Lizbeth Goodman – författare

Contemporary Feminist Theatres is a major evaluation of the forms feminism has taken in the theatre since 1968. Lizbeth Goodman provides a provocative and interdisciplinary study of the development of feminist theatres in Britain. She examines the treatment of key issues such as gender, race, sexuality, language and power in performance.Based on original research and fresh data, Contemporary Feminst Theatres is a fully comprehensive and admirably clear analysis of a flourishing field of practice and inquiry.

Literature and Gender combines an introduction to and an anthology of literary texts which powerfully demonstrate the relevance of gender issues to the study of literature. The volume covers all three major literary genres - poetry, fiction and drama - and closely examines a wide range of themes, including:feminity versus creativity in women's lives and writingthe construction of female charactersautobiography and fictionthe gendering of languagethe interaction of race, class and gender within writing, reading and interpretation.Literature and Gender is also a superb resource of primary texts, and includes writing by:SapphoEmily DickinsonSylvia PlathTennysonElizabeth BishopLouisa May AlcottVirginia WoolfJamaica KincaidCharlotte Perkins GilmanSusan GlaspellAlso reproduced are essential essays by, amoung others, Maya Angelou, Sandra Gilbert and Susan Gubar, Toni Morrison, Elaine Showalter, and Alice Walker. No other book on this subject provides an anthology, introduction and critical reader in one volume. Literature and Gender is the ideal guide for any student new to this field.

Literature and Gender combines an introduction to and an anthology of literary texts which powerfully demonstrate the relevance of gender issues to the study of literature. The volume covers all three major literary genres - poetry, fiction and drama - and closely examines a wide range of themes, including:feminity versus creativity in women's lives and writingthe construction of female charactersautobiography and fictionthe gendering of languagethe interaction of race, class and gender within writing, reading and interpretation.Literature and Gender is also a superb resource of primary texts, and includes writing by:SapphoEmily DickinsonSylvia PlathTennysonElizabeth BishopLouisa May AlcottVirginia WoolfJamaica KincaidCharlotte Perkins GilmanSusan GlaspellAlso reproduced are essential essays by, amoung others, Maya Angelou, Sandra Gilbert and Susan Gubar, Toni Morrison, Elaine Showalter, and Alice Walker. No other book on this subject provides an anthology, introduction and critical reader in one volume. Literature and Gender is the ideal guide for any student new to this field.

A clear introduction to the idea of the canon, exploring the process by which certain works, and not others, receive high cultural status. The work of Shakespeare and Aphra Behn is used to illustrate and challenge this process.

The Routledge Reader in Gender and Performance presents the most influential and widely-known, critical work on gender and performing arts, together with exciting and provocative new writings. It provides systematically arranged articles to guide the reader from topic to topic, and specially linked articles by scholars and teachers to explain key issues and put the extracts in context. This comprehensive volume:* reviews women's contributions to theatre history* includes contributions from many of the top academics in this discipline* examines how theatre has represented women over the centuries* introduces readers to major theoretical approaches and more complex questions about gender, the body and cross-dressing* offers an international perspective, including material from post-apartheid South Africa and post-communist Russia.

The Routledge Reader in Gender and Performance presents the most influential and widely-known, critical work on gender and performing arts, together with exciting and provocative new writings. It provides systematically arranged articles to guide the reader from topic to topic, and specially linked articles by scholars and teachers to explain key issues and put the extracts in context. This comprehensive volume:* reviews women's contributions to theatre history* includes contributions from many of the top academics in this discipline* examines how theatre has represented women over the centuries* introduces readers to major theoretical approaches and more complex questions about gender, the body and cross-dressing* offers an international perspective, including material from post-apartheid South Africa and post-communist Russia.

The Routledge Reader in Politics and Performance brings together for the first time a comprehensive collection of extracts from key writings on politics, ideology, and performance.Taking an interdisciplinary approach to the subject, and including new writings from leading scholars, the book provides material on:* post-coloniality and performance theory and practice* critical theories and performance* intercultural perspectives* power, politics and the theatre* sexuality in performance* live arts and the media* theatre games.

The Routledge Reader in Politics and Performance brings together for the first time a comprehensive collection of extracts from key writings on politics, ideology, and performance.Taking an interdisciplinary approach to the subject, and including new writings from leading scholars, the book provides material on:* post-coloniality and performance theory and practice* critical theories and performance* intercultural perspectives* power, politics and the theatre* sexuality in performance* live arts and the media* theatre games.

First published in 1999, 'Women, Politics and Performance in South African Theatre Today' is an important contribution to Performance.

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Contemporary Feminist Theatres is a major evaluation of the forms feminism has taken in the theatre since 1968. Lizbeth Goodman provides a provocative and interdisciplinary study of the development of feminist theatres in Britain. She examines the treatment of key issues such as gender, race, sexuality, language and power in performance. Based on original research and fresh data, Contemporary Feminist Theatres is a fully comprehensive and admirably clear analysis of a flourishing field of practice and inquiry.

This volume is a collection of interviews that spans feminist views from 1968 to the 1990s. Including over eight years of research. Part of the Comtemporary Theatre Studies series, it will be of special interest to everyone involved in theatre and useful to students and those who oare interested in women's theatre.

First published in 1999, 'Women, Politics and Performance in South African Theatre Today' is an important contribution to Performance.