John Lippitt – författare

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The Oxford Handbook of Kierkegaard brings together some of the most distinguished contemporary contributors to Kierkegaard research together with some of the more gifted younger commentators on Kierkegaard''s work. There is significant input from scholars based in Copenhagen''s Søren Kierkegaard Research Centre, as well as from philosophers and theologians from Britain, Germany, and the United States. Part 1 presents some of the philological, historical, and contextual work that has been produced in recent years, establishing a firm basis for the more interpretative essays found in following parts. This includes looking at the history of his published and unpublished works, his cultural and social context, and his relation to Romanticism, German Idealism, the Church, the Bible, and theological traditions. Part 2 moves from context and background to the exposition of some of the key ideas and issues in Kierkegaard''s writings. Attention is paid to his style, his treatment of ethics, culture, society, the self, time, theology, love, irony, and death. Part 3 looks at the impact of Kierkegaard''s thought and at how it continues to influence philosophy, theology, and literature. After an examination of issues around translating Kierkegaard, this section includes comparisons with Nietzsche, Heidegger, and Wittgenstein, as well as examining his role in modern theology, moral theology, phenomenology, postmodernism, and literature.

The Oxford Handbook of Kierkegaard brings together some of the most distinguished contemporary contributors to Kierkegaard research together with some of the more gifted younger commentators on Kierkegaard''s work. There is significant input from scholars based in Copenhagen''s Søren Kierkegaard Research Centre, as well as from philosophers and theologians from Britain, Germany, and the United States. Part 1 presents some of the philological, historical, and contextual work that has been produced in recent years, establishing a firm basis for the more interpretative essays found in following parts. This includes looking at the history of his published and unpublished works, his cultural and social context, and his relation to Romanticism, German Idealism, the Church, the Bible, and theological traditions. Part 2 moves from context and background to the exposition of some of the key ideas and issues in Kierkegaard''s writings. Attention is paid to his style, his treatment of ethics, culture, society, the self, time, theology, love, irony, and death. Part 3 looks at the impact of Kierkegaard''s thought and at how it continues to influence philosophy, theology, and literature. After an examination of issues around translating Kierkegaard, this section includes comparisons with Nietzsche, Heidegger, and Wittgenstein, as well as examining his role in modern theology, moral theology, phenomenology, postmodernism, and literature.

Love''s Forgiveness combines a discussion of the nature and ethics of forgiveness with a discussion--inspired by Kierkegaard--of the implications of considering interpersonal forgiveness as a ''work of love''. It introduces the reader to some key questions that have exercised recent philosophers of forgiveness, discussing the relationship between forgiveness and an extended notion of resentment; considering whether forgiveness should be conditional or unconditional (showcasing a particular understanding of the latter); and arguing that there are legitimate forms of third party forgiveness. It then introduces the idea of forgiveness as a work of love through a discussion of Kierkegaard, key New Testament passages on forgiveness, and some contemporary work on the philosophy of love.Drawing on both philosophy and the New Testament, it offers an understanding of forgiveness that incorporates both agapic love and a proper concern for justice. John Lippitt explores religious and secular uses of key metaphors for forgiveness, and the idea of forgivingness as a character trait, suggesting that seeking to correct for various cognitive biases is key to the development of such a virtue, and connecting it to other putative virtues, such as humility and hope. Lippitt draws on both Kierkegaard''s discourse literature and contemporary philosophical work on these latter characteristics, before turning to a discussion of the nature of self-forgiveness. Throughout the book, the philosophical and theological literature is rooted in a discussion of various ''forgiveness narratives'', including Helen Prejean''s Dead Man Walking, Thordis Elva and Tom Stranger''s South of Forgiveness, and Ian McEwan''s Atonement.

