Jeanne Campbell Reesman - Böcker

Jack London has long been recognized as one of the most colorful figures in American literature. He is America's most widely translated author (into more than eighty languages), and although his works have been neglected until recently by academic critics in the United States, he is finally winning recognition as a major figure in American literary history.The breadth and depth of new critical study of London's work in recent decades attest to his newfound respectability. London criticism has moved beyond a traditional concerns of realism and naturalism as well as beyond the timeworn biographical focus to engage such theoretical approaches as race, gender, class, post-structuralism, and new historicism. The range and intellectual energy of the essays collected here give the reader a new sense of London's richness and variety, especially his treatment of diverse cultures. Having in the past focused more on London's personal "world," we are now afforded an opportunity to look more closely at his art and the numerous worlds it uncovers.

Jack London, one of the most read and recognized figures in American literature, produced an immense body of work, including 22 novels, 200 short stories, memoirs, newspaper articles, book reviews, essays, and poems. A significant and revealing feature of London's literary life lies in his introspective observations on the craft of writing, brought together in this collection of essays, reviews, letters, and autobiographical writings. London's public role as a daring, carefree man of action has obscured the shrewd, disciplined, and methodical writer whose practical reflections and meditations on his profession provide a vivid portrait of the literary industry in turn-of-the-century America. For this edition, a significant amount of new material has been added.Reviews of the First Edition"Dale Walker has rendered a valuable service in his painstaking collection of London's writings about writers. He has included 43 selections, 20 of which are previously uncollected: 13 essays, and excerpts from London's two autobiographical works. The result is a remarkably comprehensive view of London 'the writer's writer.'"—American Literary Realism"An absorbing account of how hard the writer worked to learn his craft. . . . We find a master prose stylist concerned with problems of selectivity and concrete issues of tone, form, atmosphere, and point of view."—Modern Philology"A remarkable collection. . . . This is a firsthand look at a writer's honest and forthright opinions on his craft."—Los Angeles Times

Jack London, one of the most read and recognized figures in American literature, produced an immense body of work, including 22 novels, 200 short stories, memoirs, newspaper articles, book reviews, essays, and poems. A significant and revealing feature of London's literary life lies in his introspective observations on the craft of writing, brought together in this collection of essays, reviews, letters, and autobiographical writings. London's public role as a daring, carefree man of action has obscured the shrewd, disciplined, and methodical writer whose practical reflections and meditations on his profession provide a vivid portrait of the literary industry in turn-of-the-century America. For this edition, a significant amount of new material has been added.Reviews of the First Edition"Dale Walker has rendered a valuable service in his painstaking collection of London's writings about writers. He has included 43 selections, 20 of which are previously uncollected: 13 essays, and excerpts from London's two autobiographical works. The result is a remarkably comprehensive view of London 'the writer's writer.'"—American Literary Realism"An absorbing account of how hard the writer worked to learn his craft. . . . We find a master prose stylist concerned with problems of selectivity and concrete issues of tone, form, atmosphere, and point of view."—Modern Philology"A remarkable collection. . . . This is a firsthand look at a writer's honest and forthright opinions on his craft."—Los Angeles Times

American Designs addresses three major literary critical issues: the hermeneutics of the novel genre; the intense importance of this genre for American literature; and the way James and Faulkner; by writing within hermeneutic traditions of the modern American novel, explore further than any other writers the particular functions of the novelistic designs they inherited and transformed.Jeanne Campbell Reesman contends that in the late fiction of James and Faulkner the search for knowledge of the self and others is presented as a metafictive issue of power, authority, and freedom. While their own interests lead characters in the novels to enact designs on other characters, the novels themselves undermine the validity of any single, imposed design. American writers, Reesman argues, develop narrative structures that fail to close. Theirs is an open-ended search for American identity. Structures remain unfinished or unresolved or "disunified" in order to allow human beings a certain freedom from closed design, and they do this out of a dual reaction against both Old World tradition and New World Puritanism.Reesman probes the relationship between narrative design and "the problem of knowledge" in American literature in her resonant readings the The Ambassadors, Absalom, Absalom!, The Golden Bowl, and Go Down, Moses. James and Faulkner, of course, never knew each other, but in this first book-length comparison of these major authors, Reesman convinces her reader that they would have had a great deal to say to each other.American Designs will be of interest to scholars and students of American literature.

At once criminal and savior, clown and creator, antagonist and mediator, the character of trickster has made frequent appearances in works by writers the world over. As Margaret Atwood observed, trickster gods "stand where the door swings open on its hinges and the horizon expands; they operate where things are joined together and, thus, can also fall apart." A shaping force in American literature, trickster has appeared in such characters as Huckleberry Finn, Rinehart, Sula, and Nanapush. Usually a figure both culturally specific and transcendent, trickster leads the way to the unconscious, the concealed, and the seemingly unattainable.Trickster Lives offers thirteen new and challenging interpretations of trickster in American writing, including essays on works by African American, Native American, Pacific Rim, and Latino writers, as well as an examination of trickster politics. This innovative collection of work conveys the trickster’s unmistakable imprint on the modern world.

Jack London (1876-1916), known for his naturalistic and mythic tales, remains among the most popular and influential American writers in the world. Jack London's Racial Lives offers the first full study of the enormously important issue of race in London's life and diverse works, whether set in the Klondike, Hawaii, or the South Seas or during the Russo-Japanese War, the Jack Johnson world heavyweight bouts, or the Mexican Revolution. Jeanne Campbell Reesman explores his choices of genre by analyzing racial content and purpose and judges his literary artistry against a standard of racial tolerance. Although he promoted white superiority in novels and nonfiction, London sharply satirized racism and meaningfully portrayed racial others—most often as protagonists—in his short fiction.Why the disparity? For London, racial and class identity were intertwined: his formation as an artist began with the mixed "heritage" of his family. His mother taught him racism, but he learned something different from his African American foster mother, Virginia Prentiss. Childhood poverty, shifting racial allegiances, and a "psychology of want" helped construct the many "houses" of race and identity he imagined. Reesman also examines London's socialism, his study of Darwin and Jung, and the illnesses he suffered in the South Seas.With new readings of The Call of the Wild, Martin Eden, and many other works, such as the explosive Pacific stories, Reesman reveals that London employed many of the same literary tropes of race used by African American writers of his period: the slave narrative, double-consciousness, the tragic mulatto, and ethnic diaspora. Hawaii seemed to inspire his most memorable visions of a common humanity.

Exploring a variety of writers over an array of time periods, subject matter, race and ethnicity, sexual preference, tradition, genre, and style, this volume represents the fruits ofthe dramatic and celebrated growth of the study of American women writers today. From established figures such as Harriet Beecher Stowe, Edith Wharton, Willa Cather, and Katherine Ann Porter to emerging voices including early American novelist Tabitha Tenney; the first African American novelist, Harriet E. Wilson; modern dramatist Sophie Treadwell; and contemporaries such as Sandra Cisneros, Grace Paley, and June Jordan, the essays present fresh approaches and furnish a wealth of illustrations for the multiple selves created and addressed in women’s writing. These selves intersect and connect to embody a multiethnic rhetoric of the “self” that is uniquely feminine and uniquely American. Calling attention to their “American feminist rhetoric,” Jeanne Campbell Reesman identifies many connections among different feminist, poststructuralist, narratological, and comparativist strategies. The voices of Speaking the Other Self well represent the inner and outer, speaking and hearing, center and frame in women’s writing in America, their intersections constructing an ongoing conversation, a borderland of new possibilities—a borderland with no borders, no barriers to thought and response and change, no end of possible voices and selves.