Ingrid E. Mida – författare

Shortlisted for the CSA Millia Davenport Publication Award, 2021Listed as one of The Five Most Essential Books about Art and Fashion, ArtNews, 2023 Dress and fashion are central to our understanding of art. From the stylization of the body to subtle textile embellishments and richly symbolic colors, dress tells a story and provides clues as to the cultural beliefs of the time in which artworks were produced. This concise and accessible book provides a step-by-step guide to analysing dress in art, including paintings, photographs, drawings and art installations.The first section of the book includes an introduction to visual analysis and explains how to ‘read’ fashion and dress in an artwork using the checklists. The second section offers case studies which demonstrate how artworks can be analysed from the point of view of key themes including status and identity, modernity, ideals of beauty, gender, race, globalization and politics. The book includes iconic as well as lesser known works of art, including work by Elisabeth Vigée le Brun, Thomas Gainsborough, James Jacques Tissot, Marcel Duchamp and Man Ray, Yinka Shonibare, Mickalene Thomas, Kent Monkman and many others. Reading Fashion in Art is the perfect text for students of fashion coming to art history for the first time as well as art history students studying dress in art and will be an essential handbook for any gallery visitor. The step-by-step methodology helps the reader learn to look at any work of art that includes the dressed or undressed body and confidently develop a critical analysis of what they see.

Shortlisted for the CSA Millia Davenport Publication Award, 2021Listed as one of The Five Most Essential Books about Art and Fashion, ArtNews, 2023 Dress and fashion are central to our understanding of art. From the stylization of the body to subtle textile embellishments and richly symbolic colors, dress tells a story and provides clues as to the cultural beliefs of the time in which artworks were produced. This concise and accessible book provides a step-by-step guide to analysing dress in art, including paintings, photographs, drawings and art installations. The first section of the book includes an introduction to visual analysis and explains how to ''read'' fashion and dress in an artwork using the checklists. The second section offers case studies which demonstrate how artworks can be analysed from the point of view of key themes including status and identity, modernity, ideals of beauty, gender, race, globalization and politics. The book includes iconic as well as lesser known works of art, including work by Elisabeth Vigée le Brun, Thomas Gainsborough, James Jacques Tissot, Marcel Duchamp and Man Ray, Yinka Shonibare, Mickalene Thomas, Kent Monkman and many others. Reading Fashion in Art is the perfect text for students of fashion coming to art history for the first time as well as art history students studying dress in art and will be an essential handbook for any gallery visitor. The step-by-step methodology helps the reader learn to look at any work of art that includes the dressed or undressed body and confidently develop a critical analysis of what they see.

Shortlisted for the CSA Millia Davenport Publication Award, 2021Listed as one of The Five Most Essential Books about Art and Fashion, ArtNews, 2023 Dress and fashion are central to our understanding of art. From the stylization of the body to subtle textile embellishments and richly symbolic colors, dress tells a story and provides clues as to the cultural beliefs of the time in which artworks were produced. This concise and accessible book provides a step-by-step guide to analysing dress in art, including paintings, photographs, drawings and art installations. The first section of the book includes an introduction to visual analysis and explains how to ''read'' fashion and dress in an artwork using the checklists. The second section offers case studies which demonstrate how artworks can be analysed from the point of view of key themes including status and identity, modernity, ideals of beauty, gender, race, globalization and politics. The book includes iconic as well as lesser known works of art, including work by Elisabeth Vigée le Brun, Thomas Gainsborough, James Jacques Tissot, Marcel Duchamp and Man Ray, Yinka Shonibare, Mickalene Thomas, Kent Monkman and many others. Reading Fashion in Art is the perfect text for students of fashion coming to art history for the first time as well as art history students studying dress in art and will be an essential handbook for any gallery visitor. The step-by-step methodology helps the reader learn to look at any work of art that includes the dressed or undressed body and confidently develop a critical analysis of what they see.

The Dress Detective is the first practical guide to analyzing fashion objects, clearly demonstrating how their close analysis can enhance and enrich interdisciplinary research. This accessible book provides readers with the tools to uncover the hidden stories in garments, setting out a carefully developed research methodology specific to dress, and providing easy-to-use checklists that guide the reader through the process. Beautifully illustrated, the book contains seven case studies of fashionable Western garments – ranging from an 1820s coat to a 2004 Kenzo jacket – that articulate the methodological framework for the process, illustrate the use of the checklists, and show how evidence from the garment itself can be used to corroborate theories of dress or fashion.This book outlines a skillset that has, until now, typically been passed on informally. Written in plain language, it will give any budding fashion historian, curator, or researcher the knowledge and confidence to analyze the material in front of them effectively.