Love''s Forgiveness combines a discussion of the nature and ethics of forgiveness with a discussion--inspired by Kierkegaard--of the implications of considering interpersonal forgiveness as a ''work of love''. It introduces the reader to some key questions that have exercised recent philosophers of forgiveness, discussing the relationship between forgiveness and an extended notion of resentment; considering whether forgiveness should be conditional or unconditional (showcasing a particular understanding of the latter); and arguing that there are legitimate forms of third party forgiveness. It then introduces the idea of forgiveness as a work of love through a discussion of Kierkegaard, key New Testament passages on forgiveness, and some contemporary work on the philosophy of love.Drawing on both philosophy and the New Testament, it offers an understanding of forgiveness that incorporates both agapic love and a proper concern for justice. John Lippitt explores religious and secular uses of key metaphors for forgiveness, and the idea of forgivingness as a character trait, suggesting that seeking to correct for various cognitive biases is key to the development of such a virtue, and connecting it to other putative virtues, such as humility and hope. Lippitt draws on both Kierkegaard''s discourse literature and contemporary philosophical work on these latter characteristics, before turning to a discussion of the nature of self-forgiveness. Throughout the book, the philosophical and theological literature is rooted in a discussion of various ''forgiveness narratives'', including Helen Prejean''s Dead Man Walking, Thordis Elva and Tom Stranger''s South of Forgiveness, and Ian McEwan''s Atonement.

The Oxford Handbook of Kierkegaard brings together some of the most distinguished contemporary contributors to Kierkegaard research together with some of the more gifted younger commentators on Kierkegaard's work. There is significant input from scholars based in Copenhagen's Søren Kierkegaard Research Centre, as well as from philosophers and theologians from Britain, Germany, and the United States. Part 1 presents some of the philological, historical, and contextual work that has been produced in recent years, establishing a firm basis for the more interpretative essays found in following parts. This includes looking at the history of his published and unpublished works, his cultural and social context, and his relation to Romanticism, German Idealism, the Church, the Bible, and theological traditions. Part 2 moves from context and background to the exposition of some of the key ideas and issues in Kierkegaard's writings. Attention is paid to his style, his treatment of ethics, culture, society, the self, time, theology, love, irony, and death. Part 3 looks at the impact of Kierkegaard's thought and at how it continues to influence philosophy, theology, and literature. After an examination of issues around translating Kierkegaard, this section includes comparisons with Nietzsche, Heidegger, and Wittgenstein, as well as examining his role in modern theology, moral theology, phenomenology, postmodernism, and literature.

Love's Forgiveness combines a discussion of the nature and ethics of forgiveness with a discussion--inspired by Kierkegaard--of the implications of considering interpersonal forgiveness as a 'work of love'. It introduces the reader to some key questions that have exercised recent philosophers of forgiveness, discussing the relationship between forgiveness and an extended notion of resentment; considering whether forgiveness should be conditional or unconditional (showcasing a particular understanding of the latter); and arguing that there are legitimate forms of third party forgiveness. It then introduces the idea of forgiveness as a work of love through a discussion of Kierkegaard, key New Testament passages on forgiveness, and some contemporary work on the philosophy of love.Drawing on both philosophy and the New Testament, it offers an understanding of forgiveness that incorporates both agapic love and a proper concern for justice. John Lippitt explores religious and secular uses of key metaphors for forgiveness, and the idea of forgivingness as a character trait, suggesting that seeking to correct for various cognitive biases is key to the development of such a virtue, and connecting it to other putative virtues, such as humility and hope. Lippitt draws on both Kierkegaard's discourse literature and contemporary philosophical work on these latter characteristics, before turning to a discussion of the nature of self-forgiveness. Throughout the book, the philosophical and theological literature is rooted in a discussion of various 'forgiveness narratives', including Helen Prejean's Dead Man Walking, Thordis Elva and Tom Stranger's South of Forgiveness, and Ian McEwan's Atonement.

The Oxford Handbook of Kierkegaard brings together some of the most distinguished contemporary contributors to Kierkegaard research together with some of the more gifted younger commentators on Kierkegaard's work. There is significant input from scholars based in Copenhagen's Søren Kierkegaard Research Centre, as well as from philosophers and theologians from Britain, Germany, and the United States. Part 1 presents some of the philological, historical and contextual work that has been produced in recent years, establishing a firm basis for the more interpretative essays found in following parts. This includes looking at the history of his published and unpublished works, his cultural and social context, and his relation to Romanticism, German Idealism, the Church, the Bible, and theological traditions. Part 2 moves from context and background to the exposition of some of the key ideas and issues in Kierkegaard's writings. Attention is paid to his style, his treatment of ethics, culture, society, the self, time, theology, love, irony, and death. Part 3 looks at the impact of Kierkegaard's thought and at how it continues to influence philosophy, theology, and literature. After an examination of issues around translating Kierkegaard, this section includes comparisons with Nietzsche, Heidegger, and Wittgenstein, as well as examining his role in modern theology, moral Philosophy, phenomenology, postmodernism, and literature.

