Jay Prosser – författare

Do we need bodies for sex? Is gender in the head or in the body? In Second Skins Jay Prosser reveals the powerful drive that leads men and women literally to shed their skins and--in flesh and head--to cross the boundary of sex. Telling their story is not merely an act that comes after the fact, it's a force of its own that makes it impossible to forget that stories of identity inhabit autobiographical bodies. In this stunning first extensive study of transsexual autobiography, Jay Prosser examines the exchanges between body and narrative that constitute the phenomenon of transsexuality. Showing how transsexuality's somatic transitions are spurred and enabled by the formal transitions of narrative, Prosser uncovers a narrative tradition for transsexual bodies. Sex change is a plot--and thus appropriately transsexuals make for adept and absorbing authors. In reading the transssexual plot through transsexuals' own recounting, Prosser not only gives us a new and more accurate rendition of transsexuality.His book suggests transsexuality, with its extraordinary conjunctions of body and narrative, as an identity story that transitions across the body/language divide that currently stalls poststucturalist thought. The form and approach of Second Skins works to cross other important and parallel divides. In addition to analyzing transsexual textual accounts, the book includes some 30 photographic portraits of transsexuals--poignant attempts by transsexuals to present themselves unmediated to the world except by the camera. And the author does not shy from exposure himself. Interjecting the personal into his theoretical discussion and close textual work throughout the book, Prosser reads and writes his own body, his purpose in that stylistic crossing to stake out transsexuality--and hence this very book--as his own body's narrative.

Do we need bodies for sex? Is gender in the head or in the body? In Second Skins Jay Prosser reveals the powerful drive that leads men and women literally to shed their skins and--in flesh and head--to cross the boundary of sex. Telling their story is not merely an act that comes after the fact, it's a force of its own that makes it impossible to forget that stories of identity inhabit autobiographical bodies. In this stunning first extensive study of transsexual autobiography, Jay Prosser examines the exchanges between body and narrative that constitute the phenomenon of transsexuality. Showing how transsexuality's somatic transitions are spurred and enabled by the formal transitions of narrative, Prosser uncovers a narrative tradition for transsexual bodies. Sex change is a plot--and thus appropriately transsexuals make for adept and absorbing authors. In reading the transssexual plot through transsexuals' own recounting, Prosser not only gives us a new and more accurate rendition of transsexuality.His book suggests transsexuality, with its extraordinary conjunctions of body and narrative, as an identity story that transitions across the body/language divide that currently stalls poststucturalist thought. The form and approach of Second Skins works to cross other important and parallel divides. In addition to analyzing transsexual textual accounts, the book includes some 30 photographic portraits of transsexuals--poignant attempts by transsexuals to present themselves unmediated to the world except by the camera. And the author does not shy from exposure himself. Interjecting the personal into his theoretical discussion and close textual work throughout the book, Prosser reads and writes his own body, his purpose in that stylistic crossing to stake out transsexuality--and hence this very book--as his own body's narrative.

The Well of Loneliness-the Radclyffe Hall novel at times referred to as "the bible of lesbianism"-was released in Britain in 1928 and was immediately controversial. Pronounced obscene following a sensational trial, the book has become a cultural icon as well as a source of considerable debate, especially among feminists, lesbians, and transgendered persons. Palatable Poison gathers together classic essays on Radclyffe Hall's book-beginning with Havelock Ellis and early reviews-as well as pieces by such contemporary critics as Esther Newton, Judith Halberstam, Teresa de Lauretis, and Terry Castle. Providing an understanding of how views of the book have changed over time and covering such topics as race, the nation at war, and melancholy, the collection presents new and provocative ideas about the immense cultural impact of The Well of Loneliness and its unique place in the literature of sexual nonconformity. Palatable Poison gathers together classic essays on Radclyffe Hall's book-beginning with Havelock Ellis and early reviews-as well as new pieces by such contemporary critics as Esther Newton, Judith Halberstam, Teresa de Lauretis, and Terry Castle.Providing an understanding of how views of the book have changed over time and covering such topics as fetishism, inversion, and melancholy, the collection presents new and provocative ideas about the immense cultural impact of The Well of Loneliness and its unique place in the literature of sexual nonconformity.

