebels and outcasts assume center stage, but also aspired to comment on every imaginable mode of biblical interpretation, calling for a radical reconsideration of the politics of biblical reception. In "Melville's Bibles," Pardes traces Melville's response to a whole array of nineteenth-century exegetical writings -literary scriptures, biblical scholarship, Holy Land travel narratives, political sermons, and women's bibles. She shows how Melville raised with unparalleled verve the question of what counts as Bible and what counts as interpretation.

In this eye-opening book, llana Pardes explores the tense dialogue between dominant patriarchal discourses of the Bible and counter female voices. Pardes studies women’s plots and subplots, dreams and pursuits, uncovering the diverse and at times conflicting figurations of femininity in biblical texts. She also sketches the ways in which antipatriarchal elements intermingle with other repressed elements in the Bible: polytheistic traditions, skeptical voices, and erotic longings.

An essential history of the greatest love poem ever writtenThe Song of Songs has been embraced for centuries as the ultimate song of love. But the kind of love readers have found in this ancient poem is strikingly varied. Ilana Pardes invites us to explore the dramatic shift from readings of the Song as a poem on divine love to celebrations of its exuberant account of human love. With a refreshingly nuanced approach, she reveals how allegorical and literal interpretations are inextricably intertwined in the Song's tumultuous life. The body in all its aspects—pleasure and pain, even erotic fervor—is key to many allegorical commentaries. And although the literal, sensual Song thrives in modernity, allegory has not disappeared. New modes of allegory have emerged in modern settings, from the literary and the scholarly to the communal.Offering rare insights into the story of this remarkable poem, Pardes traces a diverse line of passionate readers. She looks at Jewish and Christian interpreters of late antiquity who were engaged in disputes over the Song's allegorical meaning, at medieval Hebrew poets who introduced it into the opulent world of courtly banquets, and at kabbalists who used it as a springboard to the celestial spheres. She shows how feminist critics have marveled at the Song's egalitarian representation of courtship, and how it became a song of America for Walt Whitman, Herman Melville, and Toni Morrison. Throughout these explorations of the Song's reception, Pardes highlights the unparalleled beauty of its audacious language of love.

The Book of Job has held a central role in defining the project of modernity from the age of Enlightenment until today. The Book of Job: Aesthetics, Ethics and Hermeneutics offers new perspectives on the ways in which Job’s response to disaster has become an aesthetic and ethical touchstone for modern reflections on catastrophic events. This volume begins with an exploration of questions such as the tragic and ironic bent of the Book of Job, Job as mourner, and the Joban body in pain, and ends with a consideration of Joban works by notable writers – from Melville and Kafka, through Joseph Roth, Zach, Levin, and Philip Roth.

This volume explores the ways in which Jerusalem is represented in Psalms – from its position in the context of liturgical and pilgrim songs to its role as metaphor. Jerusalem in the Book of Psalms is the site of scenes of redemption, joy, and celebration of the proximity to God and the house of the Lord. But it is also the quintessential locus of loss, marked by cries over the devastating destruction of the Temple. These two antithetical poles of Jerusalem are expressed in both personal terms as well as within a collective framework. The bulk of the articles are devoted to questions of reception, to the ways in which the geographies of the Book of Psalms have travelled across their native bounds and entered other historical settings, acquiring new forms and meanings.

The Book of Job has held a central role in defining the project of modernity from the age of Enlightenment until today. The Book of Job: Aesthetics, Ethics and Hermeneutics offers new perspectives on the ways in which Job’s response to disaster has become an aesthetic and ethical touchstone for modern reflections on catastrophic events. This volume begins with an exploration of questions such as the tragic and ironic bent of the Book of Job, Job as mourner, and the Joban body in pain, and ends with a consideration of Joban works by notable writers – from Melville and Kafka, through Joseph Roth, Zach, Levin, and Philip Roth.

This volume explores the ways in which Jerusalem is represented in Psalms – from its position in the context of liturgical and pilgrim songs to its role as metaphor. Jerusalem in the Book of Psalms is the site of scenes of redemption, joy, and celebration of the proximity to God and the house of the Lord. But it is also the quintessential locus of loss, marked by cries over the devastating destruction of the Temple. These two antithetical poles of Jerusalem are expressed in both personal terms as well as within a collective framework. The bulk of the articles are devoted to questions of reception, to the ways in which the geographies of the Book of Psalms have travelled across their native bounds and entered other historical settings, acquiring new forms and meanings.

"New Perspectives on Freud's Moses and Monotheism" presents some of the most important current scholarship on 'Moses and Monotheism'. The essays in this volume offer new perspectives on Freud's perception of Judaism, of collective trauma and collective repression, national violence, gender issues, hermeneutic enigmas, religious configurations, questions of representation, and constructions of truth, while exploring the relevance of 'Moses and Monotheism' in diverse fields - from Jewish Studies, Psychoanalysis, History, and Egyptology to Literature, Musicology, and Art.