Kenneth Short – författare

This is the first comprehensive study on the relationship of propaganda to participatory democracy in the United States during the twentieth century. The Muckrackers were the first critics to question whether the standard practices of communications industries, such as advertising and public relations, undermined the ability of citizens to gather enough reliable information in order to participate meaningfully in society. The communications industry has countered that propaganda merely circulates socially useful information in an efficient manner and further, that propaganda is harmless to democracy because of competition and professional codes. This study critically examines these various schools of thought in an effort to determine and understand the contribution and effects of propaganda in a democratic society.

A history of how the American film industry succeeded in dominating the film markets of Canada and Great Britain in the period 1920-1950, this book shows how well-organised and effective the American industry was overseas. It addresses Hollywood operations in Canada and various unsuccessful official attempts to curb them, and in Great Britain where legislation was enacted to control them, achieving some but by no means complete success. The study deals with the complexity of the situation in the United States, where the film industry coped with internal divisions, hostile pressure groups, and ambivalent administrations and shows that the secret of success is in the mastery of organization and supply.

Ronald Reagan in Hollywood explores the relationship between the motion picture industry and American politics through the prism of Reagan's film career at Warner Bros. During the Depression, World War II, and the early Cold War era, the film industry served as a 'grand, world-wide propaganda base' using movies to influence attitudes about patriotism, national defence, communism, the welfare state, race, sex, and civil liberties. Ronald Reagan thrived in this environment. During his years in Hollywood from 1937 to 1952 he formed many of the ideas which were later carried into his presidency. Not merely a star, Reagan also became an articulate industry spokesperson and skilled propagandist, playing an important role in the battle to 'capture the minds' of humanity in the struggle against communism. By the time he left Warner Bros. in 1952, Reagan had abandoned his New Deal liberalism and had become a militant anti-communist. Based on hundreds of interviews (including some with Reagan himself), formerly secret FBI files, and material from more than 150 archival collections, this is the most comprehensive book on this subject to date, providing incisive analysis of Reagan's formative years in Hollywood.

Television news and the Cold War grew simultaneously in the years following World War II, and their history is deeply intertwined. In order to guarantee sufficient resolve in the American public for a long term arms buildup, defense and security officials turned to the television networks. In need of access to official film and newsmakers to build themselves into serious news organizations, and anxious to prove their loyalty in the age of blacklisting, the network news divisions acted as unofficial state propagandists. They aired programs produced, scripted, and approved by the White House and the Departments of State and Defense as news and public affairs programs. Based on extensive primary research, this book makes a strong and compelling argument for collaboration between US television networks and government during the early years of the medium, and demonstrates how the Cold War was effectively 'sold' to the American public.