Jeffrey Masten – författare

Language Machines questions any easily progressive model of technological change, demonstrating the persistence rather than the obsolescence of language technologies over time, the continuous and complicated overlap of pens, presses, screens and voice. In these essays new technologies do not simply replace, but rather draw upon, absorb, displace and resituate earlier technologies.

Textual Intercourse proposes that the language and practice of writing plays in early modern England was inextricably linked to languages and practices of eroticism, sexuality and reproduction. Jeffrey Masten reads a range of early modern materials - burial records, contemporary biographical anecdotes and theatrical records, essays, conduct books and poems; the printed apparatus of published plays, and the plays themselves - to illustrate the ways in which writing for the theatre shifted from a model of homoerotic collaboration toward one of singular authorship on a patriarchal-absolutist model. Plays and collections of plays by Shakespeare, Shakespeare and Fletcher, Beaumont and Fletcher, Margaret Cavendish, and others, are considered. Textual Intercourse illustrate the ways in which methods attuned to sexuality and gender can illuminate more traditional questions of authorship, attribution, textual editing and intellectual property.

Textual Intercourse proposes that the language and practice of writing plays in early modern England was inextricably linked to languages and practices of eroticism, sexuality and reproduction. Jeffrey Masten reads a range of early modern materials - burial records, contemporary biographical anecdotes and theatrical records, essays, conduct books and poems; the printed apparatus of published plays, and the plays themselves - to illustrate the ways in which writing for the theatre shifted from a model of homoerotic collaboration toward one of singular authorship on a patriarchal-absolutist model. Plays and collections of plays by Shakespeare, Shakespeare and Fletcher, Beaumont and Fletcher, Margaret Cavendish, and others, are considered. Textual Intercourse illustrate the ways in which methods attuned to sexuality and gender can illuminate more traditional questions of authorship, attribution, textual editing and intellectual property.

Renaissance Drama, an annual and interdisciplinary publication, is devoted to drama and performance as a central feature of Renaissance culture. The essays in each volume explore traditional canons of drama, the significance of performance (broadly construed) to early modern culture, and the impact of new forms of interpretation on the study of Renaissance plays, theatre, and performance.

For Jeffrey Masten, the history of sexuality and the history of language are intimately related. In Queer Philologies, he studies particular terms that illuminate the history of sexuality in Shakespeare's time and analyzes the methods we have used to study sex and gender in literary and cultural history. Building on the work of theorists and historians who have, following Foucault, investigated the importance of words like "homosexual," "sodomy," and "tribade" in a variety of cultures and historical periods, Masten argues that just as the history of sexuality requires the history of language, so too does philology, "the love of the word," require the analytical lens provided by the study of sexuality.Masten unpacks the etymology, circulation, transformation, and constitutive power of key words within the early modern discourse of sex and gender-terms such as "conversation" and "intercourse," "fundament" and "foundation," "friend" and "boy"-that described bodies, pleasures, emotions, sexual acts, even (to the extent possible in this period) sexual identities. Analyzing the continuities as well as differences between Shakespeare's language and our own, he offers up a queer lexicon in which the letter "Q" is perhaps the queerest character of all.

For Jeffrey Masten, the history of sexuality and the history of language are intimately related. In Queer Philologies, he studies particular terms that illuminate the history of sexuality in Shakespeare's time and analyzes the methods we have used to study sex and gender in literary and cultural history. Building on the work of theorists and historians who have, following Foucault, investigated the importance of words like "homosexual," "sodomy," and "tribade" in a variety of cultures and historical periods, Masten argues that just as the history of sexuality requires the history of language, so too does philology, "the love of the word," require the analytical lens provided by the study of sexuality.Masten unpacks the etymology, circulation, transformation, and constitutive power of key words within the early modern discourse of sex and gender-terms such as "conversation" and "intercourse," "fundament" and "foundation," "friend" and "boy"-that described bodies, pleasures, emotions, sexual acts, even (to the extent possible in this period) sexual identities. Analyzing the continuities as well as differences between Shakespeare's language and our own, he offers up a queer lexicon in which the letter "Q" is perhaps the queerest character of all.

