Jeanne-Marie Jackson – författare

An ambitious look at the African novel and its connections to African philosophy in the twentieth and twenty-first centuriesThe African Novel of Ideas focuses on the role of the philosophical novel and the place of philosophy more broadly in the intellectual life of the African continent, from the early twentieth century to today. Examining works from the Gold Coast, South Africa, Uganda, and Zimbabwe, and tracing how such writers as J. E. Casely Hayford, Imraan Coovadia, Tendai Huchu, Jennifer Nansubuga Makumbi, and Stanlake Samkange reconcile deep contemplation with their social situations, Jeanne-Marie Jackson offers a new way of reading and understanding African literature.Jackson begins with Fante anticolonial worldliness in prenationalist Ghana, moves through efforts to systematize Shona philosophy in 1970s Zimbabwe, looks at the Ugandan novel Kintu as a treatise on pluralistic rationality, and arrives at the treatment of “philosophical suicide” by current southern African writers. As Jackson charts philosophy''s evolution from a dominant to marginal presence in African literary discourse across the past hundred years, she assesses the push and pull of subjective experience and abstract thought.The first major transnational exploration of African literature in conversation with philosophy, The African Novel of Ideas redefines the place of the African experience within literary history.

The first book devoted to the the career of anglophone West Africa’s most important early twentieth-century statesman and intellectualThe African Gold Coast writer and statesman J. E. Casely Hayford (1866–1930) was a key figure in liberal anticolonial thought as well as African and British imperial literary and intellectual history. In this revisionist account, Jeanne-Marie Jackson positions his career as an intriguing case study of anticolonial literature and politics. Jackson maps the contours of Casely Hayford’s thought through sustained attention to his written work within its Gold Coast and British imperial contexts, demonstrating the far-reaching conceptual and aesthetic resources of his elite legal background.Treating Casely Hayford’s 1911 novel, Ethiopia Unbound, as a constitutional document and his legal writings as literary exemplars, Jackson breaks down artificial divisions between African textual traditions. The law, for Casely Hayford and his Fante nationalist peers, was intimately bound to the virtues they attached to textuality: clear-headedness, moderation, restraint, and public discernment. Jackson argues for this liberal disposition as a crucial and neglected part of anticolonial intellectual and political history. Colonial-era legal debates framed the rise of an influential, consummately modern Gold Coast leader deemed fit to steer ambitious new pan-African institutions, and, in Jackson’s telling, Casely Hayford emerges as his era’s most emblematic figure.