Jane de Gay – författare

The Routledge Reader in Gender and Performance presents the most influential and widely-known, critical work on gender and performing arts, together with exciting and provocative new writings. It provides systematically arranged articles to guide the reader from topic to topic, and specially linked articles by scholars and teachers to explain key issues and put the extracts in context. This comprehensive volume:* reviews women's contributions to theatre history* includes contributions from many of the top academics in this discipline* examines how theatre has represented women over the centuries* introduces readers to major theoretical approaches and more complex questions about gender, the body and cross-dressing* offers an international perspective, including material from post-apartheid South Africa and post-communist Russia.

The Routledge Reader in Gender and Performance presents the most influential and widely-known, critical work on gender and performing arts, together with exciting and provocative new writings. It provides systematically arranged articles to guide the reader from topic to topic, and specially linked articles by scholars and teachers to explain key issues and put the extracts in context. This comprehensive volume:* reviews women's contributions to theatre history* includes contributions from many of the top academics in this discipline* examines how theatre has represented women over the centuries* introduces readers to major theoretical approaches and more complex questions about gender, the body and cross-dressing* offers an international perspective, including material from post-apartheid South Africa and post-communist Russia.

The Routledge Reader in Politics and Performance brings together for the first time a comprehensive collection of extracts from key writings on politics, ideology, and performance.Taking an interdisciplinary approach to the subject, and including new writings from leading scholars, the book provides material on:* post-coloniality and performance theory and practice* critical theories and performance* intercultural perspectives* power, politics and the theatre* sexuality in performance* live arts and the media* theatre games.

The Routledge Reader in Politics and Performance brings together for the first time a comprehensive collection of extracts from key writings on politics, ideology, and performance.Taking an interdisciplinary approach to the subject, and including new writings from leading scholars, the book provides material on:* post-coloniality and performance theory and practice* critical theories and performance* intercultural perspectives* power, politics and the theatre* sexuality in performance* live arts and the media* theatre games.

The first book to explore Virginia Woolf’s preoccupation with the literary past and its profound impact on the content and structure of her novels.It analyses Woolf’s reading and writing practices via her essays, diaries and reading notebooks and presents chronological studies of eight of her novels, exploring how Woolf’s intensive reading surfaced in her fiction. The book sheds light on Woolf’s varied and intricate use of literary allusions; examines ways in which Woolf revisited and revised plots and tropes from earlier fiction; and looks at how she used parody as a means both of critical comment and homage.Key Features* The first book-length study of intertextuality in Virginia Woolf’s novels;* Offers a challenging and provocative new perspective on Woolf’s art as a novelist;* Develops detailed close readings offering fresh insights into individual works;* Presents complex ideas in a lucid and accessible fashion.

REVIEWS FROM HARDBACK EDITION: 'A number of interesting and powerful themes emerge in this study of Virginia Woolf's relation to the literary past...The strong account of Woolf's relation to tradition in Virginia Woolf's Novels and the Literary Past will surely facilitate further study of the gender politics of Modernism.' - Times Literary Supplement‘An important intervention at a time in which there is particular interest in Woolf’s relationship to the past.’Professor Laura Marcus, University of Sussex‘Essential and intellectually provocative reading for Woolf scholars and for common readers alike.’Vara Neverow, University of ConnecticutNow available in paperback, this is the first book to explore Virginia Woolf’s preoccupation with the literary past and its profound impact on the content and structure of her novels.It analyses Woolf’s reading and writing practices via her essays, diaries and reading notebooks and presents chronological studies of eight of her novels, exploring how Woolf’s intensive reading surfaced in her fiction. The book sheds light on Woolf’s varied and intricate use of literary allusions; examines ways in which Woolf revisited and revised plots and tropes from earlier fiction; and looks at how she used parody as a means both of critical comment and homage.Key Features* The first book-length study of intertextuality in Virginia Woolf’s novels* Offers a challenging and provocative new perspective on Woolf’s art as a novelist* Develops detailed close readings offering fresh insights into individual works* Presents complex ideas in a lucid and accessible fashion

