Jodi McAlister – författare

‘Ticked all my romcom boxes. A super smart rivals to lovers, which was tender, sexy, snarky and full of big feelings’ SARRA MANNING, author of London, With Love The Love Hypothesis meets The Hating Game in a new standalone romcom from New York Times acclaimed author and romance academic Jodi McAlister.From rivals in the classroom. . . to partners in real life? Sadie Shaw and Jonah Fisher have known each other for fifteen years – and they’ve disliked each other for every one of them. It started with a minor altercation in an undergrad literature class, but as their academic careers developed, so did the intensity of their arguments. By the time they graduate with their doctorates, they’re embroiled in a full-on rivalry.So when a position comes up that Sadie and Jonah are both perfect for, their ongoing enmity explodes into a red-hot competition. But as Sadie fights to secure her future, she realises there might be a way for both of them to get their dream job. There's just one catch – they'll have to get married first.When things get personal, though, Sadie will have to keep her eye on the prize. A fake marriage isn't worth jeopardising her real career over, is it?Tropes:Enemies to loversMarriage of convenience One BedHe falls first Readers are OBSSESSED with An Academic Affair!'GIVE IT THE BOOKER PRIZE!!!!!!!!! THE MILES FRANKLIN!!!!!! THE STELLA!!!!!!!! I BELIEVE IN LOVE AGAIN!! … This actually filled my lungs up with joy until I felt like they'd burst' ⭐⭐⭐⭐⭐‘A fantastic read! I loved the enemies/academic rivals-to-lovers setup – Sadie and Jonah are EVERYTHING! This also had marriage of convenience and it was heartfelt, and their banter, THEIR BANTER! Yes please’  ⭐⭐⭐⭐⭐'From the first sentence I was hooked. The sparkling and witty dialogue to the chemistry between Jonah and Sadie kept me up til '3am to finish because I couldn't put it down’ ⭐⭐⭐⭐⭐'Wow, wow wow!! This is my absolute favourite romcom of the year! An Academic Affair is such cute, funny, heartstring-tugger of a book' ⭐⭐⭐⭐⭐‘I absolutely adored An Academic Affair …Sadie and Jonah's chemistry was palpable … I couldn’t get enough of them as a couple. I’m already thinking about rereading it – it’s the kind of story that sticks with you!’ ⭐⭐⭐⭐⭐

The romance publishing landscape in the Philippines is vast and complex, characterised by entangled industrial players, diverse kinds of texts, and siloed audiences. This Element maps the large, multilayered, and highly productive sector of the Filipino publishing industry. It explores the distinct genre histories of romance fiction in this territory and the social, political and technological contexts that have shaped its development. It also examines the close connections between romance publishing and other media sectors alongside unique reception practices. It takes as a central case study the Filipino romance self-publishing collective #RomanceClass, analysing how they navigate this complex local landscape as well as the broader international marketplace. The majority of scholarship on romance fiction exclusively focuses on the Anglo-American industry. By focusing here on the Philippines, the authors hope to disrupt this phenomenon, and to contribute to a more decentred, rhizomatic approach to understanding this genre world.

Audio erotica is sexually explicit audio-only content, designed to arouse the listener and bring them fulfilment. While it has existed for a long time, it has achieved significant popularity in recent years, driven by apps like Quinn, Dipsea, Emjoy, and Ferly. Notably, these apps – and many like them – were founded by women and are predominantly targeted to female audiences, making audio erotica a fascinating form of "porn for women".Audio Erotica focuses on these four apps as the contemporary “face” of audio erotica. Through textual and paratextual analysis, it offers an overview of the types and genres of erotic content available on the apps. It situates audio erotica in histories and lineages of both pornography and erotica (and feminist thought about them) and audio media. Moreover, it situates audio erotica in the context of several key discourses, such as wellness, authenticity, and intimacy, as it analyses the ways in which the apps imagine their female listener and what she wants from sexually explicit media – which is, importantly, different from what men are imagined as wanting from pornography.This is the first book-length study of audio erotica, making it a foundational resource for anyone doing research in the area. It offers a multifaceted understanding of the form and makes several key contributions to studies of sexually explicit media directed towards women and discourses around female sexual desire.

Audio erotica is sexually explicit audio-only content, designed to arouse the listener and bring them fulfilment. While it has existed for a long time, it has achieved significant popularity in recent years, driven by apps like Quinn, Dipsea, Emjoy, and Ferly. Notably, these apps – and many like them – were founded by women and are predominantly targeted to female audiences, making audio erotica a fascinating form of "porn for women".Audio Erotica focuses on these four apps as the contemporary “face” of audio erotica. Through textual and paratextual analysis, it offers an overview of the types and genres of erotic content available on the apps. It situates audio erotica in histories and lineages of both pornography and erotica (and feminist thought about them) and audio media. Moreover, it situates audio erotica in the context of several key discourses, such as wellness, authenticity, and intimacy, as it analyses the ways in which the apps imagine their female listener and what she wants from sexually explicit media – which is, importantly, different from what men are imagined as wanting from pornography.This is the first book-length study of audio erotica, making it a foundational resource for anyone doing research in the area. It offers a multifaceted understanding of the form and makes several key contributions to studies of sexually explicit media directed towards women and discourses around female sexual desire.

