Jeanne-Marie Jackson – författare

An ambitious look at the African novel and its connections to African philosophy in the twentieth and twenty-first centuriesThe African Novel of Ideas focuses on the role of the philosophical novel and the place of philosophy more broadly in the intellectual life of the African continent, from the early twentieth century to today. Examining works from the Gold Coast, South Africa, Uganda, and Zimbabwe, and tracing how such writers as J. E. Casely Hayford, Imraan Coovadia, Tendai Huchu, Jennifer Nansubuga Makumbi, and Stanlake Samkange reconcile deep contemplation with their social situations, Jeanne-Marie Jackson offers a new way of reading and understanding African literature.Jackson begins with Fante anticolonial worldliness in prenationalist Ghana, moves through efforts to systematize Shona philosophy in 1970s Zimbabwe, looks at the Ugandan novel Kintu as a treatise on pluralistic rationality, and arrives at the treatment of “philosophical suicide” by current southern African writers. As Jackson charts philosophy's evolution from a dominant to marginal presence in African literary discourse across the past hundred years, she assesses the push and pull of subjective experience and abstract thought.The first major transnational exploration of African literature in conversation with philosophy, The African Novel of Ideas redefines the place of the African experience within literary history.

An ambitious look at the African novel and its connections to African philosophy in the twentieth and twenty-first centuriesThe African Novel of Ideas focuses on the role of the philosophical novel and the place of philosophy more broadly in the intellectual life of the African continent, from the early twentieth century to today. Examining works from the Gold Coast, South Africa, Uganda, and Zimbabwe, and tracing how such writers as J. E. Casely Hayford, Imraan Coovadia, Tendai Huchu, Jennifer Nansubuga Makumbi, and Stanlake Samkange reconcile deep contemplation with their social situations, Jeanne-Marie Jackson offers a new way of reading and understanding African literature.Jackson begins with Fante anticolonial worldliness in prenationalist Ghana, moves through efforts to systematize Shona philosophy in 1970s Zimbabwe, looks at the Ugandan novel Kintu as a treatise on pluralistic rationality, and arrives at the treatment of “philosophical suicide” by current southern African writers. As Jackson charts philosophy's evolution from a dominant to marginal presence in African literary discourse across the past hundred years, she assesses the push and pull of subjective experience and abstract thought.The first major transnational exploration of African literature in conversation with philosophy, The African Novel of Ideas redefines the place of the African experience within literary history.

The first book devoted to the the career of anglophone West Africa’s most important early twentieth-century statesman and intellectualThe African Gold Coast writer and statesman J. E. Casely Hayford (1866–1930) was a key figure in liberal anticolonial thought as well as African and British imperial literary and intellectual history. In this revisionist account, Jeanne-Marie Jackson positions his career as an intriguing case study of anticolonial literature and politics. Jackson maps the contours of Casely Hayford’s thought through sustained attention to his written work within its Gold Coast and British imperial contexts, demonstrating the far-reaching conceptual and aesthetic resources of his elite legal background.Treating Casely Hayford’s 1911 novel, Ethiopia Unbound, as a constitutional document and his legal writings as literary exemplars, Jackson breaks down artificial divisions between African textual traditions. The law, for Casely Hayford and his Fante nationalist peers, was intimately bound to the virtues they attached to textuality: clear-headedness, moderation, restraint, and public discernment. Jackson argues for this liberal disposition as a crucial and neglected part of anticolonial intellectual and political history. Colonial-era legal debates framed the rise of an influential, consummately modern Gold Coast leader deemed fit to steer ambitious new pan-African institutions, and, in Jackson’s telling, Casely Hayford emerges as his era’s most emblematic figure.

The first book devoted to the the career of anglophone West Africa’s most important early twentieth-century statesman and intellectualThe African Gold Coast writer and statesman J. E. Casely Hayford (1866–1930) was a key figure in liberal anticolonial thought as well as African and British imperial literary and intellectual history. In this revisionist account, Jeanne-Marie Jackson positions his career as an intriguing case study of anticolonial literature and politics. Jackson maps the contours of Casely Hayford’s thought through sustained attention to his written work within its Gold Coast and British imperial contexts, demonstrating the far-reaching conceptual and aesthetic resources of his elite legal background.Treating Casely Hayford’s 1911 novel, Ethiopia Unbound, as a constitutional document and his legal writings as literary exemplars, Jackson breaks down artificial divisions between African textual traditions. The law, for Casely Hayford and his Fante nationalist peers, was intimately bound to the virtues they attached to textuality: clear-headedness, moderation, restraint, and public discernment. Jackson argues for this liberal disposition as a crucial and neglected part of anticolonial intellectual and political history. Colonial-era legal debates framed the rise of an influential, consummately modern Gold Coast leader deemed fit to steer ambitious new pan-African institutions, and, in Jackson’s telling, Casely Hayford emerges as his era’s most emblematic figure.

The first book devoted to the the career of anglophone West Africa's most important early twentieth-century statesman and intellectualThe African Gold Coast writer and statesman J. E. Casely Hayford (18661930) was a key figure in liberal anticolonial thought as well as African and British imperial literary and intellectual history. In this revisionist account, Jeanne-Marie Jackson positions his career as an intriguing case study of anticolonial literature and politics. Jackson maps the contours of Casely Hayford's thought through sustained attention to his written work within its Gold Coast and British imperial contexts, demonstrating the far-reaching conceptual and aesthetic resources of his elite legal background.Treating Casely Hayford's 1911 novel, Ethiopia Unbound, as a constitutional document and his legal writings as literary exemplars, Jackson breaks down artificial divisions between African textual traditions. The law, for Casely Hayford and his Fante nationalist peers, was intimately bound to the virtues they attached to textuality: clear-headedness, moderation, restraint, and public discernment. Jackson argues for this liberal disposition as a crucial and neglected part of anticolonial intellectual and political history. Colonial-era legal debates framed the rise of an influential, consummately modern Gold Coast leader deemed fit to steer ambitious new pan-African institutions, and, in Jackson's telling, Casely Hayford emerges as his era's most emblematic figure.

