Joel Williamson – författare

The Crucible of Race, a major reinterpretation of black-white relations in the South, was widely acclaimed on publication and compared favorably to two of the seminal books on Southern history: Wilbur J. Cash''s The Mind of the South and C. Vann Woodward''s The Strange Career of Jim Crow. Representing 20 years of research and writing on the history of the South, The Crucible of Race explores the large topic of Southern race relations for a span of a century and a half. Oxford is pleased to make available an abridgement of this parent volume: A Rage for Order preserves all the theme lines that were advanced in the original volume and many of the individual stories. As in Crucible of Race, Williamson here confronts the awful irony that the war to free blacks from slavery also freed racism. He examines the shift in the power base of Southern white leadership after 1850 and recounts the terrible violence done to blacks in the name of self-protection. This condensation of one of the most important interpretations of Southern history is offered as a means by which a large audience can grasp the essentials of black-white relations--a problem that persists to this day and one with which we all must contend--North and South, black and white.

This landmark work provides a fundamental reinterpretation of the American South in the years since the Civil War, especially the decades after Reconstruction, from 1877 to 1920. Covering all aspects of Southern life--white and black, conservative and progressive, literary and political--it offers a new understanding of the forces that shaped the South of today.

The Crucible of Race, a major reinterpretation of black-white relations in the South, was widely acclaimed on publication and compared favorably to two of the seminal books on Southern history: Wilbur J. Cash's The Mind of the South and C. Vann Woodward's The Strange Career of Jim Crow. Representing 20 years of research and writing on the history of the South, The Crucible of Race explores the large topic of Southern racerelations for a span of a century and a half. Oxford is pleased to make available an abridgement of this parent volume: A Rage for Order preserves all the theme lines that were advanced in the original volume and many of the individualstories. As in Crucible of Race, Williamson here confronts the awful irony that the war to free blacks from slavery also freed racism. He examines the shift in the power base of Southern white leadership after 1850 and recounts the terrible violence done to blacks in the name of self-protection. This condensation of one of the most important interpretations of Southern history is offered as a means by which a large audience can grasp the essentials of black-white relations--a problemthat persists to this day and one with which we all must contend--North and South, black and white.

William Faulkner more than any other writer is intimately associated with the South about which he wrote. This book reveals the man and his family and the ways in which southern culture and his own life were wound around one another in his greatest works.

One of America''s great novelists, William Faulkner was a writer deeply rooted in the American South. In works such as The Sound and the Fury, As I Lay Dying, Light in August, and Absalom, Absalom! Faulkner drew powerfully on Southern themes, attitudes, and atmosphere to create his own world and place--the mythical Yoknapatawpha County--peopled with quintessential Southerners such as the Compsons, Sartorises, Snopes, and McCaslins. Indeed, to a degree perhaps unmatched by any other major twentieth-century novelist, Faulkner remained at home and explored his own region--the history and culture and people of the South. Now, in William Faulkner and Southern History, one of America''s most acclaimed historians of the South, Joel Williamson, weaves together a perceptive biography of Faulkner himself, an astute analysis of his works, and a revealing history of Faulkner''s ancestors in Mississippi--a family history that becomes, in Williamson''s skilled hands, a vivid portrait of Southern culture itself. Williamson provides an insightful look at Faulkner''s ancestors, a group sketch so brilliant that the family comes alive almost as vividly as in Faulkner''s own fiction. Indeed, his ancestors often outstrip his characters in their colorful and bizarre nature. Williamson has made several discoveries: the Falkners (William was the first to spell it "Faulkner") were not planter, slaveholding "aristocrats"; Confederate Colonel Falkner was not an unalloyed hero, and he probably sired, protected, and educated a mulatto daughter who married into America''s mulatto elite; Faulkner''s maternal grandfather Charlie Butler stole the town''s money and disappeared in the winter of 1887-1888, never to return. Equally important, Williamson uses these stories to underscore themes of race, class, economics, politics, religion, sex and violence, idealism and Romanticism--"the rainbow of elements in human culture"--that reappear in Faulkner''s work. He also shows that, while Faulkner''s ancestors were no ordinary people, and while he sometimes flashed a curious pride in them, Faulkner came to embrace a pervasive sense of shame concerning both his family and his culture. This he wove into his writing, especially about sex, race, class, and violence, psychic and otherwise. William Faulkner and Southern History represents an unprecedented publishing event--an eminent historian writing on a major literary figure. By revealing the deep history behind the art of the South''s most celebrated writer, Williamson evokes new insights and deeper understanding, providing anyone familiar with Faulkner''s great novels with a host of connections between his work, his life, and his ancestry.