For Jeffrey Masten, the history of sexuality and the history of language are intimately related. In Queer Philologies, he studies particular terms that illuminate the history of sexuality in Shakespeare's time and analyzes the methods we have used to study sex and gender in literary and cultural history. Building on the work of theorists and historians who have, following Foucault, investigated the importance of words like "homosexual," "sodomy," and "tribade" in a variety of cultures and historical periods, Masten argues that just as the history of sexuality requires the history of language, so too does philology, "the love of the word," require the analytical lens provided by the study of sexuality.Masten unpacks the etymology, circulation, transformation, and constitutive power of key words within the early modern discourse of sex and gender-terms such as "conversation" and "intercourse," "fundament" and "foundation," "friend" and "boy"-that described bodies, pleasures, emotions, sexual acts, even (to the extent possible in this period) sexual identities. Analyzing the continuities as well as differences between Shakespeare's language and our own, he offers up a queer lexicon in which the letter "Q" is perhaps the queerest character of all.

Vivid and daring in Marlowe’s time and ours, Edward II has captivated generations of readers, audiences and performers with its evocative portrayal of passionate friendship, kingly power and brutal retribution. Leading scholar Jeffrey Masten’s new edition of Marlowe’s great tragedy distils its importance for the history of queer sexuality, historical drama and modern performance alike. Drawing on new research into Edward’s earliest readers, as well as modern stage, film and operatic adaptations, Masten unpacks the play’s early meanings and modern resonances to spotlight its radical potential across a span of 400 years.This edition gives students a modernised, comprehensively annotated text with a detailed, illustrated introduction addressing Marlowe’s life and education, the play’s influence as a history play and its sexual, religious and national politics. Highlighted as well are Derek Jarman’s landmark queer film adaption of Edward II and celebrated performances by Ian McKellen, Derek Jacobi and Tilda Swinton.Arden Early Modern Drama editions offer the best in contemporary scholarship, providing a wealth of helpful and incisive commentary to guide the reader through a deeper understanding and appreciation of the play.This edition provides:- A clear and authoritative text- Detailed on-page commentary notes- A comprehensive, illustrated introduction to the play’s historical, cultural and performance contexts - A guide to reading an original printed page of the 1594 text- A bibliography of references and further reading

Vivid and daring in Marlowe’s time and ours, Edward II has captivated generations of readers, audiences and performers with its evocative portrayal of passionate friendship, kingly power and brutal retribution. Leading scholar Jeffrey Masten’s new edition of Marlowe’s great tragedy distils its importance for the history of queer sexuality, historical drama and modern performance alike. Drawing on new research into Edward’s earliest readers, as well as modern stage, film and operatic adaptations, Masten unpacks the play’s early meanings and modern resonances to spotlight its radical potential across a span of 400 years.This edition gives students a modernised, comprehensively annotated text with a detailed, illustrated introduction addressing Marlowe’s life and education, the play’s influence as a history play and its sexual, religious and national politics. Highlighted as well are Derek Jarman’s landmark queer film adaption of Edward II and celebrated performances by Ian McKellen, Derek Jacobi and Tilda Swinton.Arden Early Modern Drama editions offer the best in contemporary scholarship, providing a wealth of helpful and incisive commentary to guide the reader through a deeper understanding and appreciation of the play.This edition provides:- A clear and authoritative text- Detailed on-page commentary notes- A comprehensive, illustrated introduction to the play’s historical, cultural and performance contexts - A guide to reading an original printed page of the 1594 text- A bibliography of references and further reading

Vivid and daring in Marlowe's time and ours, Edward II has captivated generations of readers, audiences and performers with its evocative portrayal of passionate friendship, kingly power and brutal retribution. Leading scholar Jeffrey Masten's new edition of Marlowe's great tragedy distils its importance for the history of queer sexuality, historical drama and modern performance alike. Drawing on new research into Edward's earliest readers, as well as modern stage, film and operatic adaptations, Masten unpacks the play's early meanings and modern resonances to spotlight its radical potential across a span of 400 years. This edition gives students a modernised, comprehensively annotated text with a detailed, illustrated introduction addressing Marlowe's life and education, the play's influence as a history play and its sexual, religious and national politics. Highlighted as well are Derek Jarman's landmark queer film adaption of Edward II and celebrated performances by Ian McKellen, Derek Jacobi and Tilda Swinton.Arden Early Modern Drama editions offer the best in contemporary scholarship, providing a wealth of helpful and incisive commentary to guide the reader through a deeper understanding and appreciation of the play. This edition provides:- A clear and authoritative text- Detailed on-page commentary notes- A comprehensive, illustrated introduction to the play's historical, cultural and performance contexts - A guide to reading an original printed page of the 1594 text- A bibliography of references and further reading