Jane Draycott – författare

Dedicating objects to the divine was a central component of both Greek and Roman religion. Some of the most conspicuous offerings were shaped like parts of the internal or external human body: so-called ‘anatomical votives’. These archaeological artefacts capture the modern imagination, recalling vividly the physical and fragile bodies of the past whilst posing interpretative challenges in the present. This volume scrutinises this distinctive dedicatory phenomenon, bringing together for the first time a range of methodologically diverse approaches which challenge traditional assumptions and simple categorisations. The chapters presented here ask new questions about what constitutes an anatomical votive, how they were used and manipulated in cultural, cultic and curative contexts and the complex role of anatomical votives in negotiations between humans and gods, the body and its disparate parts, divine and medical healing, ancient assemblages and modern collections and collectors. In seeking to re-contextualise and re-conceptualise anatomical votives this volume uniquely juxtaposes the medical with the religious, the social with the conceptual, the idea of the body in fragments with the body whole and the museum with the sanctuary, crossing the boundaries between studies of ancient religion, medicine, the body and the reception of antiquity.

Today, a prosthesis is an artificial device that replaces a missing body part, generally designed and assembled according to the individual’s appearance and functional needs with a view to being both as unobtrusive and as useful as possible. In classical antiquity, however, this was not necessarily the case. The ancient literary and documentary evidence for prostheses and prosthesis use is contradictory, and the bioarchaeological and archaeological evidence is enigmatic, but discretion and utility were not necessarily priorities. So, when, howand why did individuals utilise them? This volume, the first to explore prostheses and prosthesis use in classical antiquity, seeks to answer these questions, and will be of interest to academics and students with specialistinterests in classical archaeology, ancient history and history, especially those engaged in studies of healing, medical and surgical practices, or impairment and disability in past societies.

This is the first comprehensive study of prosthetics and assistive technology in classical antiquity, integrating literary, documentary, archaeological, and bioarchaeological evidence to provide as full a picture as possible of their importance for the lived experience of people with disabilities in classical antiquity. The volume is not only a work of disability history, but also one of medical, scientific, and technological history, and so will be of interest to members of multiple academic disciplines across multiple historical periods. The chapters cover extremity prostheses, facial prostheses, prosthetic hair, the design, commission and manufacture of prostheses and assistive technology, and the role of care-givers in the lives of ancient people with impairments and disabilities. Lavishly illustrated, the study further contains informative tables that collate the aforementioned different types of evidence in an easily accessible way.

This is the first comprehensive study of prosthetics and assistive technology in classical antiquity, integrating literary, documentary, archaeological, and bioarchaeological evidence to provide as full a picture as possible of their importance for the lived experience of people with disabilities in classical antiquity. The volume is not only a work of disability history, but also one of medical, scientific, and technological history, and so will be of interest to members of multiple academic disciplines across multiple historical periods. The chapters cover extremity prostheses, facial prostheses, prosthetic hair, the design, commission and manufacture of prostheses and assistive technology, and the role of care-givers in the lives of ancient people with impairments and disabilities. Lavishly illustrated, the study further contains informative tables that collate the aforementioned different types of evidence in an easily accessible way.

Roman Domestic Medical Practice in Central Italy examines the roles that the home, the garden and the members of the household (freeborn, freed and slave) played in the acquisition and maintenance of good physical and mental health and well-being. Focussing on the period from the middle Republic to the early Empire, it considers how comprehensive the ancient Roman general understanding of health actually was, and studies how knowledge regarding various aspects of health was transmitted within the household. Using literary, documentary, archaeological and bioarchaeological evidence from a variety of contexts, this is the first extended volume to provide as comprehensive and detailed a reconstruction of this aspect of ancient Roman private life as possible, complementing existing works on ancient professional medical practice and existing works on domestic medical practice in later historical periods. This volume offers an indispensable resource to social historians, particularly those that focus on the ancient family, and medical historians, particularly those that focus on the ancient world.

