Julian Fellowes – författare

FROM THE CREATOR OF DOWNTON ABBEY and THE GILDED AGE A SUNDAY TIMES BESTSELLER''A gloriously funny ride through modern times'' Evening Standard Damian Baxter is very, very rich. But he has but one concern, which is becoming more urgent at the weeks go by: who should inherit his fortune. A letter from an ex-girlfriend suggests that, as a young man, Damian may have fathered a child, but the letter is anonymous. Finding the truth will not be easy - and the only man who Damian can turn to for help also happens to be his sworn enemy... ''A must-read'' Sunday Express''An elegant satire, it offers an entertaining commentary on our times and a heartfelt lament for a kinder, more courteous Britain'' Tatler''A witty take on the world as it was and is now'' Woman & Home

FROM THE CREATOR OF DOWNTON ABBEY and THE GILDED AGE A SUNDAY TIMES BESTSELLER

''A modern classic that will fill any Downton-shaped hole'' Daily Express''A delicious thoroughbred delight'' Stephen Fry''A brilliantly malicious portrait of upper-class society and all those who long to be accepted by them'' Jilly CooperEdith Lavery is a woman on the make.

The attractive only child of a middle-class accountant, she leaves behind her dull job in a Chelsea estate agents and manages to bag one of the most eligible bachelors of the day - Charles Broughton, heir to the Marquess of Uckfield.

But is life amongst the upper echelons of ''good'' society all that it seems?

''Horribly compelling'' The Times''Provocative, titillating and seductive'' Spectator ''Everything you would hope for from the writer of Gosford Park'' Stephen Fry

Julian Fellowes, creator of the Emmy-Award winning TV series Downton Abbey, established himself as an irresistible storyteller and a deliciously witty chronicler of modern manners in his first novel, Snobs, a wickedly astute portrait of the intersecting worlds of aristocrats and actors. "The English, of all classes as it happens, are addicted to exclusivity. Leave three Englishmen in a room and they will invent a rule that prevents a fourth joining them." The best comedies of manners are often deceptively simple, seamlessly blending social critique with character and story. In his superbly observed first novel, Julian Fellowes, winner of an Academy Award for his original screenplay of Gosford Park, brings us an insider''s look at a contemporary England that is still not as classless as is popularly supposed. Edith Lavery, an English blonde with large eyes and nice manners, is the daughter of a moderately successful accountant and his social-climbing wife. While visiting his parents'' stately home as a paying guest, Edith meets Charles, Earl of Broughton, and heir to the Marquess of Uckfield, who runs the family estates in East Sussex and Norfolk. To the gossip columns he is one of the most eligible young aristocrats around. When he proposes. Edith accepts. But is she really in love with Charles? Or with his title, his position, and all that goes with it? One inescapable part of life at Broughton Hall is Charles''s mother, the shrewd Lady Uckfield, known to her friends as "Googie" and described by the narrator---an actor who moves comfortably among the upper classes while chronicling their foibles---"as the most socially expert individual I have ever known at all well. She combined a watchmaker''s eye for detail with a madam''s knowledge of the world." Lady Uckfield is convinced that Edith is more interested in becoming a countess than in being a good wife to her son. And when a television company, complete with a gorgeous leading man, descends on Broughton Hall to film a period drama, "Googie''s" worst fears seem fully justified.

FROM THE CREATOR OF DOWNTON ABBEY and THE GILDED AGE

''A modern classic that will fill any Downton-shaped hole'' Daily Express

It is the evening of 15 June 1815, and the Duchess of Richmond has thrown a magnificent ball in Brussels for the Duke of Wellington. The guests include James and Anne Trenchard - who have made their money in trade - along with their beautiful daughter Sophia.

When the Trenchards move into the fashionable new area of Belgravia some twenty-five years later, they are surrounded by some of London society''s most influential families. But something happened that night of the ball, so long ago, that threatens their new status.

Because behind Belgravia''s magnificent doors is a world of secrets, gossip and intrigue.

''Stunning'' Mail on Sunday''Written with brio, the novel races along with all the page-turning suspense of a thriller'' Woman & Home''A jolly romp about Fellowes''s favourite subject, class'' Sunday Times''Immersive and intriguing'' Stylist

Julian Fellowes, creator of the Emmy-Award winning TV series Downton Abbey, established himself as an irresistible storyteller and a deliciously witty chronicler of modern manners in his first novel, Snobs, a wickedly astute portrait of the intersecting worlds of aristocrats and actors. "The English, of all classes as it happens, are addicted to exclusivity. Leave three Englishmen in a room and they will invent a rule that prevents a fourth joining them." The best comedies of manners are often deceptively simple, seamlessly blending social critique with character and story. In his superbly observed first novel, Julian Fellowes, winner of an Academy Award for his original screenplay of Gosford Park, brings us an insider''s look at a contemporary England that is still not as classless as is popularly supposed. Edith Lavery, an English blonde with large eyes and nice manners, is the daughter of a moderately successful accountant and his social-climbing wife. While visiting his parents'' stately home as a paying guest, Edith meets Charles, Earl of Broughton, and heir to the Marquess of Uckfield, who runs the family estates in East Sussex and Norfolk. To the gossip columns he is one of the most eligible young aristocrats around. When he proposes. Edith accepts. But is she really in love with Charles? Or with his title, his position, and all that goes with it? One inescapable part of life at Broughton Hall is Charles''s mother, the shrewd Lady Uckfield, known to her friends as "Googie" and described by the narrator---an actor who moves comfortably among the upper classes while chronicling their foibles---"as the most socially expert individual I have ever known at all well. She combined a watchmaker''s eye for detail with a madam''s knowledge of the world." Lady Uckfield is convinced that Edith is more interested in becoming a countess than in being a good wife to her son. And when a television company, complete with a gorgeous leading man, descends on Broughton Hall to film a period drama, "Googie''s" worst fears seem fully justified.