Shortlisted for the Association of Dress Historians Book of the Year Award 2025Fashion is a subject that has long been marginalized in art history and in museums. And yet, one of the most well-known artists in the twentieth century - Marcel Duchamp - created works that challenge the notion that fashion does not belong in the museum. As well, there is material evidence of his engagement with clothing as part of his oeuvre. This book reveals that clothing and dressing are significant themes that recur in Duchamp's life and his work – including his drawings, his fashioning of his body, his readymades, and in his curatorial gestures.In examining the items of clothing worn by Duchamp and the related traces of his wardrobe management, Duchamp is unmasked as a dandy. His waistcoat readymade series 'Made to Measure' (1957-1961) is in fact a remarkable and deliberate effort to recalibrate the definition of the readymade to include clothing. With this little-studied readymade series, Duchamp established a precedent for sartorial art as a valid form of artistic expression. In considering the material traces of Duchamp's fashioning of his body and identity in his work and life, this book makes a highly original contribution to the understanding of Duchamp's work as well as the significance of the clothed body in the vanguard of Modernism. Ultimately, this book explains the relevance of fashion in the museum to modern audiences today.

Fashion is a subject that has long been marginalized in art history and in museums. And yet, one of the most well-known artists in the twentieth century - Marcel Duchamp - created works that challenge the notion that fashion does not belong in the museum. As well, there is material evidence of his engagement with clothing as part of his oeuvre. This book reveals that clothing and dressing are significant themes that recur in Duchamp''s life and his work – including his drawings, his fashioning of his body, his readymades, and in his curatorial gestures. In examining the items of clothing worn by Duchamp and the related traces of his wardrobe management, Duchamp is unmasked as a dandy. His waistcoat readymade series ''Made to Measure'' (1957-1961) is in fact a remarkable and deliberate effort to recalibrate the definition of the readymade to include clothing. With this little-studied readymade series, Duchamp established a precedent for sartorial art as a valid form of artistic expression. In considering the material traces of Duchamp''s fashioning of his body and identity in his work and life, this book makes a highly original contribution to the understanding of Duchamp''s work as well as the significance of the clothed body in the vanguard of Modernism. Ultimately, this book explains the relevance of fashion in the museum to modern audiences today.

Fashion is a subject that has long been marginalized in art history and in museums. And yet, one of the most well-known artists in the twentieth century - Marcel Duchamp - created works that challenge the notion that fashion does not belong in the museum. As well, there is material evidence of his engagement with clothing as part of his oeuvre. This book reveals that clothing and dressing are significant themes that recur in Duchamp''s life and his work – including his drawings, his fashioning of his body, his readymades, and in his curatorial gestures. In examining the items of clothing worn by Duchamp and the related traces of his wardrobe management, Duchamp is unmasked as a dandy. His waistcoat readymade series ''Made to Measure'' (1957-1961) is in fact a remarkable and deliberate effort to recalibrate the definition of the readymade to include clothing. With this little-studied readymade series, Duchamp established a precedent for sartorial art as a valid form of artistic expression. In considering the material traces of Duchamp''s fashioning of his body and identity in his work and life, this book makes a highly original contribution to the understanding of Duchamp''s work as well as the significance of the clothed body in the vanguard of Modernism. Ultimately, this book explains the relevance of fashion in the museum to modern audiences today.

The New Dress Detective updates and expands this highly regarded practical guide to analysing fashion objects.Featuring seven completely new case studies – including an 18th-century gown, a man’s 19th-century tailored jacket and pantaloons, a 19th-century boy's frock, a woman’s Edo period uchikake, a 1927 homemade wedding dress, a Dior dress ensemble, and a mass-manufactured uniform of the 1970s – this invaluable guide has been revised throughout, to enhance its usefulness for readers and to reflect the state of the field. The New Dress Detective offers tools to unravel the hidden stories in garments with a carefully developed research methodology specific to dress, with easy-to-use checklists to guide the reader through the process. Beautifully illustrated, the varied case studies of fashionable western and non-western garments articulate the methodological framework for the process, illustrate the use of the checklists, and show how evidence from the garment itself can be used to corroborate theories of dress or to engage in alternative modes of interpretation such as making, wearing or other creative outputs.Written in plain language, this book provides a structured approach to conducting object-based research in fashion for anyone interested in fashion including students and practitioners of fashion or museum studies.

