J. A. Hiddleston – författare
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3 produkter
3 produkter
Inbunden, Engelska, 1987
1 446 kr
Skickas inom 5-8 vardagar
The collection of prose poems known as Le Spleen de Paris is an important, puzzling and yet relatively neglected area of Baudelaire's work. This book attempts to cast light on the uncertainty that surrounds all aspects of these texts. Emphasizing the importance of approaching them chronologically, it focuses principally on the position of the artist and his attitude towards his art, the often enigmatic and contradictory moral message the poems purport to convey, and above all on the relationship between prose and poetry in this hybrid and, by the poet's own admission, `dangerous' genre. This is the first study in English that is exclusively concerned with Le Spleen de Paris.
Häftad, Engelska, 1987
874 kr
Skickas inom 5-8 vardagar
The collection of prose poems known as Le Spleen de Paris is an important, puzzling, and yet relatively neglected area of Baudelaire's work. This is the first study in English that is exclusively concerned with these texts. Approaching the poems chronologically, Hiddleston focuses primarily on the position of the artist and his attitude towards his art, the often enigmatic and contradictory moral message the poems purpose to convey and, above all, the relationship between prose and poetry in this hybrid and, by the poet's own admission, "dangerous" genre.
Inbunden, Engelska, 1999
4 048 kr
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This study is an examination of Baudelaire's art criticism and its relationship with his creative writing. It is the first book in English to treat in one volume the diverse aspects of the subject: the principal aesthetic ideas, the importance of Delacroix, Boudin, Meryon, Guys, and Manet, the essays on laughter and caricature, and the language and rhetoric of the Salons and other critical writings. The title reflects Baudelaire's conviction, which emphasizes in relation to Delacroix, Daumier, Guys, and Wagner, that all art, whether it is painting, poetry or music, springs from the memory of the artist and speaks to the memory of the consumer of that art. This idea, exemplified in his own creative writing, extends to criticism itself, which is seen primarily as a phenomenon of recognition, and it is that sense of recognition that the author has sought to emphasize throughout.