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This book discusses a class of Reduced Constructions which exhibit both mono- and bi-clausal characteristics. In Spanish, as well as other Romance languages, the most salient mono-clausal characteristic is the possibility of clitic climbing, i.e. the possibility of an object clitic attaching to a verb that is higher (in the appropriate sense) than the verb which selects the object to which the clitic corresponds. Reduced constructions come in essentially two varieties: clause reduction (or restructuring) constructions and union (or causative / perception verb)constructions. There has been a good deal of work on a number of aspects of reduced constructions; here the author discusses work in three areas: the analysis of pronominal clitics, the structure of clause reduction and union constructions (and how these treatments interact with the analysis of clitics to yield an account of clitic climbing), and the encoding of embedded subjects in union constructions.
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This book discusses a class of Reduced Constructions which exhibit both mono- and bi-clausal characteristics. In Spanish, as well as other Romance languages, the most salient mono-clausal characteristic is the possibility of clitic climbing, i.e. the possibility of an object clitic attaching to a verb that is higher (in the appropriate sense) than the verb which selects the object to which the clitic corresponds. Reduced constructions come in essentially two varieties: clause reduction (or restructuring) constructions and union (or causative / perception verb)constructions. There has been a good deal of work on a number of aspects of reduced constructions; here the author discusses work in three areas: the analysis of pronominal clitics, the structure of clause reduction and union constructions (and how these treatments interact with the analysis of clitics to yield an account of clitic climbing), and the encoding of embedded subjects in union constructions.
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"Great is the force of love, wondrous is its strength. Many are the degrees of love . . . and who can worthily distinguish among them?" cried the twelfth-century cleric, Richard of St. Victor. What relationships, human and divine, are appropriate to this protean creature, man with his great gifts and imperative appetites? The different answers given this question by the monks and scholars, the courtly poets and bawdy ballad writers of medieval France form the substance of hits graceful and perceptive book, written for student and general reader alike. And while the conventions of love among twelfth-century Frenchmen differ from our own, their efforts to comprehend its true meaning and nature have a very contemporary relevance.France in the twelfth century was a bustling country of expanding economic and social horizons, with a thirst for knowledge that stimulated far-ranging intellectual inquiry. The great classical writers, the Greek and Roman Fathers of the early Church, the Old and New Testaments: such were the sources upon which French scholars drew.For the great monastic writers, love was a spiritual value, achieved through unending effort and discipline. The poets of the courts, on the other hand, celebrated erotic love in a setting of elaborate romance. Only the scholars of the new urban universities sought to integrate love into a coherent explanation of man and the universe. The writings of all these—Abelard and Bernard of Clairvaux, William of Poitiers and Andreas Capellanus—have in one way or another greatly enriched our Western traditions.Drawing upon a wealth of original sources and an abundant scholarly literature, John C. Moore has provided, in his own words, "a pleasant meeting-place'' for twelfth-century men and women and for modern readers, who share a common humanity and a common interest in love.
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