Jan Goldstein - Böcker
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This volume is the first to address Foucault's influence and the potential of his work in the understanding and the writing of history. It does so critically and accessibly. Scholars from the United States, France and Italy, including historians, sociologists, an anthropogist and a philosopher, range over Foucault's writing - on love and the family in classical antiquity, the constitution of the self, the history of science and sexuality, to the origins of the liberal state. But, true to its subject, this book does not conceive of history divorced from philosophy: it explores how Foucault's understanding of the past relates to his ideas of truth, ethics, knowledge and action. All-in-all, the book offers a series of mind-opening perspectives on Foucault's work, on the past, and on the present.
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In the wake of the French Revolution, as attempts to restore political stability to France repeatedly failed, a group of concerned intellectuals identified a likely culprit: the prevalent sensationalist psychology, and especially the flimsy and fragmented self it produced. They proposed a vast, state-run pedagogical project to replace sensationalism with a new psychology that showcased an indivisible and actively willing self, or moi. As conceived and executed by Victor Cousin, a derivative philosopher but an academic entrepreneur of genius, this long-lived project singled out the male bourgeoisie for training in selfhood. Granting everyone a self in principle, Cousin and his disciples deemed workers and women incapable of the introspective finesse necessary to appropriate that self in practice.Beginning with a fresh consideration of the place of sensationalism in the Old Regime and the French Revolution, Jan Goldstein traces a post-Revolutionary politics of selfhood that reserved the Cousinian moi for the educated elite, outraged Catholics and consigned socially marginal groups to the ministrations of phrenology. Situating the Cousinian moi between the fragmented selves of eighteenth-century sensationalism and twentieth-century Freudianism, Goldstein suggests that the resolutely unitary self of the nineteenth century was only an interlude tailored to the needs of the post-Revolutionary bourgeois order.
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Hysteria Complicated by Ecstasy offers a rare window into the inner life of a person ordinarily inaccessible to historians: a semiliterate peasant girl who lived almost two centuries ago, in the aftermath of the French Revolution. Eighteen-year-old Nanette Leroux fell ill in 1822 with a variety of incapacitating nervous symptoms. Living near the spa at Aix-les-Bains, she became the charity patient of its medical director, Antoine Despine, who treated her with hydrotherapy and animal magnetism, as hypnosis was then called. Jan Goldstein translates, and provides a substantial introduction to, the previously unpublished manuscript recounting Nanette's strange illness--a manuscript coauthored by Despine and Alexandre Bertrand, the Paris physician who memorably diagnosed Nanette as suffering from "hysteria complicated by ecstasy." While hysteria would become a fashionable disease among urban women by the end of the nineteenth century, the case of Nanette Leroux differs sharply from this pattern in its early date and rural setting.Filled with intimate details about Nanette's behavior and extensive quotations of her utterances, the case is noteworthy for the sexual references that contemporaries did not recognize as such; for its focus on the difference between biological and social time; and for Nanette's fascination with the commodities available in the region's nascent marketplace. Goldstein's introduction brilliantly situates the text in its multiple contexts, examines it from the standpoint of early nineteenth-century medicine, and uses the insights of Foucault and Freud to craft a twenty-first-century interpretation. A compelling, multilayered account of one young woman's mental afflictions, Hysteria Complicated by Ecstasy is an extraordinary addition to the cultural and social history of psychiatry and medicine.
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What's the greatest gift that one person can give another?Jan Goldstein's stunning debut novel, All That Matters, is a deeply moving, endearing tale of a young woman who, with the help of her feisty grandmother, makes a journey from the very brink of death and despair into a full embrace of life.Jennifer Stempler has nothing left to lose: the love of her life dumped her, her mother died in a senseless car accident five years ago, and her famous Hollywood producer father started a brand-new family--with no room in it for her. So, 23-year-old Jennifer decides to pursue peaceful (permanent) oblivion on the beach near her home in Venice, California, drifting on a lethal combination of Xanax and tequila. But she can't even get that right.Jennifer's depression is no match for her Nana's determination. Gabby Zuckerman refuses to let her granddaughter self-destruct. With promises made to Jennifer's father and doctors, Gabby whisks Jennifer back to her home in New York City, intending to prove to Jennifer that her life cannot possibly be over yet. In fact, it has just begun. Through jaunts in Central Park to road trips to Maine, Gabby teaches Jennifer how to trust and hope again. And by relating her own tragic and heroic experience during the Nazi occupation of Poland, Gabby bestows upon Jennifer an understanding of her own life's value. But when Gabby reveals a secret--one that proves to be Jennifer's toughest challenge yet--Jennifer struggles to find out whether the gift will sustain her.Combining the unabashedly heart-warming sentiment of Robert James Waller's The Bridges of Madison County or Nicholas Sparks's Message in a Bottle with the irreverent humor of Jennifer Weiner's In Her Shoes, Goldstein's All That Matters is an inspirational first novel that leads readers to the core of what matters in life--family, hope, and savoring each moment.