This landmark work provides a fundamental reinterpretation of the American South in the years since the Civil War, especially the decades after Reconstruction, from 1877 to 1920. Covering all aspects of Southern life--white and black, conservative and progressive, literary and political--it offers a new understanding of the forces that shaped the South of today.

The Crucible of Race, a major reinterpretation of black-white relations in the South, was widely acclaimed on publication and compared favorably to two of the seminal books on Southern history: Wilbur J. Cash''s The Mind of the South and C. Vann Woodward''s The Strange Career of Jim Crow. Representing 20 years of research and writing on the history of the South, The Crucible of Race explores the large topic of Southern race relations for a span of a century and a half. Oxford is pleased to make available an abridgement of this parent volume: A Rage for Order preserves all the theme lines that were advanced in the original volume and many of the individual stories. As in Crucible of Race, Williamson here confronts the awful irony that the war to free blacks from slavery also freed racism. He examines the shift in the power base of Southern white leadership after 1850 and recounts the terrible violence done to blacks in the name of self-protection. This condensation of one of the most important interpretations of Southern history is offered as a means by which a large audience can grasp the essentials of black-white relations--a problem that persists to this day and one with which we all must contend--North and South, black and white.

In Elvis Presley: A Southern Life, one of the most admired Southern historians of our time takes on one of the greatest cultural icons of all time. The result is a masterpiece: a vivid, gripping biography, set against the rich backdrop of Southern society--indeed, American society--in the second half of the twentieth century. Author of The Crucible of Race and William Faulkner and Southern History, Joel Williamson is a renowned historian known for his inimitable and compelling narrative style. In this tour de force biography, he captures the drama of Presley''s career set against the popular culture of the post-World War II South. Born in Tupelo, Mississippi, Presley was a contradiction, flamboyant in pegged black pants with pink stripes, yet soft-spoken, respectfully courting a decent girl from church. Then he wandered into Sun Records, and everything changed. "I was scared stiff," Elvis recalled about his first time performing on stage. "Everyone was hollering and I didn''t know what they were hollering at." Girls did the hollering--at his snarl and swagger. Williamson calls it "the revolution of the Elvis girls." His fans lived in an intense moment, this generation raised by their mothers while their fathers were away at war, whose lives were transformed by an exodus from the countryside to Southern cities, a postwar culture of consumption, and a striving for upward mobility. They came of age in the era of the 1954 Brown vs. Board of Education ruling, which turned high schools into battlegrounds of race. Explosively, white girls went wild for a white man inspired by and singing black music while "wiggling" erotically. Elvis, Williamson argues, gave his female fans an opportunity to break free from straitlaced Southern society and express themselves sexually, if only for a few hours at a time.Rather than focusing on Elvis''s music and the music industry, Elvis Presley: A Southern Life illuminates the zenith of his career, his period of deepest creativity, which captured a legion of fans and kept them fervently loyal for decades. Williamson shows how Elvis himself changed--and didn''t. In the latter part of his career, when he performed regular gigs in Las Vegas and toured second-tier cities, he moved beyond the South to a national audience who had bought his albums and watched his movies. Yet the makeup of his fan base did not substantially change, nor did Elvis himself ever move up the Southern class ladder despite his wealth. Even as he aged and his life was cut short, he maintained his iconic status, becoming arguably larger in death than in life as droves of fans continue to pay homage to him at Graceland.Appreciative and unsparing, culturally attuned and socially revealing, Williamson''s Elvis Presley will deepen our understanding of the man and his times.