This volume provides scholars and students with a birds-eye view of the stories African literature has told about itself. It elaborates on Africa's contributions to an evolving, transnational literary vocabulary and though its organization around key terms rather than specific periods or national canons, Intellectual Traditions of African Literature also facilitates movement between and across African traditions: its framework is intrinsically comparative. As befits a project of this scale and versatility, its contributors are drawn from across professional ranks, areas of geographical and subfield expertise, and academies of origin. By contextualizing African literature within a larger set of literary terms and movements, it demonstrates that African literature is intrinsically worldly and transnational, even at points of local historical engagement.

How do great moments in literary traditions arise from times of intense social and political upheaval? South African Literature’s Russian Soul charts the interplay of narrative innovation and political isolation in two of the world’s most renowned non-European literatures. In this book, Jeanne-Marie Jackson demonstrates how Russian writing’s “Golden Age” in the troubled nineteenth-century has served as a model for South African writers both during and after apartheid. Exploring these two isolated literary cultures alongside each other, the book challenges the limits of "global" methodologies in contemporary literary studies and outdated models of center-periphery relations to argue for a more locally involved scale of literary enquiry with more truly global horizons.

How do great moments in literary traditions arise from times of intense social and political upheaval? South African Literature’s Russian Soul charts the interplay of narrative innovation and political isolation in two of the world’s most renowned non-European literatures. In this book, Jeanne-Marie Jackson demonstrates how Russian writing’s “Golden Age” in the troubled nineteenth-century has served as a model for South African writers both during and after apartheid. Exploring these two isolated literary cultures alongside each other, the book challenges the limits of "global" methodologies in contemporary literary studies and outdated models of center-periphery relations to argue for a more locally involved scale of literary enquiry with more truly global horizons.

How do great moments in literary traditions arise from times of intense social and political upheaval? South African Literature''s Russian Soul charts the interplay of narrative innovation and political isolation in two of the world''s most renowned non-European literatures. In this book, Jeanne-Marie Jackson demonstrates how Russian writing''s “Golden Age” in the troubled nineteenth-century has served as a model for South African writers both during and after apartheid. Exploring these two isolated literary cultures alongside each other, the book challenges the limits of "global" methodologies in contemporary literary studies and outdated models of center-periphery relations to argue for a more locally involved scale of literary enquiry with more truly global horizons.

How do great moments in literary traditions arise from times of intense social and political upheaval? South African Literature''s Russian Soul charts the interplay of narrative innovation and political isolation in two of the world''s most renowned non-European literatures. In this book, Jeanne-Marie Jackson demonstrates how Russian writing''s “Golden Age” in the troubled nineteenth-century has served as a model for South African writers both during and after apartheid. Exploring these two isolated literary cultures alongside each other, the book challenges the limits of "global" methodologies in contemporary literary studies and outdated models of center-periphery relations to argue for a more locally involved scale of literary enquiry with more truly global horizons.

This book shines a new light on J. E. Casely Hayford’s Ethiopia Unbound, widely considered the first English-language novel published by an African writer. Casely Hayford drew material from his eminent career as a barrister, statesman, and newspaper editor to augment the book’s fictional elements, showcasing the tremendous intellectual versatility of West Africa. Moving between London and the Gold Coast, as well as across the past, present, and imagined future of Casely Hayford’s Fante civilization, Ethiopia Unbound is an essential record of how Africans at the turn of the twentieth century made sense of their place in a rapidly changing world.

ENGThe African Novel of Ideas focuses on the role of the philosophical novel and the place of philosophy more broadly in the intellectual life of the African continent, from the early twentieth century to today. Examining works from the Gold Coast, South Africa, Uganda, and Zimbabwe, and tracing how such writers as J. E. Casely Hayford, Imraan Coovadia, Tendai Huchu, Jennifer Nansubuga Makumbi, and Stanlake Samkange reconcile deep contemplation with their social situations, Jeanne-Marie Jackson offers a new way of reading and understanding African literature.Jackson begins with Fante anticolonial worldliness in prenationalist Ghana, moves through efforts to systematize Shona philosophy in 1970s Zimbabwe, looks at the Ugandan novel Kintu as a treatise on pluralistic rationality, and arrives at the treatment of “philosophical suicide” by current southern African writers. As Jackson charts philosophy’s evolution from a dominant to marginal presence in African literary discourse across the past hundred years, she assesses the push and pull of subjective experience and abstract thought.The first major transnational exploration of African literature in conversation with philosophy, The African Novel of Ideas redefines the place of the African experience within literary history.RUSДжин-Мэри Джексон исследует, как африканские писатели соединяют философское размышление с социальным опытом. Книга анализирует литературу Ганы, Зимбабве, Уганды и Южной Африки от начала XX века до современности, предлагая новый взгляд на роль философии в африканской интеллектуальной традиции.От антиколониальной мысли фанти в донационалистической Гане до современных текстов о «философском самоубийстве» — автор прослеживает эволюцию философского дискурса от центра литературного поля к его периферии. В фокусе исследования находится не столько система взглядов, сколько напряжение между личным опытом и абстрактным мышлением.Это первое масштабное исследование, рассматривающее африканский роман как форму философской рефлексии и переосмысляющее его место в контексте мировой литературы.