Jodi McAlister – författare

‘Ticked all my romcom boxes. A super smart rivals to lovers, which was tender, sexy, snarky and full of big feelings’ SARRA MANNING, author of London, With Love The Love Hypothesis meets The Hating Game in a new standalone romcom from New York Times acclaimed author and romance academic Jodi McAlister.From rivals in the classroom. . . to partners in real life? Sadie Shaw and Jonah Fisher have known each other for fifteen years – and they’ve disliked each other for every one of them. It started with a minor altercation in an undergrad literature class, but as their academic careers developed, so did the intensity of their arguments. By the time they graduate with their doctorates, they’re embroiled in a full-on rivalry.So when a position comes up that Sadie and Jonah are both perfect for, their ongoing enmity explodes into a red-hot competition. But as Sadie fights to secure her future, she realises there might be a way for both of them to get their dream job. There's just one catch – they'll have to get married first.When things get personal, though, Sadie will have to keep her eye on the prize. A fake marriage isn't worth jeopardising her real career over, is it?Tropes:Enemies to loversMarriage of convenience One BedHe falls first Readers are OBSSESSED with An Academic Affair!'GIVE IT THE BOOKER PRIZE!!!!!!!!! THE MILES FRANKLIN!!!!!! THE STELLA!!!!!!!! I BELIEVE IN LOVE AGAIN!! … This actually filled my lungs up with joy until I felt like they'd burst' ⭐⭐⭐⭐⭐‘A fantastic read! I loved the enemies/academic rivals-to-lovers setup – Sadie and Jonah are EVERYTHING! This also had marriage of convenience and it was heartfelt, and their banter, THEIR BANTER! Yes please’  ⭐⭐⭐⭐⭐'From the first sentence I was hooked. The sparkling and witty dialogue to the chemistry between Jonah and Sadie kept me up til '3am to finish because I couldn't put it down’ ⭐⭐⭐⭐⭐'Wow, wow wow!! This is my absolute favourite romcom of the year! An Academic Affair is such cute, funny, heartstring-tugger of a book' ⭐⭐⭐⭐⭐‘I absolutely adored An Academic Affair …Sadie and Jonah's chemistry was palpable … I couldn’t get enough of them as a couple. I’m already thinking about rereading it – it’s the kind of story that sticks with you!’ ⭐⭐⭐⭐⭐

The romance publishing landscape in the Philippines is vast and complex, characterised by entangled industrial players, diverse kinds of texts, and siloed audiences. This Element maps the large, multilayered, and highly productive sector of the Filipino publishing industry. It explores the distinct genre histories of romance fiction in this territory and the social, political and technological contexts that have shaped its development. It also examines the close connections between romance publishing and other media sectors alongside unique reception practices. It takes as a central case study the Filipino romance self-publishing collective #RomanceClass, analysing how they navigate this complex local landscape as well as the broader international marketplace. The majority of scholarship on romance fiction exclusively focuses on the Anglo-American industry. By focusing here on the Philippines, the authors hope to disrupt this phenomenon, and to contribute to a more decentred, rhizomatic approach to understanding this genre world.

Audio erotica is sexually explicit audio-only content, designed to arouse the listener and bring them fulfilment. While it has existed for a long time, it has achieved significant popularity in recent years, driven by apps like Quinn, Dipsea, Emjoy, and Ferly. Notably, these apps – and many like them – were founded by women and are predominantly targeted to female audiences, making audio erotica a fascinating form of "porn for women".Audio Erotica focuses on these four apps as the contemporary “face” of audio erotica. Through textual and paratextual analysis, it offers an overview of the types and genres of erotic content available on the apps. It situates audio erotica in histories and lineages of both pornography and erotica (and feminist thought about them) and audio media. Moreover, it situates audio erotica in the context of several key discourses, such as wellness, authenticity, and intimacy, as it analyses the ways in which the apps imagine their female listener and what she wants from sexually explicit media – which is, importantly, different from what men are imagined as wanting from pornography.This is the first book-length study of audio erotica, making it a foundational resource for anyone doing research in the area. It offers a multifaceted understanding of the form and makes several key contributions to studies of sexually explicit media directed towards women and discourses around female sexual desire.

Audio erotica is sexually explicit audio-only content, designed to arouse the listener and bring them fulfilment. While it has existed for a long time, it has achieved significant popularity in recent years, driven by apps like Quinn, Dipsea, Emjoy, and Ferly. Notably, these apps – and many like them – were founded by women and are predominantly targeted to female audiences, making audio erotica a fascinating form of "porn for women".Audio Erotica focuses on these four apps as the contemporary “face” of audio erotica. Through textual and paratextual analysis, it offers an overview of the types and genres of erotic content available on the apps. It situates audio erotica in histories and lineages of both pornography and erotica (and feminist thought about them) and audio media. Moreover, it situates audio erotica in the context of several key discourses, such as wellness, authenticity, and intimacy, as it analyses the ways in which the apps imagine their female listener and what she wants from sexually explicit media – which is, importantly, different from what men are imagined as wanting from pornography.This is the first book-length study of audio erotica, making it a foundational resource for anyone doing research in the area. It offers a multifaceted understanding of the form and makes several key contributions to studies of sexually explicit media directed towards women and discourses around female sexual desire.

The term 'new adult' was coined in 2009 by St Martin's Press, when they sought submissions for a contest for 'fiction similar to YA that can be published and marketed as adult - a sort of 'older YA' or 'new adult'.' However, the literary category that later emerged bore less resemblance to young adult fiction and instead became a sub-genre of another major popular genre: romance. This Element uses new adult fiction as a case study to explore how genres develop in the twenty-first-century literary marketplace. It traces new adult's evolution through three key stages in order to demonstrate the fluidity that characterises contemporary genres. It argues for greater consideration of paratextual factors in studies of genre. Using a genre worlds approach, it contends that in order to productively examine genre, we must consider industrial and social factors as well as texts.

This book is a study of female virginity loss and its representations in popular Anglophone literatures. It explores dominant cultural narratives around what makes a “good” female virginity loss experience by examining two key forms of popular literature: autobiographical virginity loss stories and popular romance fiction.

This book is a study of female virginity loss and its representations in popular Anglophone literatures. It explores dominant cultural narratives around what makes a “good” female virginity loss experience by examining two key forms of popular literature: autobiographical virginity loss stories and popular romance fiction.