The Edinburgh Companion to Virginia Woolf, Modernism and Religion makes exciting interventions into debates about the beliefs and spiritual commitments of one of the most celebrated writers of the twentieth century. Although critics and readers have often assumed that Virginia Woolf is hostile or indifferent to religion, her work is, in fact, from early to late, traversed with reflections about religious, spiritual and sacred meaning and experience. Featuring twenty-eight new essays by established and emerging scholars, this Companion is the first to consider Woolf’s perspectives on global religious traditions including Christianity, Judaism, Islam, Buddhism, Hinduism and Quakerism within the context of literary and cultural modernisms. The volume draws on a diverse range of theoretical and critical methods to showcase the multi-layered complexities of Woolf’s approaches to the sacred. Together the contributors provide a thorough re-assessment of the assumption that Woolf was an atheist and illuminate insights about her work in relation to twenty-first century critical discourse about religion, ethics, spirituality and mysticism while giving new attention to feminist perspectives, queer desire, sacred ecologies and narrative poetics.

There is growing critical interest in the connections between literature and Christianity, but Virginia Woolf's work has so far attracted little attention because of her agnostic upbringing and her famous statement that 'certainly and emphatically there is no god.' This study fills a gap by revealing that Woolf was profoundly interested in, and knowledgeable about, Christianity even though she was not convinced by it. The book sheds new light on her work by examining her allusions to Christian ideas, art, architecture and literature. The book takes a strongly contextual approach, first revealing the extent of the Christian influences on Woolf's upbringing, including an analysis of the far-reaching and multi-dimensional influence of the Clapham Sect, and then drawing attention to the continuing influence of Christianity on modernism and within Woolf's circle. It shows that Woolf's feminist criticism draws on a highly-informed critique of religious ideas about gender and that her explorations of the 'mystic' and 'spiritual' engage with theological debates about sacred space, time and eternity, the soul, salvation and deity.

Reveals Virginia Woolf’s interest in Christianity, its ideas and cultural artefactsThis wide-ranging study demonstrates that Woolf, despite her agnostic upbringing, was profoundly interested in, and knowledgeable about, Christianity as a faith and a socio-political movement. Jane de Gay provides a strongly contextual approach, first revealing the extent of the Christian influences on Woolf’s upbringing, including an analysis of the far-reaching influence of the Clapham Sect, and then drawing attention to the importance of Christianity among Woolf’s friends and associates. It shows that Woolf’s awareness of the ongoing influence of Christian ideas and institutions informed her feminist critique of society in Three Guineas. The book sheds new light on works including Mrs Dalloway, To the Lighthouse and The Waves by revealing her fascination with the clergy, the Madonna, churches and cathedrals; her interest in the Bible as artefact and literary text; and her wrestling with questions about salvation and the nature of God. Key Features:Reveals the extent of Woolf’s knowledge of Christianity and her interest in it Presents fresh readings of Woolf’s works by throwing light on this neglected aspect of her thought Takes a strongly contextual approach, looking at Woolf’s engagement with contemporary religious debatesReveals the extent of the Christian influences on Woolf’s upbringing, including an analysis of the far-reaching and multi-dimensional influence of the Clapham SectTakes a wide-ranging and comprehensive approach to the topic, considering the social and political dimensions of religion as well as questions of spirituality and theology

The authors explore a range of different approaches to the languages of theatre, including translation and interpretation of the art form, along with languages, performance work, body language and gesture. Considered alongside the related social issues of race, class and dialect, the following questions emerge:• What is the role of language in theatre today?• Whose language is English; what other languages do women making theatre use?• What does it mean to write about, photograph and video live performance?• What is the future for women's theatre in an international context increasingly united by new technologies but divided by new issues of cultural diversity?Goodman and de Gay analysis covers issues that are central to current courses in Theatre and Performance and Women's Studies. They assess the forms which women as theatre-makers have chosen to explore in the age of new technology, and look at some of the different definitions of 'theory' offered by theatre-makers and critics including Caryl Churchill, Hélène Cixous, Luce Irigiray and Julia Kristeva.