Katherine Bergeron – författare
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6 produkter
6 produkter
Inbunden, Engelska, 2010
519 kr
Skickas inom 5-8 vardagar
Language, education, science, and song come together in surprising ways in Katherine Bergeron's new history of music in the Belle Epoque. Voice Lessons examines the modern musical art known as la mélodie française and its rise to prominence in the years around 1900-a period when France was pouring resources into national literacy and French scholars were beginning to grasp the nuances of the spoken tongue. Bergeron explores the relationship between the free, secular, and compulsory school system of the Third Republic, and the experimental sciences of language that grew alongside it, to observe the ways in which both science and school redefined the verbal arts in France at century's end. The music of Fauré, Debussy, and Ravel; the writings of Mallarmé, Rimbaud, and Verlaine; the performances of Maggie Teyte, Reynaldo Hahn, and Sarah Bernhardt; the linguistic studies of Paul Passy and Abbé Rousselot: all these sources offer evidence of the new ideas of expression that proliferated during one of the most idealistic moments in French musical history, when poets, composers, actors, singers, and scientists all learned to imagine-and to speak-their language in new ways. Through close readings of songs, poems, sound recordings, and other historical records, Voice Lessons narrates the development of a rare musical art, seeking to explain why this art emerged, why it mattered, and why it eventually disappeared.
E-bok
Engelska, 2010459 kr
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Language, education, politics, and music come together in Katherine Bergeron''s Voice Lessons, a study of the French m''elodie in the Belle Epoque. Close readings of songs by Faur''e, Debussy, and Ravel, along with poems, sound recordings, and other historical documents, seek to uncovers the cultural meanings of this art: why it emerged, why it mattered, and why it eventually disappeared.
Inbunden, Engelska, 1992
853 kr
Skickas inom 5-8 vardagar
Provocative and timely, Disciplining Music confronts a topic that has sparked considerable debate in recent years: how do musicians and music scholars "discipline" music in their efforts to confer order and meaning on it? This collection of essays addresses this issue by formulating questions about music's canons--rules that measure and order, negotiate cultural constraints, reconstruct the past, and shape the future. Written by scholars representing the fields of historical musicology, ethnomusicology, and music theory, many of the essays tug and push at the very boundaries of these traditional division within the study of music. "Fortunately, in a blaze of good-humored ...scholarship, [this] book helps brains unaccustomed to thinking about the future without jeopardizing the past imagine the wonder classical-music life might become if it embraced all people and all musics."--Laurence Vittes, Los Angeles Reader "These essays will force us to rethink our position on many issues...[and] advance musicology into the twenty-first century."--Giulio Ongaro, American Music Teacher With essays by Katherine Bergeron, Philip V.Bohlman, Richard Cohn and Douglas Dempster, Philip Gossett, Robert P. Morgan, Bruno Nettl, Don Michael Randel, Ruth A. Solie, and Gary Tomlinson.
Häftad, Engelska, 1996
349 kr
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Confronting a topic that has sparked considerable debate in recent years: how do musicians and music scholars "discipline" music in their efforts to confer order and meaning on it?, this collection of essays addresses this issue by formulating questions about music's canons - rules that measure and order, negotiate cultural constraints, reconstruct the past, and shape the future. Written by scholars representing the fields of historical musicology, ethnomusicology, and music theory, many of the essays seek to push at the very boundaries of these traditional divisions within the study of music.
Del 10 - California Studies in 19th-Century Music
Decadent Enchantments
The Revival of Gregorian Chant at Solesmes
Inbunden, Engelska, 1998
714 kr
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The oldest written tradition of European music, the art we know as Gregorian chant, is seen from an entirely new perspective in Katherine Bergeron's engaging and literate study. Bergeron traces the history of the Gregorian revival from its Romantic origins in a community of French monks at Solesmes, whose founder hoped to rebuild the moral foundation of French culture on the ruins of the Benedictine order. She draws out the parallels between this longing for a lost liturgy and the post-revolutionary quest for lost monuments that fueled the French Gothic revival, a quest that produced the modern concept of 'restoration'. Bergeron follows the technological development of the Gregorian restoration over a seventy-year period as it passed from the private performances of a monastic choir into the public commodities of printed books, photographs, and Gramophone records. She discusses such issues as architectural restoration, the modern history of typography, the uncanny power of the photographic image, and the authority of recorded sound.She also shows the extent to which different media shaped the modern image of the ancient repertory, an image that gave rise to conflicting notions not only of musical performance but of the very idea of music history.
E-bok
Engelska, 2023849 kr
Läs direkt efter köp
The oldest written tradition of European music, the art we know as Gregorian chant, is seen from an entirely new perspective in Katherine Bergeron''s engaging and literate study. Bergeron traces the history of the Gregorian revival from its Romantic origins in a community of French monks at Solesmes, whose founder hoped to rebuild the moral foundation of French culture on the ruins of the Benedictine order. She draws out the parallels between this longing for a lost liturgy and the postrevolutionary quest for lost monuments that fueled the French Gothic revival, a quest that produced the modern concept of "restoration."Bergeron follows the technological development of the Gregorian restoration over a seventy-year period as it passed from the private performances of a monastic choir into the public commodities of printed books, photographs, and Gramophone records. She discusses such issues as architectural restoration, the modern history of typography, the uncanny power of the photographic image, and the authority of recorded sound. She also shows the extent to which different media shaped the modern image of the ancient repertory, an image that gave rise to conflicting notions not only of musical performance but of the very idea of music history.The oldest written tradition of European music, the art we know as Gregorian chant, is seen from an entirely new perspective in Katherine Bergeron''s engaging and literate study. Bergeron traces the history of the Gregorian revival from its Romantic origin