Audio erotica is sexually explicit audio-only content, designed to arouse the listener and bring them fulfilment. While it has existed for a long time, it has achieved significant popularity in recent years, driven by apps like Quinn, Dipsea, Emjoy, and Ferly. Notably, these apps - and many like them - were founded by women and are predominantly targeted to female audiences, making audio erotica a fascinating form of "e;porn for women"e;.Audio Erotica focuses on these four apps as the contemporary "e;face"e; of audio erotica. Through textual and paratextual analysis, it offers an overview of the types and genres of erotic content available on the apps. It situates audio erotica in histories and lineages of both pornography and erotica (and feminist thought about them) and audio media. Moreover, it situates audio erotica in the context of several key discourses, such as wellness, authenticity, and intimacy, as it analyses the ways in which the apps imagine their female listener and what she wants from sexually explicit media - which is, importantly, different from what men are imagined as wanting from pornography.This is the first book-length study of audio erotica, making it a foundational resource for anyone doing research in the area. It offers a multifaceted understanding of the form and makes several key contributions to studies of sexually explicit media directed towards women and discourses around female sexual desire.

Audio erotica is sexually explicit audio-only content, designed to arouse the listener and bring them fulfilment. While it has existed for a long time, it has achieved significant popularity in recent years, driven by apps like Quinn, Dipsea, Emjoy, and Ferly. Notably, these apps - and many like them - were founded by women and are predominantly targeted to female audiences, making audio erotica a fascinating form of "e;porn for women"e;.Audio Erotica focuses on these four apps as the contemporary "e;face"e; of audio erotica. Through textual and paratextual analysis, it offers an overview of the types and genres of erotic content available on the apps. It situates audio erotica in histories and lineages of both pornography and erotica (and feminist thought about them) and audio media. Moreover, it situates audio erotica in the context of several key discourses, such as wellness, authenticity, and intimacy, as it analyses the ways in which the apps imagine their female listener and what she wants from sexually explicit media - which is, importantly, different from what men are imagined as wanting from pornography.This is the first book-length study of audio erotica, making it a foundational resource for anyone doing research in the area. It offers a multifaceted understanding of the form and makes several key contributions to studies of sexually explicit media directed towards women and discourses around female sexual desire.

The term 'new adult' was coined in 2009 by St Martin's Press, when they sought submissions for a contest for 'fiction similar to YA that can be published and marketed as adult - a sort of 'older YA' or 'new adult'.' However, the literary category that later emerged bore less resemblance to young adult fiction and instead became a sub-genre of another major popular genre: romance. This Element uses new adult fiction as a case study to explore how genres develop in the twenty-first-century literary marketplace. It traces new adult's evolution through three key stages in order to demonstrate the fluidity that characterises contemporary genres. It argues for greater consideration of paratextual factors in studies of genre. Using a genre worlds approach, it contends that in order to productively examine genre, we must consider industrial and social factors as well as texts.

The term ''new adult'' was coined in 2009 by St Martin''s Press, when they sought submissions for a contest for ''fiction similar to YA that can be published and marketed as adult – a sort of ''older YA'' or ''new adult''.'' However, the literary category that later emerged bore less resemblance to young adult fiction and instead became a sub-genre of another major popular genre: romance. This Element uses new adult fiction as a case study to explore how genres develop in the twenty-first-century literary marketplace. It traces new adult''s evolution through three key stages in order to demonstrate the fluidity that characterises contemporary genres. It argues for greater consideration of paratextual factors in studies of genre. Using a genre worlds approach, it contends that in order to productively examine genre, we must consider industrial and social factors as well as texts.

The term ''new adult'' was coined in 2009 by St Martin''s Press, when they sought submissions for a contest for ''fiction similar to YA that can be published and marketed as adult – a sort of ''older YA'' or ''new adult''.'' However, the literary category that later emerged bore less resemblance to young adult fiction and instead became a sub-genre of another major popular genre: romance. This Element uses new adult fiction as a case study to explore how genres develop in the twenty-first-century literary marketplace. It traces new adult''s evolution through three key stages in order to demonstrate the fluidity that characterises contemporary genres. It argues for greater consideration of paratextual factors in studies of genre. Using a genre worlds approach, it contends that in order to productively examine genre, we must consider industrial and social factors as well as texts.

