Jason David Hall – författare

'The power that I have dreamed of all my life is mine at last!'How far is a mother prepared to go to secure her daughter's future? Madame Fontaine, widow of an eminent chemist, has both the determination and the cunning to bring young Minna's marriage plans to fruition, with dangerous consequences for anyone who dares to stand in her way. But has she met her match in Jack Straw, one-time inmate of Bedlam lunatic asylum? It will take a visit to the morgue to find out who triumphs - and who comes out alive.Reminiscent of Collins's blockbusters The Woman in White and Armadale, this suspenseful case study in villainy is set against the financial world of 1820s Frankfurt and tells the story of two widows, one of them devoted to realizing her husband's social reforms, the other equally devoted to the pursuit of her daughter's happiness. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Across the nineteenth century, meter mattered—in more ways and to more people than we might well appreciate today. For the period's poets, metrical matters were a source of inspiration and often vehement debate. And the many readers, teachers, and pupils encountered meter and related topics in both institutional and popular forms. The ten essays in Meter Matters showcase the range of metrical practice of poets from Wordsworth and Byron to Hopkins, Swinburne, and Tennyson; at the same time, the contributors bring into focus some of the metrical theorizing that shaped poetic thinking and responses to it throughout the nineteenth century. Paying close attention to the historical contours of Romantic and Victorian meters, as well as to the minute workings of the verse line, Meter Matters presents a fresh perspective on a subject that figured significantly in the century's literature, and in its culture.

This book repositions thinking about rhythm, meter and versification during the “Mechanical Age.” Cutting across disciplinary boundaries, the book examines the rhythmical workings of poems alongside not only Victorian theories of prosody and poetics but also contemporary thinking about labor practices, pedagogical procedures, scientific experiments, and technological innovations. By offering an exploded definition of meter—one that extends beyond conventional foot-based scansion—this book explicates the conceptual and, at times, material exchanges between poetic meter and machine culture. The machines of meter include mid-century theories of abstraction and technologies of smoothness and even spacing; a deeply influential, though rarely credited, system of metrical manufacture; verse produced by a Victorian automaton; the mechanics of the human body and mind and the meters that issued from them; and the promise of scientific machines to resolve metrical dilemmas once and forall.