This volume explores the collection and display of human, animal, and cryptid bodies from antiquity to the present.An increasing amount of attention has been paid to impairment and disability in classical antiquity in recent years. However, one aspect of the subject that has not received significant attention, despite recent developments in the study of ancient paradoxography and ancient collections, collectors, and collecting, is the public display of impaired and disabled people. The same applies to other different, perhaps even extraordinary (in all senses of the word), bodies. Whether those bodies were human, animal, or cryptid, when scholars have acknowledged this phenomenon, the focus has been placed squarely on those individuals responsible for the displaying. What is less often considered is how the extraordinary individuals and creatures themselves felt about being displayed. This volume, in its coverage of bodily display from antiquity through the contemporary world, seeks to explore the lived experience of impairment and disability, and provide a fresh perspective on a range of related issues.This volume will be of interest to students and scholars working on ancient disability, collecting and the history of science and medicine from the disciplines of classics, history and archaeology, as well as museum professionals, and medical professionals who work with medical collections.

Despite the prevalence of video games set in or inspired by classical antiquity, the medium has to date remained markedly understudied in the disciplines of classics and ancient history, with the role of women in these video games especially neglected. Women in Classical Video Games seeks to address this imbalance as the first book-length work of scholarship to examine the depiction of women in video games set in classical antiquity.The volume surveys the history of women in these games and the range of figures presented from the 1980s to the present, alongside discussion of issues such as historical accuracy, authenticity, gender, sexuality, monstrosity, hegemony, race and ethnicity, and the use of tropes. A wide range of games of different types and modes are discussed, including platformers, strategy games , roguelikes, MOBA, action RPGs, and story-driven romance mobile games. The detailed case studies presented here form a compelling case for the indispensability of the medium to both reception studies and gender studies, and offer nuanced answers to such questions as how and why women are portrayed in the ways that they are.

Despite the prevalence of video games set in or inspired by classical antiquity, the medium has to date remained markedly understudied in the disciplines of classics and ancient history, with the role of women in these video games especially neglected. Women in Classical Video Games seeks to address this imbalance as the first book-length work of scholarship to examine the depiction of women in video games set in classical antiquity.The volume surveys the history of women in these games and the range of figures presented from the 1980s to the present, alongside discussion of issues such as historical accuracy, authenticity, gender, sexuality, monstrosity, hegemony, race and ethnicity, and the use of tropes. A wide range of games of different types and modes are discussed, including platformers, strategy games , roguelikes, MOBA, action RPGs, and story-driven romance mobile games. The detailed case studies presented here form a compelling case for the indispensability of the medium to both reception studies and gender studies, and offer nuanced answers to such questions as how and why women are portrayed in the ways that they are.

Roman Domestic Medical Practice in Central Italy examines the roles that the home, the garden and the members of the household (freeborn, freed and slave) played in the acquisition and maintenance of good physical and mental health and well-being. Focussing on the period from the middle Republic to the early Empire, it considers how comprehensive the ancient Roman general understanding of health actually was, and studies how knowledge regarding various aspects of health was transmitted within the household. Using literary, documentary, archaeological and bioarchaeological evidence from a variety of contexts, this is the first extended volume to provide as comprehensive and detailed a reconstruction of this aspect of ancient Roman private life as possible, complementing existing works on ancient professional medical practice and existing works on domestic medical practice in later historical periods. This volume offers an indispensable resource to social historians, particularly those that focus on the ancient family, and medical historians, particularly those that focus on the ancient world.

Dedicating objects to the divine was a central component of both Greek and Roman religion. Some of the most conspicuous offerings were shaped like parts of the internal or external human body: so-called ‘anatomical votives’. These archaeological artefacts capture the modern imagination, recalling vividly the physical and fragile bodies of the past whilst posing interpretative challenges in the present. This volume scrutinises this distinctive dedicatory phenomenon, bringing together for the first time a range of methodologically diverse approaches which challenge traditional assumptions and simple categorisations. The chapters presented here ask new questions about what constitutes an anatomical votive, how they were used and manipulated in cultural, cultic and curative contexts and the complex role of anatomical votives in negotiations between humans and gods, the body and its disparate parts, divine and medical healing, ancient assemblages and modern collections and collectors. In seeking to re-contextualise and re-conceptualise anatomical votives this volume uniquely juxtaposes the medical with the religious, the social with the conceptual, the idea of the body in fragments with the body whole and the museum with the sanctuary, crossing the boundaries between studies of ancient religion, medicine, the body and the reception of antiquity.

