Jeet Thayil – författare

Shortlisted for the Man Booker Prize, Narcopolis is a rich and hallucinatory novel set around a Bombay opium den, as the city transforms itself over three decades.In Old Bombay, they say you introduce only your worst enemy to opium. But in Rashid's opium room on Shuklaji Street, the air is thick with voices and ghosts. A young woman holds a long-stemmed pipe over a flame, her hair falling across her eyes. Men sprawl and mutter in the gloom. And now there is an underworld whisper of a new terror: the Pathar Maar, the stone killer, whose victims are the nameless, invisible poor. In broken Bombay, there are too many to count. Stretching across three decades, with an interlude in Mao's China, Narcopolis portrays a city in collision with itself. With a cast of pimps, pushers, poets, gangsters and eunuchs, it is a journey into a sprawling underworld written in electric and utterly original prose.

The Book of Chocolate Saints follows the unforgettable character Francis Newton Xavier and his journey towards salvation - or damnation - or perhaps both. In the swooning, hypnotic prose for which his Man Booker Prize-shortlisted novel was acclaimed, Jeet Thayil paints a hallucinatory portrait of an ambiguous soul: a self-destructive figure living a wild existence of excess in pursuit of his uncompromising aesthetic vision, a charismatic contrarian, and a tortured artist battling with his conflicting instincts. His paintings and poems embodying the decadent jeu d'esprit of his heroes like Baudelaire forged his reputation, which is celebrated at a show in Delhi. Approaching middle-age, Xavier leaves Manhattan following 9/11, and his journey home to India becomes a voyage into his past. From his formative years with an infamous school of Bombay poets - documented by his biographer, Diswas - to an uncertain future, Xavier's story shows how the artist's life itself can become the final monument. The Book of Chocolate Saints explores our deepest urges in a novel that is sexy, dangerous, and entirely uncompromising. It is intoxicating, blazingly intelligent literary fiction - a strange, beautiful hymn to the artistic life lived fearlessly - that consolidates Thayil's reputation as one of the most exciting writers of his generation.

'Dazzling' MARLON JAMES, BOOKER PRIZE WINNER'Original and thought-provoking' SPECTATOR'Electrifying' TESSA HADLEY Under a predawn sky, humming with starlight and the songs of birds, a group of determined women return to the cave where they have laid the body of their saviour. When they arrive, it is empty.Names of the Women tells the stories of fifteen women whose lives overlapped with the life of Christ. Women who stayed with Christ through the crucifixion, when his disciples had abandoned him, and who spread his radical message - one that made them equals and a profound threat to power within the church.Together, the voices of the women dare us to reimagine the story of the New Testament in a way it has never before been told.*A 'BOOKS OF 2021' PICK IN THE FINANCIAL TIMES AND NEW STATESMAN*

From the Booker-shortlisted author of Narcopolis, in prose of extraordinary power, a novel about the women whose roles were suppressed, reduced or erased in the Gospels. 'Dazzling, smouldering .

Jeet Thayil's definitive selection covers 55 years of Indian poetry in English. It is the first anthology to represent not just the major poets of the past half-century - the canonical writers who have dominated Indian poetry and publishing since the 1950s - but also the different kinds of poetry written by an extraordinary range of younger poets who live in many countries as well as in India. It is a groundbreaking global anthology of 70 poets writing in a common language responding to shared traditions, different cultures and contrasting lives in the changing modern world.Thayil's starting-point is Nissim Ezekiel, the first important modern Indian poet after Tagore, who published his first collection in London in 1952. Aiming for "verticality" rather than chronology, Thayil's anthology charts a poetry of astonishing volume and quality. It pays homage to major influences, including Ezekiel, Dom Moraes and Arun Kolatkar, who died within months of each other in 2004. It rediscovers forgotten figures such as Lawrence Bantleman and Gopal Honnalgere, and it serves as an introduction to the poets of the future.The book also shows that many Indian poets were mining the rich vein of 'chutnified' (Salman Rushdie's word) Indian English long before novelists like Rushdie and Upamanyu Chatterjee started using it in their fiction. It explains why Pankaj Mishra and Amit Chaudhuri have said that Indian poetry in English has a longer, more distinguished tradition than Indian fiction in English. The Indian poet now lives and works in New York, New Delhi, London, Itanagar, Bangalore, Berkeley, Goa, Sheffield, Lonavala, Montana, Aarhus, Allahabad, Hongkong, Montreal, Melbourne, Calcutta, Connecticut, Cuttack and various other global corridors. While some may have little in common in terms of culture (a number of the poets have never lived in India), this anthology shows how they are all bound by the intimate histories of a shared English language.