The Well of Loneliness-the Radclyffe Hall novel at times referred to as "the bible of lesbianism"-was released in Britain in 1928 and was immediately controversial. Pronounced obscene following a sensational trial, the book has become a cultural icon as well as a source of considerable debate, especially among feminists, lesbians, and transgendered persons. Palatable Poison gathers together classic essays on Radclyffe Hall's book-beginning with Havelock Ellis and early reviews-as well as pieces by such contemporary critics as Esther Newton, Judith Halberstam, Teresa de Lauretis, and Terry Castle. Providing an understanding of how views of the book have changed over time and covering such topics as race, the nation at war, and melancholy, the collection presents new and provocative ideas about the immense cultural impact of The Well of Loneliness and its unique place in the literature of sexual nonconformity. Palatable Poison gathers together classic essays on Radclyffe Hall's book-beginning with Havelock Ellis and early reviews-as well as new pieces by such contemporary critics as Esther Newton, Judith Halberstam, Teresa de Lauretis, and Terry Castle.Providing an understanding of how views of the book have changed over time and covering such topics as fetishism, inversion, and melancholy, the collection presents new and provocative ideas about the immense cultural impact of The Well of Loneliness and its unique place in the literature of sexual nonconformity.

American Fiction of the 1990s: Reflections of History and Culture brings together essays from international experts to examine one of the most vital and energized decades in American literature. This volume reads the rich body of 1990s American fiction in the context of key cultural concerns of the period.The issues that the contributors identify as especially productive include:Immigration and America’s geographical borders, particularly those with Latin AmericaRacial tensions, race relations and racial exchangesHistorical memory and the recording of historySex, scandal and the politicization of sexualityPostmodern technologies, terrorism and paranoiaAmerican Fiction of the 1990s examines texts by established authors such as Don DeLillo, Toni Morrison, Philip Roth and Thomas Pynchon, who write some of their most ambitious work in the period, but also by emergent writers, such as Sherman Alexie, Chang-Rae Lee, E. Annie Proulx, David Foster Wallace, and Jonathan Franzen. Offering new insight into both the literature and the culture of the period, as well as the interaction between the two in a way that furthers the New American Studies, this volume will be essential reading for students and lecturers of American literature and culture and late twentieth-century fiction.Contributors include: Timothy Aubry, Alex Blazer, Kasia Boddy, Stephen J. Burn, Andrew Dix, Brian Jarvis, Suzanne W. Jones, Peter Knight, A. Robert Lee, Stacey Olster, Derek Parker Royal, Krishna Sen, Zoe Trodd, Andrew Warnes and Nahem Yousaf.

American Fiction of the 1990s: Reflections of History and Culture brings together essays from international experts to examine one of the most vital and energized decades in American literature. This volume reads the rich body of 1990s American fiction in the context of key cultural concerns of the period.The issues that the contributors identify as especially productive include:Immigration and America’s geographical borders, particularly those with Latin AmericaRacial tensions, race relations and racial exchangesHistorical memory and the recording of historySex, scandal and the politicization of sexualityPostmodern technologies, terrorism and paranoiaAmerican Fiction of the 1990s examines texts by established authors such as Don DeLillo, Toni Morrison, Philip Roth and Thomas Pynchon, who write some of their most ambitious work in the period, but also by emergent writers, such as Sherman Alexie, Chang-Rae Lee, E. Annie Proulx, David Foster Wallace, and Jonathan Franzen. Offering new insight into both the literature and the culture of the period, as well as the interaction between the two in a way that furthers the New American Studies, this volume will be essential reading for students and lecturers of American literature and culture and late twentieth-century fiction.Contributors include: Timothy Aubry, Alex Blazer, Kasia Boddy, Stephen J. Burn, Andrew Dix, Brian Jarvis, Suzanne W. Jones, Peter Knight, A. Robert Lee, Stacey Olster, Derek Parker Royal, Krishna Sen, Zoe Trodd, Andrew Warnes and Nahem Yousaf.

When we look at a photograph we see a moment that is no more. Photographs place reality into the past tense, representing not memory but memory's loss. They are not conduits for the return of memory, but memento mori: reminders of the fact of death itself. And it is in this, Jay Prosser tells us, that we find the gift of photography. Engaging the photographic reflections of figures as different as Roland Barthes and Claude Lévi-Strauss, Gordon Parks and Elizabeth Bishop, Light in the Dark Room offers a vision of photography as realization of loss—and a revelation of how photographs can shed light on the dark rooms of our lives. Beginning with an analysis of Roland Barthes's Camera Lucida, Prosser explores the relationship of autobiography and photography and then considers Lévi-Strauss's last published book, his photographic memoir; he uncovers the collection of photography painstakingly assembled by poet Elizabeth Bishop but never published; and he recounts the story of a forgotten Brazilian boy from the 1960s who lost his home as a result of photographs. The losses this book recalls are poignant yet universal—a son loses his mother; an anthropologist, his culture; a photographer, his youth; a poet, her lover. Among these personal and moving losses and the remarkable photographs that accompany them, Prosser weaves his own meditations on photography, on the interdependence of loss and enlightenment, on the emergence of our technologized society—and the world we have lost in the process.Jay Prosser is lecturer in American literature at the University of Leeds. He is the author of Second Skins: The Body Narratives of Transsexuality and coeditor of Palatable Poison: Critical Perspectives on "The Well of Loneliness."