Today, a prosthesis is an artificial device that replaces a missing body part, generally designed and assembled according to the individual’s appearance and functional needs with a view to being both as unobtrusive and as useful as possible. In classical antiquity, however, this was not necessarily the case. The ancient literary and documentary evidence for prostheses and prosthesis use is contradictory, and the bioarchaeological and archaeological evidence is enigmatic, but discretion and utility were not necessarily priorities. So, when, howand why did individuals utilise them? This volume, the first to explore prostheses and prosthesis use in classical antiquity, seeks to answer these questions, and will be of interest to academics and students with specialistinterests in classical archaeology, ancient history and history, especially those engaged in studies of healing, medical and surgical practices, or impairment and disability in past societies.

The Kingdom of Jane Draycott's fifth collection is clearly a world we know, altered a little by Draycott's distinctive, prismatic lyricism, whose loving attention to place and our moment is skewed in a way that opens the world afresh. Here are England's towns and countryside, roads and ports and sushi chains, yards and herbs, an airport and a columbarium, and poems that consider art in a time of plague by way of meditation on Titian, Apollinaire and Derek Jarman.

Cleopatra Selene, daughter of Cleopatra VII of Egypt and Mark Antony, was the only member of the Ptolemaic dynasty to survive after her parents were defeated by the future Roman emperor Augustus at the Battle of Actium. Paraded as a prisoner in a Roman triumph, then brought up in the household of Augustus’ sister Octavia, she would marry a North African prince, becoming co-ruler of the Roman client-state of Mauretania. Jane Draycott recreates the life and times of a woman who became a powerful ruler in her own right at a time when most women were marginalised, and whose remarkable life shines new and revelatory light on Roman politics, society and culture in the early years of the Empire.

'A thoroughly rapacious woman...as cruel as she is greedy' Cicero'A woman who took no thought for spinning or housekeeping...meddlesome and headstrong' Plutarch'[She] caused the death of many, both to satisfy her enmity and to gain their wealth' Cassius Dio'She acted in a haughty manner towards those who were placing her in a position to be arrogant' Orosius'Nothing of the woman in her except her sex' Velleius PaterculusThe charismatic Fulvia amassed a degree of military and political power that was unprecedented for a woman in Ancient Rome. Married three times to men who moved in powerful circles, including Marc Antony, Fulvia was not content to play the usual background role that was expected of a wife - instead she challenged the Roman patriarchy and sought to increase her influence in the face of determined opposition. It's rare to know so much about a particular Roman woman, but Fulvia was so despised by her male detractors that she was much written about. Acclaimed historian Jane Draycott has used original sources to piece together Fulvia's life and sort fact from fiction, while also exploring the role of women in Roman society.

'A thoroughly rapacious woman...as cruel as she is greedy' Cicero'A woman who took no thought for spinning or housekeeping...meddlesome and headstrong' Plutarch'[She] caused the death of many, both to satisfy her enmity and to gain their wealth' Cassius Dio'She acted in a haughty manner towards those who were placing her in a position to be arrogant' Orosius'Nothing of the woman in her except her sex' Velleius PaterculusThe charismatic Fulvia amassed a degree of military and political power that was unprecedented for a woman in Ancient Rome. Married three times to men who moved in powerful circles, including Marc Antony, Fulvia was not content to play the usual background role that was expected of a wife - instead she challenged the Roman patriarchy and sought to increase her influence in the face of determined opposition. It's rare to know so much about a particular Roman woman, but Fulvia was so despised by her male detractors that she was much written about. Acclaimed historian Jane Draycott has used original sources to piece together Fulvia's life and sort fact from fiction, while also exploring the role of women in Roman society.

'A thoroughly rapacious woman...as cruel as she is greedy' Cicero'A woman who took no thought for spinning or housekeeping...meddlesome and headstrong' Plutarch'[She] caused the death of many, both to satisfy her enmity and to gain their wealth' Cassius Dio'She acted in a haughty manner towards those who were placing her in a position to be arrogant' Orosius'Nothing of the woman in her except her sex' Velleius PaterculusThe charismatic Fulvia amassed a degree of military and political power that was unprecedented for a woman in Ancient Rome. Married three times to men who moved in powerful circles, including Marc Antony, Fulvia was not content to play the usual background role that was expected of a wife - instead she challenged the Roman patriarchy and sought to increase her influence in the face of determined opposition. It's rare to know so much about a particular Roman woman, but Fulvia was so despised by her male detractors that she was much written about. Acclaimed historian Jane Draycott has used original sources to piece together Fulvia's life and sort fact from fiction, while also exploring the role of women in Roman society.