In Elvis Presley, one of the most admired Southern historians of our time takes on one of the greatest cultural icons of all time. The result is a masterpiece: a vivid, gripping biography, set against the rich backdrop of Southern society--indeed, American society--in the second half of the twentieth century. Author of The Crucible of Race and William Faulkner and Southern History, Joel Williamson is a renowned historian known for his matchless ability to write compelling narratives. In this tour de force biography, he captures the drama of Presley's career and offers insights into the social upheavals following World War II. Born in Tupelo, Mississippi, Presley was a contradiction, flamboyant in pegged black pants with pink stripes, yet soft-spoken, respectfully courting a decent girl from church. Then he wandered into Sun Records, and everything changed. He first went onstage in 1954. "I was scared stiff," Elvis recalled. "Everyone was hollering and I didn't know what they were hollering at." Girls did the hollering--at his snarl and swagger. Williamson calls it "the revolution of the Elvis girls." They took command, insisting on his sexually charged performances. They lived in an intense moment, this generation raised by their mothers, when men had been at war. The first Supreme Court ruling in Brown vs. Board of Education occurred two weeks before Elvis's first gig, turning high schools into battlegrounds of race. Explosively, white girls went wild for a white man singing a black man's songs, "wiggling" erotically. The book illuminates the zenith of Presley's career, his period of deepest creativity, which captured a legion of fans and kept them fervently loyal throughout years of army, wine, and women. Williamson shows how Elvis himself changed--and didn't. The deferential boy with downcast eyes became the bloated, demented drug addict who, despite his success, never escaped his sense of social inferiority. He bought Graceland in part to escape the judgment of his wealthy, established neighbors.Appreciative and unsparing, musically attuned and socially revealing, Elvis Presley will deepen our understanding of the man and his times.

In Elvis Presley: A Southern Life, one of the most admired Southern historians of our time takes on one of the greatest cultural icons of all time. The result is a masterpiece: a vivid, gripping biography, set against the rich backdrop of Southern society--indeed, American society--in the second half of the twentieth century. Author of The Crucible of Race and William Faulkner and Southern History, Joel Williamson is a renowned historian known for his inimitable and compelling narrative style. In this tour de force biography, he captures the drama of Presley''s career set against the popular culture of the post-World War II South. Born in Tupelo, Mississippi, Presley was a contradiction, flamboyant in pegged black pants with pink stripes, yet soft-spoken, respectfully courting a decent girl from church. Then he wandered into Sun Records, and everything changed. "I was scared stiff," Elvis recalled about his first time performing on stage. "Everyone was hollering and I didn''t know what they were hollering at." Girls did the hollering--at his snarl and swagger. Williamson calls it "the revolution of the Elvis girls." His fans lived in an intense moment, this generation raised by their mothers while their fathers were away at war, whose lives were transformed by an exodus from the countryside to Southern cities, a postwar culture of consumption, and a striving for upward mobility. They came of age in the era of the 1954 Brown vs. Board of Education ruling, which turned high schools into battlegrounds of race. Explosively, white girls went wild for a white man inspired by and singing black music while "wiggling" erotically. Elvis, Williamson argues, gave his female fans an opportunity to break free from straitlaced Southern society and express themselves sexually, if only for a few hours at a time.Rather than focusing on Elvis''s music and the music industry, Elvis Presley: A Southern Life illuminates the zenith of his career, his period of deepest creativity, which captured a legion of fans and kept them fervently loyal for decades. Williamson shows how Elvis himself changed--and didn''t. In the latter part of his career, when he performed regular gigs in Las Vegas and toured second-tier cities, he moved beyond the South to a national audience who had bought his albums and watched his movies. Yet the makeup of his fan base did not substantially change, nor did Elvis himself ever move up the Southern class ladder despite his wealth. Even as he aged and his life was cut short, he maintained his iconic status, becoming arguably larger in death than in life as droves of fans continue to pay homage to him at Graceland.Appreciative and unsparing, culturally attuned and socially revealing, Williamson''s Elvis Presley will deepen our understanding of the man and his times.

New People is an insightful historical analysis of the miscegenation of American whites and blacks from colonial times to the present, of the ""new people"" produced by these interracial relationships, and of the myriad ways in which miscegenation has affected our national culture. Because the majority of American blacks are in fact of mixed ancestry, and because mulattoes and pure blacks ultimately combined their cultural heritages, what begins in the colonial period as mulatto history and culture ends in the twentieth century as black history and culture. Thus, understanding the history of the mulatto becomes one way of understanding something of the experience of the African American.Williamson traces the fragile lines of colour and caste that have separated mulattoes, blacks, and whites throughout history and speculates on the effect that the increasing ambiguity of those lines will have on the future of American society.