The New Dress Detective updates and expands this highly regarded practical guide to analysing fashion objects.Featuring seven completely new case studies – including an 18th-century gown, a man’s 19th-century tailored jacket and pantaloons, a 19th-century boy's frock, a woman’s Edo period uchikake, a 1927 homemade wedding dress, a Dior dress ensemble, and a mass-manufactured uniform of the 1970s – this invaluable guide has been revised throughout, to enhance its usefulness for readers and to reflect the state of the field. The New Dress Detective offers tools to unravel the hidden stories in garments with a carefully developed research methodology specific to dress, with easy-to-use checklists to guide the reader through the process. Beautifully illustrated, the varied case studies of fashionable western and non-western garments articulate the methodological framework for the process, illustrate the use of the checklists, and show how evidence from the garment itself can be used to corroborate theories of dress or to engage in alternative modes of interpretation such as making, wearing or other creative outputs.Written in plain language, this book provides a structured approach to conducting object-based research in fashion for anyone interested in fashion including students and practitioners of fashion or museum studies.

The New Dress Detective updates and expands this highly regarded practical guide to analysing fashion objects.Featuring seven completely new case studies including an 18th-century gown, a man's 19th-century tailored jacket and pantaloons, a 19th-century boy's frock, a woman's Edo period uchikake, a 1927 homemade wedding dress, a Dior dress ensemble, and a mass-manufactured uniform of the 1970s this invaluable guide has been revised throughout, to enhance its usefulness for readers and to reflect the state of the field. The New Dress Detective offers tools to unravel the hidden stories in garments with a carefully developed research methodology specific to dress, with easy-to-use checklists to guide the reader through the process. Beautifully illustrated, the varied case studies of fashionable western and non-western garments articulate the methodological framework for the process, illustrate the use of the checklists, and show how evidence from the garment itself can be used to corroborate theories of dress or to engage in alternative modes of interpretation such as making, wearing or other creative outputs.Written in plain language, this book provides a structured approach to conducting object-based research in fashion for anyone interested in fashion including students and practitioners of fashion or museum studies.

The New Dress Detective updates and expands this highly regarded practical guide to analysing fashion objects.Featuring seven completely new case studies including an 18th-century gown, a man's 19th-century tailored jacket and pantaloons, a 19th-century boy's frock, a woman's Edo period uchikake, a 1927 homemade wedding dress, a Dior dress ensemble, and a mass-manufactured uniform of the 1970s this invaluable guide has been revised throughout, to enhance its usefulness for readers and to reflect the state of the field. The New Dress Detective offers tools to unravel the hidden stories in garments with a carefully developed research methodology specific to dress, with easy-to-use checklists to guide the reader through the process. Beautifully illustrated, the varied case studies of fashionable western and non-western garments articulate the methodological framework for the process, illustrate the use of the checklists, and show how evidence from the garment itself can be used to corroborate theories of dress or to engage in alternative modes of interpretation such as making, wearing or other creative outputs.Written in plain language, this book provides a structured approach to conducting object-based research in fashion for anyone interested in fashion including students and practitioners of fashion or museum studies.

The Dress Detective is the first practical guide to analyzing fashion objects, clearly demonstrating how their close analysis can enhance and enrich interdisciplinary research. This accessible book provides readers with the tools to uncover the hidden stories in garments, setting out a carefully developed research methodology specific to dress, and providing easy-to-use checklists that guide the reader through the process. Beautifully illustrated, the book contains seven case studies of fashionable Western garments – ranging from an 1820s coat to a 2004 Kenzo jacket – that articulate the methodological framework for the process, illustrate the use of the checklists, and show how evidence from the garment itself can be used to corroborate theories of dress or fashion.This book outlines a skillset that has, until now, typically been passed on informally. Written in plain language, it will give any budding fashion historian, curator, or researcher the knowledge and confidence to analyze the material in front of them effectively.