';Ticked all my romcom boxes. A super smart rivals to lovers, which was tender, sexy, snarky and full of big feelings' SARRA MANNING, author of London, With LoveThe Love Hypothesis meets The Hating Game in a new standalone romcom from New York Times acclaimed author and romance academic Jodi McAlister.From rivals in the classroom. . . to partners in real life?Sadie Shaw and Jonah Fisher have known each other for fifteen years and they've disliked each other for every one of them. It started with a minor altercation in an undergrad literature class, but as their academic careers developed, so did the intensity of their arguments. By the time they graduate with their doctorates, they're embroiled in a full-on rivalry.So when a position comes up that Sadie and Jonah are both perfect for, their ongoing enmity explodes into a red-hot competition. But as Sadie fights to secure her future, she realises there might be a way for both of them to get their dream job. There's just one catch they'll have to get married first.When things get personal, though, Sadie will have to keep her eye on the prize. A fake marriage isn't worth jeopardising her real career over, is it?Tropes:Enemies to loversMarriage of convenienceOne BedHe falls firstReaders are OBSSESSED with An Academic Affair!'GIVE IT THE BOOKER PRIZE!!!!!!!!! THE MILES FRANKLIN!!!!!! THE STELLA!!!!!!!! I BELIEVE IN LOVE AGAIN!! This actually filled my lungs up with joy until I felt like they'd burst' (5 stars)';A fantastic read! I loved the enemies/academic rivals-to-lovers setup Sadie and Jonah are EVERYTHING! This also had marriage of convenience and it was heartfelt, and their banter, THEIR BANTER! Yes please' (5 stars)'From the first sentence I was hooked. The sparkling and witty dialogue to the chemistry between Jonah and Sadie kept me up til '3am to finish because I couldn't put it down' (5 stars)'Wow, wow wow!! This is my absolute favourite romcom of the year! An Academic Affair is such cute, funny, heartstring-tugger of a book' (5 stars)';I absolutely adored An Academic Affair Sadie and Jonah's chemistry was palpable I couldn't get enough of them as a couple. I'm already thinking about rereading it it's the kind of story that sticks with you!' (5 stars)

A New York Times Best Romance of 2024 In this “full-on villain romance” (The New York Times) a group of women on a reality dating show should be vying for the love of their Romeo, but it turns out one of them only has eyes for the showrunner.Murray O’Connell is standing on the greatest precipice of his career. As showrunner of the reality dating show Marry Me, Juliet, Murray is determined to make this season a success. Nothing and nobody will stand in his way. Except perhaps Lily Fireball, the network’s choice for this season’s villain. Lily has classic reality TV appeal: She’s feisty, dramatic, and never backs down from a fight. She also happens to be Murray’s estranged best friend and former co-showrunner. What was once a perfectly planned season turns to chaos as the two battle for control. Working in reality television, they’re used to drama, secrets, and romance. But what happens when suddenly they’re at the center of the storyline?

A New York Times Best Romance of 2024 In this “full-on villain romance” (The New York Times) a group of women on a reality dating show should be vying for the love of their Romeo, but it turns out one of them only has eyes for the showrunner.Murray O’Connell is standing on the greatest precipice of his career. As showrunner of the reality dating show Marry Me, Juliet, Murray is determined to make this season a success. Nothing and nobody will stand in his way. Except perhaps Lily Fireball, the network’s choice for this season’s villain. Lily has classic reality TV appeal: She’s feisty, dramatic, and never backs down from a fight. She also happens to be Murray’s estranged best friend and former co-showrunner. What was once a perfectly planned season turns to chaos as the two battle for control. Working in reality television, they’re used to drama, secrets, and romance. But what happens when suddenly they’re at the center of the storyline?

From the ';masterly' (The New York Times) Jodi McAlister, a charming new romance about two English professors who embark on a fake relationshiponly to discover that it may be harder to pretend than they realized. Sadie Shaw and Jonah Fisher have been academic rivals since they first crossed paths as undergraduates in the literature department thirteen years ago. Now that a highly coveted teaching opportunity has come up, their rivalry hits epic proportions. Jonah needs the job to move closer to his recently divorced sister and her children, while Sadie needs the financial security and freedom of a full-time teaching position. When Sadie notices that the job offers partner hire, however, she hatches a plot to get them both the job. All they must do is get legally married. It's a simple win-win solution but when sparks begin to fly, it becomes clear that despite their education, these two may not have thought this whole thing through. Perfect for fans of Ali Hazelwood and Abby Jimenez, An Academic Affair pairs Jodi McAlister's ';smart, scorching, and emotionally resonant' (Freya Marske, author of A Restless Truth) writing and academic background to prove that she's one of the smartest rom-com writers working today.

