Jan Reid – författare

Jan Reid's powerful, moving account of what being shot during a robbery in Mexico City and the painful road to recovery taught him about manhood, friendship, and marriage.On April 20, 1998, Jan Reid was shot during a robbery in Mexico City, where he had gone to watch his friend, the boxer Jesus Chavez, fight. In The Bullet Meant for Me, Reid powerfully recounts his ordeal, the long chain of life events that brought him to that fateful attack, and his struggle to regain the ability to walk and to be a full partner in a deeply satisfying marriage. Re-examining the whole trajectory of his life, Reid questions how much the Texan ideal of manhood shaped his identity, including his love for boxing and participation in the sport. He meditates on male friendship as he tells the story of his close relationship with Chavez, whose career and personal travails Reid details with empathy and insight. And he describes his long months in physical therapy, during which he drew on the unwavering love of his wife and daughter, as well as the courage and strength he had learned from boxing, to heal his body and spirit. A moving, intimate portrait of a man, a friendship, and a marriage, The Bullet Meant for Me is Jan Reid's most personal book.

Honorable Mention, Carr P. Collins Award for Best Book of Nonfiction, 2006Grover Lewis was one of the defining voices of the New Journalism of the 1960s and 1970s. His wry, acutely observed, fluently written essays for Rolling Stone and the Village Voice set a standard for other writers of the time, including Hunter S. Thompson, Joe Eszterhas, Timothy Ferris, Chet Flippo, and Tim Cahill, who said of Lewis, "He was the best of us." Pioneering the "on location" reportage that has become a fixture of features about moviemaking and live music, Lewis cut through the celebrity hype and captured the real spirit of the counterculture, including its artificiality and surprising banality. Even today, his articles on Woody Guthrie, the Allman Brothers, the Rolling Stones concert at Altamont, directors Sam Peckinpah and John Huston, and the filming of The Last Picture Show and One Flew over the Cuckoo's Nest remain some of the finest writing ever done on popular culture. To introduce Grover Lewis to a new generation of readers and collect his best work under one cover, this anthology contains articles he wrote for Rolling Stone, Village Voice, Playboy, Texas Monthly, and New West, as well as excerpts from his unfinished novel The Code of the West and his incomplete memoir Goodbye If You Call That Gone and poems from the volume I'll Be There in the Morning If I Live. Jan Reid and W. K. Stratton have selected and arranged the material around themes that preoccupied Lewis throughout his life-movies, music, and loss. The editors' biographical introduction, the foreword by Dave Hickey, and a remembrance by Robert Draper discuss how Lewis's early struggles to escape his working-class, anti-intellectual Texas roots for the world of ideas in books and movies made him a natural proponent of the counterculture that he chronicled so brilliantly. They also pay tribute to Lewis's groundbreaking talent as a stylist, whose unique voice deserves to be more widely known by today's readers.

Winner, Coral Horton Tullis Memorial Prize, Texas State Historical Association, 2012Liz Carpenter Award for Research in the History of Women, Texas State Historical Association, 2012When Ann Richards delivered the keynote of the 1988 Democratic National Convention and mocked President George H. W. Bush-“Poor George, he can’t help it. He was born with a silver foot in his mouth”-she instantly became a media celebrity and triggered a rivalry that would alter the course of American history. In 1990, Richards won the governorship of Texas, upsetting the GOP’s colorful rancher and oilman Clayton Williams. The first ardent feminist elected to high office in America, she opened up public service to women, blacks, Hispanics, Asian Americans, gays, and the disabled. Her progressive achievements and the force of her personality created a lasting legacy that far transcends her rise and fall as governor of Texas.In Let the People In, Jan Reid draws on his long friendship with Richards, interviews with her family and many of her closest associates, her unpublished correspondence with longtime companion Bud Shrake, and extensive research to tell a very personal, human story of Ann Richards’s remarkable rise to power as a liberal Democrat in a conservative Republican state. Reid traces the whole arc of Richards’s life, beginning with her youth in Waco, her marriage to attorney David Richards, her frustration and boredom with being a young housewife and mother in Dallas, and her shocking encounters with Lyndon Johnson and Jimmy Carter. He follows Richards to Austin and the wild 1970s scene and describes her painful but successful struggle against alcoholism. He tells the full, inside story of Richards’s rise from county office and the state treasurer’s office to the governorship, where she championed gun control, prison reform, environmental protection, and school finance reform, and he explains why she lost her reelection bid to George W. Bush, which evened his family’s score and launched him toward the presidency. Reid describes Richards’s final years as a world traveler, lobbyist, public speaker, and mentor and inspiration to office holders, including Hillary Clinton. His nuanced portrait reveals a complex woman who battled her own frailties and a good-old-boy establishment to claim a place on the national political stage and prove “what can happen in government if we simply open the doors and let the people in.”

First published in 1974, The Improbable Rise of Redneck Rock grew out of a magazine article coauthored by Jan Reid. His first book was a sensation in Texas. It portrayed an Austin-based live music explosion variously described as progressive country, cosmic cowboys, and outlaw country. The book has been hailed as a model of how to write about popular music and the life of performing musicians. Written in nine months, Reid's account focuses on predecessors of the 1960s and the swarm of newborn venues, the most enduring one the justly famed Armadillo World Headquarters; profiles of singer-songwriters that included Jerry Jeff Walker, Michael Martin Murphey, Steven Fromholz, B.W. Stevenson, Willis Alan Ramsey, Bobby Bridger, Rusty Wier, Kinky Friedman, and the one who became an international star and one of America's most treasured performers, Willie Nelson; and the rowdy heat-stricken debut of Willie's Fourth of July Picnics.Though Reid has resisted the writerly trend of specialization in his career, his debut brought him back to popular music and musicians' lives in Layla and Other Assorted Love Songs, Texas Tornado: The Music and Times of Doug Sahm, and now a related novel, The Song Leader. The Improbable Rise of Redneck Rock is a landmark of popular culture in Texas and the Southwest. Readers will be glad to once more have it back.

The Washington Post Bestseller - Now Updated with Five New Chapters and a New Epilogue Unlike President George. W. Bush, Karl Rove, his chief political adviser, is rarely "misunderestimated." Many of the president's opponents see Rove's hand in everything the president does. His friends, and the president himself, are just thankful he's on their side, and always has been. From their earliest days in Texas, Rove saw and tapped the potential of George W. Bush. "Political hacks like me wait a lifetime for a guy like this to come along," Rove said of the future president. The authors of Boy Genius fill readers in on the man, his methods, and his plans for the Republican majority for a fascinating, entertaining look at the Man Who Would be Kingmaker, an investigation that debunks myths as it reveals facts, and the story of exactly how American politics works now. From allegations of bugging his own office back in Texas, to shadowy dealings with Swift Boat veterans in the last election, Rove has played politics all the way to the highest levels, and though it sometimes isn't pretty, it works.