A dramatic political, cultural and social historical narrative of the period 60-40 BCE in Egypt and Rome, and the three sister queens each seeking power for themselves during this time: Cleopatra, Berenike (executed by their father) and Arsinoe (murdered at sister Cleopatra's request).Fatal Monsters approaches the three sister queens equally, rather than simply privileging Cleopatra, and examines them in the correct historical and archaeological context, not just through Roman eyes but also Greek and Egyptian ones. This story, the story of three sister queens and the sibling rivalry that brought down a 300-year-old dynasty, has yet to be told.

A dramatic political, cultural and social historical narrative of the period 60-40 BCE in Egypt and Rome, and the three sister queens each seeking power for themselves during this time: Cleopatra, Berenike (executed by their father) and Arsinoe (murdered at sister Cleopatra's request).Fatal Monsters approaches the three sister queens equally, rather than simply privileging Cleopatra, and examines them in the correct historical and archaeological context, not just through Roman eyes but also Greek and Egyptian ones. This story, the story of three sister queens and the sibling rivalry that brought down a 300-year-old dynasty, has yet to be told.

Over, Jane Draycott's third book, takes its title from a sequence of twenty-six poems based on the international phonetic alphabet: Alpha, Bravo, Charlie, Delta... In these and other pieces Draycott creates a world of echoing voices and reflections. She evokes the mirrors and doorways, dreams and night-time journeys that transform the familiar: entrances into a different reality. Over explores liminal places where ocean meets land, land drops to ravine, lives intersect in piazzas. The poems cross thresholds between what is finished and what is 'not over yet', between present and past and, in an extract from her new translation of the medieval dream-vision Pearl, between a sunlit garden and the mysterious landscape of the world to come.

Saint Christina the Astonishing was born into a poor Belgian family in 1150. She ‘died’ aged 22 but at her requiem she rose from her coffin and flew away like a bird, wanting to escape the smell of sinful humanity. This was the first of many mad, disobedient exploits in her long and remarkable life. Jane Draycott and Lesley Saunders retell – through their own poems as well as brief extracts from medieval religious writers – Christina’s story as a woman’s search for selfhood. The book includes artworks from Peter Hay, which he created for the original edition in direct response to the poetry. First published in 1998 and long out of print, this new edition makes Jane Draycott and Lesley Saunders’ sensual and exhilarating poetic collaboration available once more. A Two Rivers Press illustrated classic.‘Ascetic and excessive, exasperating, sometimes absurd, the life of the little-known St Christina provokes fantasies and questions. Was she a wonder worker? Or an anorexic, fuelled by hatred of the flesh? Or a powerful woman whose legendary flights set her free from her time and her place? Rather than offering pieties or diagnoses, Lesley Saunders and Jane Draycott, invite us to a feast of soul food. Their two distinctive voices meet the voices of the Middle Ages in an extraordinary blend of the sacred and the profane, the rapt and the irreverent, playful, sensual and deeply felt.’ – Philip Gross ‘Poetry as exciting as this is rare: fusing an earthy sensuality with the spiritual, it lets us hear Christina’s voice ringing clearly from the rafters.’ – Robyn Bolam ‘Christina the Astonishing is strange, wild, exhilarating: as in a piece of medieval polyphony, the authors mingle their voices, making connections between history and fantasy, between inner life and outer witness. I was intrigued, entertained, and – yes – astonished.’ – Marina Warner

This volume focuses on the depiction of women in video games set in historical periods or archaeological contexts, explores the tension between historical and archaeological accuracy and authenticity, examines portrayals of women in historical periods or archaeological contexts, portrayals of female historians and archaeologists, and portrayals of women in fantastical historical and archaeological contexts.　 It includes both triple A and independent video games, incorporating genres such as turn-based strategy, action-adventure, survival horror, and a variety of different types of role-playing games. Its chronological and geographical scope ranges from late third century BCE China, to mid first century BCE Egypt, to Pictish and Viking Europe, to Medieval Germany, to twentieth century Taiwan, and into the contemporary world, but it also ventures beyond our universe and into the fantasy realm of Hyrule and the science fiction solar system of the Nebula.