Irony, humour and the comic play vital yet under-appreciated roles in Kierkegaard''s thought. Focusing upon the Concluding Unscientific Postscript, this book investigates these roles, relating irony and humour as forms of the comic to central Kierkegaardian themes. How does the comic function as a form of ''indirect communication''? What roles can irony and humour play in the infamous Kierkegaardian ''leap''? Do certain forms of wisdom depend upon possessing a sense of humour? And is such a sense of humour thus a genuine virtue?

What are the roles of human exemplars, moral perfectionism and noble ethics in our 'self-overcoming'? What place does laughter have in Nietzche's vision of the future? What contribution can Nietzsche make to the issue of humanity's relation to the natural world in an age of ecological crisis? This wide-ranging collection of essays explores various aspects of Nietzsche's thought, centred around the general issue of futurity. Contributors include such leading Nietzsche scholars as Keith Ansell Pearson, Daniel W. Conway, Kathleen Higgins, Laurence Lampert and Graham Parkes.

Irony, humour and the comic play vital yet under-appreciated roles in Kierkegaard's thought. Focusing upon the Concluding Unscientific Postscript, this book investigates these roles, relating irony and humour as forms of the comic to central Kierkegaardian themes. How does the comic function as a form of 'indirect communication'? What roles can irony and humour play in the infamous Kierkegaardian 'leap'? Do certain forms of wisdom depend upon possessing a sense of humour? And is such a sense of humour thus a genuine virtue?

Søren Kierkegaard is one of the key figures of nineteenth century thought, whose influence on subsequent philosophy, theology and literature is both extensive and profound. Fear and Trembling, which investigates the nature of faith through an exploration of the story of Abraham and Isaac, is one of Kierkegaard’s most compelling and widely read works. It combines an arresting narrative, an unorthodox literary structure and a fascinating account of faith and its relation to ‘the ethical’.The Routledge Guidebook to Kierkegaard’s Fear and Trembling introduces and assesses: Kierkegaard’s life and the background to Fear and Trembling, including aspects of its philosophical and theological context The text and key ideas of Fear and Trembling, including the details of its account of faith and its connection to trust and hope The book’s reception history, the diversity of interpretations it has been given and its continuing interest and importance This Guidebook assumes no previous knowledge of Kierkegaard's work and will be essential reading for anyone studying the most famous text of this important thinker.

Søren Kierkegaard is one of the key figures of nineteenth century thought, whose influence on subsequent philosophy, theology and literature is both extensive and profound. Fear and Trembling, which investigates the nature of faith through an exploration of the story of Abraham and Isaac, is one of Kierkegaard’s most compelling and widely read works. It combines an arresting narrative, an unorthodox literary structure and a fascinating account of faith and its relation to ‘the ethical’.The Routledge Guidebook to Kierkegaard’s Fear and Trembling introduces and assesses: Kierkegaard’s life and the background to Fear and Trembling, including aspects of its philosophical and theological context The text and key ideas of Fear and Trembling, including the details of its account of faith and its connection to trust and hope The book’s reception history, the diversity of interpretations it has been given and its continuing interest and importance This Guidebook assumes no previous knowledge of Kierkegaard's work and will be essential reading for anyone studying the most famous text of this important thinker.

Is each of us the main character in a story we tell about ourselves, or is this narrative understanding of selfhood misguided and possibly harmful? Are selves and persons the same thing? And what does the possibility of sudden death mean for our ability to understand the narrative of ourselves? These questions have been much discussed both in recent philosophy and by scholars grappling with the work of the enigmatic 19th-century thinker Søren Kierkegaard. For the first time, this collection brings together figures in both contemporary philosophy and Kierkegaard studies to explore pressing issues in the philosophy of personal identity and moral psychology. It serves both to advance important ongoing discussions of selfhood and to explore the light that, 200 years after his birth, Kierkegaard is still able to shed on contemporary problems.

