Judith Huber – författare

In Motion and the English Verb, a study of the expression of motion in medieval English, Judith Huber provides extensive inventories of verbs used in intransitive motion meanings in Old and Middle English, and discusses these in terms of the manner-salience of early English. Huber demonstrates how several non-motion verbs receive contextual motion meanings through their use in the intransitive motion construction. In addition, she analyzes which verbs and structures are employed most frequently in talking about motion in select Old and Middle English texts, demonstrating that while satellite-framing is stable, the extent of manner-conflation is influenced by text type and style.Huber further investigates how in the intertypological contact with medieval French, a range of French path verbs (entrer, issir, descendre, etc.) were incorporated into Middle English, in whose system of motion encoding they are semantically unusual. Their integration into Middle English is studied in an innovative approach which analyzes their usage contexts in autonomous Middle English texts as opposed to translations from French and Latin. Huber explains how these verbs were initially borrowed not for expressing general literal motion, but in more specific, often metaphorical and abstract contexts. Her study is a diachronic contribution to the typology of motion encoding, and advances research on the process of borrowing and loanword integration.

In Motion and the English Verb, a study of the expression of motion in medieval English, Judith Huber provides extensive inventories of verbs used in intransitive motion meanings in Old and Middle English, and discusses these in terms of the manner-salience of early English. Huber demonstrates how several non-motion verbs receive contextual motion meanings through their use in the intransitive motion construction. In addition, she analyzes which verbs and structures are employed most frequently in talking about motion in select Old and Middle English texts, demonstrating that while satellite-framing is stable, the extent of manner-conflation is influenced by text type and style.Huber further investigates how in the intertypological contact with medieval French, a range of French path verbs (entrer, issir, descendre, etc.) were incorporated into Middle English, in whose system of motion encoding they are semantically unusual. Their integration into Middle English is studied in an innovative approach which analyzes their usage contexts in autonomous Middle English texts as opposed to translations from French and Latin. Huber explains how these verbs were initially borrowed not for expressing general literal motion, but in more specific, often metaphorical and abstract contexts. Her study is a diachronic contribution to the typology of motion encoding, and advances research on the process of borrowing and loanword integration.

In Motion and the English Verb, a study of the expression of motion in medieval English, Judith Huber provides extensive inventories of verbs used in intransitive motion meanings in Old and Middle English, and discusses these in terms of the manner-salience of early English. Huber demonstrates how several non-motion verbs receive contextual motion meanings through their use in the intransitive motion construction. In addition, she analyzes which verbs and structures are employed most frequently in talking about motion in select Old and Middle English texts, demonstrating that while satellite-framing is stable, the extent of manner-conflation is influenced by text type and style.Huber further investigates how in the intertypological contact with medieval French, a range of French path verbs (entrer, issir, descendre, etc.) were incorporated into Middle English, in whose system of motion encoding they are semantically unusual. Their integration into Middle English is studied in an innovative approach which analyzes their usage contexts in autonomous Middle English texts as opposed to translations from French and Latin. Huber explains how these verbs were initially borrowed not for expressing general literal motion, but in more specific, often metaphorical and abstract contexts. Her study is a diachronic contribution to the typology of motion encoding, and advances research on the process of borrowing and loanword integration.

Intra-individual variation is an emerging research field in linguistics with a rapidly growing number of studies. In historical sociolinguistics, this trend has been slow, as it is still largely dominated by the macroscopic approaches of earlier sociolinguistics. Microscopic studies focusing on intra-individual variation in writing, i.e. intra-writer variation, however, are able to reveal how writers functionalize social or text-type variation for reasons such as audience design or persona creation. They may also provide insights into how ongoing changes were perceived by speakers and writers. In general, micro-approaches are able to uncover a wide array of possible factors influencing variation, which may not always carry sociolinguistic functions.This volume comprises twenty-two research articles on a wide range of languages and periods, all closely connected by their focus on intra-writer variation in historical texts and by their use of empirical and corpus-based approaches. The studies demonstrate that the challenges that historical material have for research on intra-individual variation can certainly be met and that the insights gleaned from analysing variation in individual writers are considerable.

Seminar paper from the year 2003 in the subject English Language and Literature Studies - Literature, grade: 2 (B), University of Hamburg (Institute for Anglistics/American Studies), course: Proseminar "e;From Funny Fop to Dangerous Dandy - Fashion in 17th and 18th Century Literature"e;, language: English, abstract: The city of Bath has served as the scene of many 18 and 19 century novels, likeDaniel Defoe s Moll Flanders, Tobias Smollet s Roderick Random, Henry Fielding s Tom Jones and, of course, Jane Austen s Northanger Abbey; Persuasion and Emma. In Bath, one could find the quintessence of all the illusions, values and con- th flicts of the 18 century (Hill 1989: 2); its rules of etiquette fixed by Richard Beau Nash influenced the manners of the entire nation throughout the Georgian era . An official Bath guide read that the city had become one of the most agreeable as well as most polite places in the Kingdom (Watkins 1990: 178). But as the century wore on, the spa became less fashionable, the nobility became bored of it, and middle class people swamped the town. The three novels by Jane Austen mentioned above date from this time, when Bath s heyday was over. In my opinion, it is particularly interesting to take a look on the image of Bath as it is conveyed by these three novels, because of the different viewpoints of the characters: In Northanger Abbey, the city is described from a middle class perspective, in Persuasion from an upper class perspective, and in Emma, where none of the action actually takes place in Bath, we get an idea of what people in the country thought about the city of Bath; it is described from an extern point of view. This paper will examine the literary characterisation of the city as a place of amusement (balls, concerts, etc.), display and representation by looking at the characters attitudes towards Bath and the purpose of their stay there. The further aim is a cultural description of the city with regard to its fashionableness, based on the novels of Jane Austen.