jackï job – författare

An auto-ethnographic account of a choreographic praxis developed outside of a Western framework, which engages with identity, decoloniality and transformation from a feminist perspective.Choreographing Rebellion details the methodologies employed in the dramaturgy and performance of 25 choreographic works produced by the author over three decades in South Africa and Japan.Drawing on these lived experiences, jackï job's starting point is the crafting of a signature dance language in 1994, called Daai za Lady, to respond to the oppressive and unjust socio-political system of apartheid in South Africa.The second part speaks to choreographies created in Japan between 2003-2011, where elements of daily life and principles of Butoh are applied to making dance performance. As a South African, the author uniquely offers a first-hand understanding of Butoh in the line of Kazuo and Yoshito Ohno.Her journey returns to South Africa, where the assimilation of Butoh into job’s already existent and ongoing dance practice synergises and enables new meanings of personhood and transformation.Choreographing Rebellion resists singular categorisations of identity too often ascribed to dance performances and communities of people. It draws on psycho-physical practices and personal philosophies of the body, which are placed in dialogue with Giorgio Agamben and Henri Bergson, and argues for the transgressing of human-centric approaches to race, gender and class through a specific animal-human crafting of dance practice.

An auto-ethnographic account of a choreographic praxis developed outside of a Western framework, which engages with identity, decoloniality and transformation from a feminist perspective. Choreographing Rebellion details the methodologies employed in the dramaturgy and performance of 25 choreographic works produced by the author over three decades in South Africa and Japan. Drawing on these lived experiences, jack job's starting point is the crafting of a signature dance language in 1994, called Daai za Lady, to respond to the oppressive and unjust socio-political system of apartheid in South Africa.The second part speaks to choreographies created in Japan between 2003-2011, where elements of daily life and principles of Butoh are applied to making dance performance. As a South African, the author uniquely offers a first-hand understanding of Butoh in the line of Kazuo and Yoshito Ohno.Her journey returns to South Africa, where the assimilation of Butoh into job's already existent and ongoing dance practice synergises and enables new meanings of personhood and transformation. Choreographing Rebellion resists singular categorisations of identity too often ascribed to dance performances and communities of people. It draws on psycho-physical practices and personal philosophies of the body, which are placed in dialogue with Giorgio Agamben and Henri Bergson, and argues for the transgressing of human-centric approaches to race, gender and class through a specific animal-human crafting of dance practice.

An auto-ethnographic account of a choreographic praxis developed outside of a Western framework, which engages with identity, decoloniality and transformation from a feminist perspective. Choreographing Rebellion details the methodologies employed in the dramaturgy and performance of 25 choreographic works produced by the author over three decades in South Africa and Japan. Drawing on these lived experiences, jack job's starting point is the crafting of a signature dance language in 1994, called Daai za Lady, to respond to the oppressive and unjust socio-political system of apartheid in South Africa.The second part speaks to choreographies created in Japan between 2003-2011, where elements of daily life and principles of Butoh are applied to making dance performance. As a South African, the author uniquely offers a first-hand understanding of Butoh in the line of Kazuo and Yoshito Ohno.Her journey returns to South Africa, where the assimilation of Butoh into job's already existent and ongoing dance practice synergises and enables new meanings of personhood and transformation. Choreographing Rebellion resists singular categorisations of identity too often ascribed to dance performances and communities of people. It draws on psycho-physical practices and personal philosophies of the body, which are placed in dialogue with Giorgio Agamben and Henri Bergson, and argues for the transgressing of human-centric approaches to race, gender and class through a specific animal-human crafting of dance practice.

An anthology dedicated to contemporary Black South African feminist writing influential to today's scholars and radical thinkersSurfacing: On Being Black and Feminist in South Africa is the first collection dedicated to contemporary Black South African feminist perspectives. Leading feminist theorist, Desiree Lewis, and poet and feminist scholar, Gabeba Baderoon, have curated contributions by some of the finest writers and thought leaders into an essential resource. Radical polemic sits side by side with personal essays, and critical theory coexists with rich and stirring life histories. The collection demonstrates a dazzling range of feminist voices from established scholars and authors to emerging thinkers, activists and creative practitioners.The writers within these pages use creative expression, photography and poetry in eclectic, interdisciplinary ways to unearth and interrogate representations of blackness, sexuality, girlhood, history, divinity, and other themes. Surfacing asks: what do the African feminist traditions that exist outside the canon look and feel like? What complex cultural logics are at work outside the centers of power? How do spirituality and feminism influence each other? What are the histories and experiences of queer Africans? What imaginative forms can feminist activism take?Surfacing is indispensable to anyone interested in feminism from Africa, which its contributors show in vivid and challenging conversation with the rest of the world. It will appeal to a diverse audience of students, activists, critical thinkers, academics and artists.

What do African feminist traditions that exist outside the canon look and feel like? What complex cultural logics are at work outside the centres of power? How do spirituality and feminism influence each other? What are the histories and experiences of queer Africans? What imaginative forms can feminist activism take? Surfacing: On Being Black and Feminist in South Africa is the first collection of essays dedicated to contemporary Black South African feminist perspectives. Leading feminist theorist, Desiree Lewis, and poet and feminist scholar, Gabeba Baderoon, have curated contributions by some of the finest writers and thought leaders. Radical polemic sits side by side with personal essays, and critical theory coexists with rich and stirring life histories. By including writings by Patricia McFadden, Panashe Chigumadzi, Sisonke Msimang, Zukiswa Wanner, Yewande Omotoso, Zoë Wicomb and Pumla Dineo Gqola alongside emerging thinkers, activists and creative practitioners, the collection demonstrates a dazzling range of feminist voices. The writers in these pages use creative expression, photography and poetry in eclectic, interdisciplinary ways to unearth and interrogate representations of Blackness, sexuality, girlhood, history, divinity, and other themes. Surfacing is indispensable to anyone interested in feminism from Africa which, the contributors show, is in vivid and challenging conversations with the rest of the world.