She’s the reality TV villain everyone will love to hate. He’s the producer tasked with making it happen. What could go wrong? A hilarious, heartfelt rom-com for fans of The Unhoneymooners. ‘A full-on villain romance, with all the lying, scheming and blazingly tumultuous sex you could hope for.’ New York Times Reality TV producer Murray O’Connell is the showrunner for reality dating show Marry Me, Juliet, and that means he’s the boss: he controls the cast, the crew and the story. Until Lily Fireball turns up. Lily is everything viewers love to watch: she’s feisty, dramatic, and never backs down from a fight. Her villain narrative should be easy to pull off, but Murray keeps getting in her way. Because before she was Lily Fireball, she was Lily Ong – Murray's best friend, and he's determined to stop her blowing up her life on television. As the season unfolds, Lily and Murray go head to head. Lily just wants to have some fun with her role, and Murray just wants to film the show he planned. Why won't she listen to him? And why can't Murray focus on the job, instead of the woman he thought was just a friend? ‘The best friends to lovers book I've read in a long while, maybe ever … A perfect finale to the bingeworthy Marry Me, Juliet series.’ Karina May, author of Duck à l'Orange for Breakfast and Never Ever Forever

From the acclaimed author of An Academic Affaircomes a steamy romance about a single mum who's absolutely not looking for another relationship . . . only to fall for the younger owner of her favourite wine bar.Fiona Fisher thought she had it all: a loving husband, three kids, and a life far away from the suffocating expectations of her family. But when her husband reveals that he's leaving her for his secret second family, Fiona is left devastated and humiliated.Satoshi Tsukamoto wants it all. He's the owner of a popular wine bar, and he's studying for the hardest test in the world: the Master Sommelier exam. There aren't enough hours in the day for anything else except maybe Fiona, his favourite customer, and the woman he's head-over-heels in love with.On paper, Fiona and Satoshi make no sense. He's eight years younger than her and has no time for romance. She's a single mother and doesn't know if she'll ever be able to trust anyone again. But how can Fiona resist when Satoshi suggests they give into their mutual attraction to let off some steam?And how can Satoshi resist when the woman he adores is finally within his grasp even if they've agreed to keep things casual?

This book is a study of female virginity loss and its representations in popular Anglophone literatures. It explores dominant cultural narratives around what makes a “good” female virginity loss experience by examining two key forms of popular literature: autobiographical virginity loss stories and popular romance fiction. In particular, this book focuses on how female sexual desire and romantic love have become entangled in the contemporary cultural imagination, leading to the emergence of a dominant paradigm which dictates that for women, sexual desire and love are and should be intrinsically linked together: something which has greatly affected cultural scripts for virginity loss. This book examines the ways in which this paradigm has been negotiated, upheld, subverted, and resisted in depictions of virginity loss in popular literatures, unpacking the romanticisation of the idea of “the right one” and “the right time”.

This book is a study of female virginity loss and its representations in popular Anglophone literatures. It explores dominant cultural narratives around what makes a “good” female virginity loss experience by examining two key forms of popular literature: autobiographical virginity loss stories and popular romance fiction. In particular, this book focuses on how female sexual desire and romantic love have become entangled in the contemporary cultural imagination, leading to the emergence of a dominant paradigm which dictates that for women, sexual desire and love are and should be intrinsically linked together: something which has greatly affected cultural scripts for virginity loss. This book examines the ways in which this paradigm has been negotiated, upheld, subverted, and resisted in depictions of virginity loss in popular literatures, unpacking the romanticisation of the idea of “the right one” and “the right time”.

SI ALGUNA VEZ TE HAS PREGUNTADO CÓMO SERÍAN LOS LIBROS DE ALI HAZELWOOD CON PROTAGONISTAS ESPECIALIZADOS EN LITERATURA, ESTA ES TU NOVELA. Dos doctores en literatura, más de una década de rivalidad y una oferta de trabajo que lo cambiará todo.Sadie Shaw y Jonah Fisher llevan odiándose desde que se cruzaron en clase por primera vez hace quince años, cuando aún eran estudiantes de Literatura. Conforme sus carreras crecían, también lo hacían sus disputas y ahora, la enemista entre estos dos académicos es más que evidente.Por eso, cuando sale una plaza de profesor para la que ambos tienen el perfil perfecto, la rivalidad se convierte en una competición: Sadie lucha por conseguir el puesto de sus sueños y que haya más representación femenina en la academia; Jonah busca un trabajo que le permita estar cerca de su hermana y sus sobrinas. Pero cuando descubren que el otro podría ser la clave para conseguir sus objetivos, lo suyo se convierte en algo personal, tanto como puede serlo el matrimonio.Una mezcla perfecta entre La hipótesis del amor y Cariño, cuánto te odio.