The problem of whether we should love ourselves - and if so how - has particular resonance within Christian thought and is an important yet underinvestigated theme in the writings of Søren Kierkegaard. In Works of Love, Kierkegaard argues that the friendships and romantic relationships which we typically treasure most are often merely disguised forms of 'selfish' self-love. Yet in this nuanced and subtle account, John Lippitt shows that Kierkegaard also provides valuable resources for responding to the challenge of how we can love ourselves, as well as others. Lippitt relates what it means to love oneself properly to such topics as love of God and neighbour, friendship, romantic love, self-denial and self-sacrifice, trust, hope and forgiveness. The book engages in detail with Works of Love, related Kierkegaard texts and important recent studies, and also addresses a wealth of wider literature in ethics, moral psychology and philosophy of religion.

The problem of whether we should love ourselves - and if so how - has particular resonance within Christian thought and is an important yet underinvestigated theme in the writings of Søren Kierkegaard. In Works of Love, Kierkegaard argues that the friendships and romantic relationships which we typically treasure most are often merely disguised forms of 'selfish' self-love. Yet in this nuanced and subtle account, John Lippitt shows that Kierkegaard also provides valuable resources for responding to the challenge of how we can love ourselves, as well as others. Lippitt relates what it means to love oneself properly to such topics as love of God and neighbour, friendship, romantic love, self-denial and self-sacrifice, trust, hope and forgiveness. The book engages in detail with Works of Love, related Kierkegaard texts and important recent studies, and also addresses a wealth of wider literature in ethics, moral psychology and philosophy of religion.

Søren Kierkegaard is one of the key figures of nineteenth century thought, whose influence on subsequent philosophy, theology and literature is both extensive and profound. Fear and Trembling, which investigates the nature of faith through an exploration of the story of Abraham and Isaac, is one of Kierkegaard’s most compelling and widely read works. It combines an arresting narrative, an unorthodox literary structure and a fascinating account of faith and its relation to ‘the ethical’.

The Routledge Guidebook to Kierkegaard’s Fear and Trembling introduces and assesses:

Kierkegaard’s life and the background to Fear and Trembling, including aspects of its philosophical and theological context

The text and key ideas of Fear and Trembling, including the details of its account of faith and its connection to trust and hope

The book’s reception history, the diversity of interpretations it has been given and its continuing interest and importance

This Guidebook assumes no previous knowledge of Kierkegaard''s work and will be essential reading for anyone studying the most famous text of this important thinker.

Søren Kierkegaard is one of the key figures of nineteenth century thought, whose influence on subsequent philosophy, theology and literature is both extensive and profound. Fear and Trembling, which investigates the nature of faith through an exploration of the story of Abraham and Isaac, is one of Kierkegaard’s most compelling and widely read works. It combines an arresting narrative, an unorthodox literary structure and a fascinating account of faith and its relation to ‘the ethical’.

The Routledge Guidebook to Kierkegaard’s Fear and Trembling introduces and assesses:

Kierkegaard’s life and the background to Fear and Trembling, including aspects of its philosophical and theological context

The text and key ideas of Fear and Trembling, including the details of its account of faith and its connection to trust and hope

The book’s reception history, the diversity of interpretations it has been given and its continuing interest and importance

This Guidebook assumes no previous knowledge of Kierkegaard''s work and will be essential reading for anyone studying the most famous text of this important thinker.

What are the roles of human exemplars, moral perfectionism and noble ethics in our ''self-overcoming''? What place does laughter have in Nietzche''s vision of the future? What contribution can Nietzsche make to the issue of humanity''s relation to the natural world in an age of ecological crisis? This wide-ranging collection of essays explores various aspects of Nietzsche''s thought, centred around the general issue of futurity. Contributors include such leading Nietzsche scholars as Keith Ansell Pearson, Daniel W. Conway, Kathleen Higgins, Laurence Lampert and Graham Parkes.

Irony, humour and the comic play vital yet under-appreciated roles in Kierkegaard's thought. Focusing upon the Concluding Unscientific Postscript, this book investigates these roles, relating irony and humour as forms of the comic to central Kierkegaardian themes. How does the comic function as a form of 'indirect communication'? What roles can irony and humour play in the infamous Kierkegaardian 'leap'? Do certain forms of wisdom depend upon possessing a sense of humour? And is such a sense of humour thus a genuine virtue?