James Graham-Campbell – författare

This book distils a lifetime’s study of Viking art. Written by a leading authority, it introduces all the intricate and beautiful art styles of the Viking age. It ranges in time from the first major Viking expeditions overseas around AD 800 to the general establishment of Christianity in Scandinavia some 300 years later. The opening chapter introduces the geographical and historical background to Viking culture; thematic chapters then describe and illustrate the six main Viking art styles, showing how they emerged from and interacted with one another. Delicate metalwork, elaborate wood-carvings and the famous Gotland picture-stones are all discussed. Viking art ranges in scale from ship burials to decorated weapons and finely crafted jewelry; all feature here, alongside Viking architecture and archaeological traces left by Vikings across continental Europe and beyond. The final chapter examines Viking art in relation to pagan mythology, the conversion to Christianity, and the Viking legacy for later artistic movements. First published in 2013 and now revised and updated throughout, this volume is a modern classic that serves as a definitive guide for all those interested in the vibrant artistic culture of this fascinating period in European history.With 224 illustrations

Although there has been much recent interest in the interaction of England and Ireland in the Viking Age, the links between the Anglo-Saxons and the Irish in the period before 800 have been much less studied. This collection of essays provides the first interdisciplinary assessment of these connections. The essays range widely in their scope. Seven papers look at issues of language and literature, legal traditions, and ecclesiastical history. A further ten papers consider the evidence of material culture, through art history and archaeology. This overview of recent advances in the field of Anglo-Saxon/Irish relations will be essential reading for all those interested in early medieval studies.

Silver, Butter, Cloth advances current debates about the nature and complexity of Viking economic systems. It explores how silver and other commodities were used in monetary and social economies across the Scandinavian world of the Viking Age (c. 800-1100 AD) before and alongside the wide scale introduction of coinage. Taking a multi-disciplinary approach that unites archaeological, numismatic, and metallurgical analyses, Kershaw and Williams examine the uses and sources of silver in both monetary and social transactions, addressing topics such as silver fragmentation, hoarding, and coin production and re-use. Uniquely, it also goes beyond silver, giving the first detailed consideration of the monetary role of butter, cloth, and gold in the Viking economy. Indeed, it is instrumental in developing methodologies to identify such commodity monies in the archaeological record. The use of silver and other commodities within Viking economies is a dynamic field of study, fuelled by important recent discoveries across the Viking world. The 14 contributions to this book, by a truly international group of scholars, draw on newly available archaeological data from eastern Europe, Scandinavia, the North Atlantic, and the British Isles and Ireland, to present the latest original research. Together, they deepen understanding of Viking monetary and social economies and advance new definitions of 'economy', 'currency', and 'value' in the ninth to eleventh centuries.

In this book contributions by archaeologists and numismatists from six countries address different aspects of how silver was used in both Scandinavia and the wider Viking world during the 8th to 11th centuries AD. The volume brings together a combination of recent summaries and new work on silver and gold coinage, rings and bullion, which allow a better appreciation of the broader socioeconomic conditions of the Viking world. This is an indispensable source for all archaeologists, historians and numismatists involved in Viking Studies.

This book provides a full overview of the archaeology of the Vikings in Scotland, incorporating many results from the recent period of intense fieldwork and excavation. This work has necessitated a thorough re-appraisal of our knowledge of the process, nature and extent of Scandinavian settlement in Scotland. Concentrating on the Viking and Late Norse periods which span the eight to thirteenth centuries in northern and western Scotland, the chronological range allows for the Norse impact to be placed in its wider context, commencing with the native background. The scope of the book will enable Scotland, archaeologically one of the best documented areas of the Viking world, to be placed in the overall context of the period in Europe. Fully illustrated with over ninety photographs, figures and distribution maps, this book will be accessible to students and teachers of the Viking Age, and the archaeology and history of Scotland, as well as to the general reader.* First survey of Viking Archaeology in over 50 years* Written by two Viking experts

In this book contributions by archaeologists and numismatists from six countries address different aspects of how silver was used in both Scandinavia and the wider Viking world during the 8th to 11th centuries AD. The volume brings together a combination of recent summaries and new work on silver and gold coinage, rings and bullion, which allow a better appreciation of the broader socioeconomic conditions of the Viking world. This is an indispensable source for all archaeologists, historians and numismatists involved in Viking Studies.

The two volumes of 'The Archaeology of Medieval Europe' will together comprise the first complete account of medieval archaeology across Europe. Archaeologists from academic institutions in fifteen countries are collaborating to produce these two books of sixteen thematic chapters each. In addition, every chapter will feature a number of 'box-texts', by specialist contributors, highlighting sites or themes of particular importance. The books will be comprehensively illustrated throughout, in both colour and b/w, including line drawings and specially commissioned maps. This ground-breaking set, which is divided chronologically into two (Volume 1 extending from the 8th-12th centuries AD, and Volume 2 from the 12th-16th centuries -- available 2008), will enable readers to track the development of different cultures, and of regional characteristics, throughout the full extent of medieval Catholic Europe. In addition to revealing shared contexts and technological developments, the complete work will also provide the opportunity for demonstrating the differences that were inevitably present across the Continent -- from Iceland to Italy, and from Portugal to Finland -- and to study why such existed.