Athena Bellas – författare

Audio erotica is sexually explicit audio-only content, designed to arouse the listener and bring them fulfilment. While it has existed for a long time, it has achieved significant popularity in recent years, driven by apps like Quinn, Dipsea, Emjoy, and Ferly. Notably, these apps – and many like them – were founded by women and are predominantly targeted to female audiences, making audio erotica a fascinating form of "porn for women".Audio Erotica focuses on these four apps as the contemporary “face” of audio erotica. Through textual and paratextual analysis, it offers an overview of the types and genres of erotic content available on the apps. It situates audio erotica in histories and lineages of both pornography and erotica (and feminist thought about them) and audio media. Moreover, it situates audio erotica in the context of several key discourses, such as wellness, authenticity, and intimacy, as it analyses the ways in which the apps imagine their female listener and what she wants from sexually explicit media – which is, importantly, different from what men are imagined as wanting from pornography.This is the first book-length study of audio erotica, making it a foundational resource for anyone doing research in the area. It offers a multifaceted understanding of the form and makes several key contributions to studies of sexually explicit media directed towards women and discourses around female sexual desire.

Audio erotica is sexually explicit audio-only content, designed to arouse the listener and bring them fulfilment. While it has existed for a long time, it has achieved significant popularity in recent years, driven by apps like Quinn, Dipsea, Emjoy, and Ferly. Notably, these apps – and many like them – were founded by women and are predominantly targeted to female audiences, making audio erotica a fascinating form of "porn for women".Audio Erotica focuses on these four apps as the contemporary “face” of audio erotica. Through textual and paratextual analysis, it offers an overview of the types and genres of erotic content available on the apps. It situates audio erotica in histories and lineages of both pornography and erotica (and feminist thought about them) and audio media. Moreover, it situates audio erotica in the context of several key discourses, such as wellness, authenticity, and intimacy, as it analyses the ways in which the apps imagine their female listener and what she wants from sexually explicit media – which is, importantly, different from what men are imagined as wanting from pornography.This is the first book-length study of audio erotica, making it a foundational resource for anyone doing research in the area. It offers a multifaceted understanding of the form and makes several key contributions to studies of sexually explicit media directed towards women and discourses around female sexual desire.

Audio erotica is sexually explicit audio-only content, designed to arouse the listener and bring them fulfilment. While it has existed for a long time, it has achieved significant popularity in recent years, driven by apps like Quinn, Dipsea, Emjoy, and Ferly. Notably, these apps - and many like them - were founded by women and are predominantly targeted to female audiences, making audio erotica a fascinating form of "e;porn for women"e;.Audio Erotica focuses on these four apps as the contemporary "e;face"e; of audio erotica. Through textual and paratextual analysis, it offers an overview of the types and genres of erotic content available on the apps. It situates audio erotica in histories and lineages of both pornography and erotica (and feminist thought about them) and audio media. Moreover, it situates audio erotica in the context of several key discourses, such as wellness, authenticity, and intimacy, as it analyses the ways in which the apps imagine their female listener and what she wants from sexually explicit media - which is, importantly, different from what men are imagined as wanting from pornography.This is the first book-length study of audio erotica, making it a foundational resource for anyone doing research in the area. It offers a multifaceted understanding of the form and makes several key contributions to studies of sexually explicit media directed towards women and discourses around female sexual desire.

Audio erotica is sexually explicit audio-only content, designed to arouse the listener and bring them fulfilment. While it has existed for a long time, it has achieved significant popularity in recent years, driven by apps like Quinn, Dipsea, Emjoy, and Ferly. Notably, these apps - and many like them - were founded by women and are predominantly targeted to female audiences, making audio erotica a fascinating form of "e;porn for women"e;.Audio Erotica focuses on these four apps as the contemporary "e;face"e; of audio erotica. Through textual and paratextual analysis, it offers an overview of the types and genres of erotic content available on the apps. It situates audio erotica in histories and lineages of both pornography and erotica (and feminist thought about them) and audio media. Moreover, it situates audio erotica in the context of several key discourses, such as wellness, authenticity, and intimacy, as it analyses the ways in which the apps imagine their female listener and what she wants from sexually explicit media - which is, importantly, different from what men are imagined as wanting from pornography.This is the first book-length study of audio erotica, making it a foundational resource for anyone doing research in the area. It offers a multifaceted understanding of the form and makes several key contributions to studies of sexually explicit media directed towards women and discourses around female sexual desire.

This book examines how the fairy tale is currently being redeployed and revised on the contemporary teen screen. The author redeploys Victor Turner’s work on liminality for a feminist agenda, providing a new and productive method for thinking about girlhood onscreen. While many studies of teenagehood and teen film briefly invoke Turner’s concept, it remains an underdeveloped framework for thinking about youth onscreen. The book’s broad scope across teen media—including film, television, and online media—contributes to the need for contemporary analysis and theorisation of our multimedia cultural climate.

This book examines how the fairy tale is currently being redeployed and revised on the contemporary teen screen. The author redeploys Victor Turner’s work on liminality for a feminist agenda, providing a new and productive method for thinking about girlhood onscreen. While many studies of teenagehood and teen film briefly invoke Turner’s concept, it remains an underdeveloped framework for thinking about youth onscreen. The book’s broad scope across teen media—including film, television, and online media—contributes to the need for contemporary analysis and theorisation of our multimedia cultural climate.