Stephen Vaughn – författare

Ever since the threads of seventeenth-century natural philosophy began to coalesce into an understanding of the natural world, printed artifacts such as laboratory notebooks, research journals, college textbooks, and popular paperbacks have been instrumental to the development of what we think of today as 'science.' But just as the history of science involves more than recording discoveries, so too does the study of print culture extend beyond the mere cataloguing of books. In both disciplines, researchers attempt to comprehend how social structures of power, reputation, and meaning permeate both the written record and the intellectual scaffolding through which scientific debate takes place. Science in Print brings together scholars from the fields of print culture, environmental history, science and technology studies, medical history, and library and information studies. This ambitious volume paints a rich picture of those tools and techniques of printing, publishing, and reading that shaped the ideas and practices that grew into modern science, from the days of the Royal Society of London in the late 1600s to the beginning of the modern U.S. environmental movement in the early 1960s.

Ronald Reagan in Hollywood explores the relationship between the motion picture industry and American politics through the prism of Reagan's film career at Warner Bros. During the Depression, World War II, and the early Cold War era, the film industry served as a 'grand, world-wide propaganda base' using movies to influence attitudes about patriotism, national defence, communism, the welfare state, race, sex, and civil liberties. Ronald Reagan thrived in this environment. During his years in Hollywood from 1937 to 1952 he formed many of the ideas which were later carried into his presidency. Not merely a star, Reagan also became an articulate industry spokesperson and skilled propagandist, playing an important role in the battle to 'capture the minds' of humanity in the struggle against communism. By the time he left Warner Bros. in 1952, Reagan had abandoned his New Deal liberalism and had become a militant anti-communist. Based on hundreds of interviews (including some with Reagan himself), formerly secret FBI files, and material from more than 150 archival collections, this is the most comprehensive book on this subject to date, providing incisive analysis of Reagan's formative years in Hollywood.

This is a story that Jack Valenti has long tried to keep secret. Freedom and Entertainment is the first book to offer a behind-the-scenes account of the motion picture rating system and the Motion Picture Association of America under Valenti's leadership. The book is based on the private papers and oral history of Richard D. Heffner, who headed the Classification and Rating Administration for two decades, from 1974 to 1994, and who was once called 'the least-known most powerful person in Hollywood.' The story chronicles the often tense working relationship between Heffner and Valenti, and the sometimes bruising encounters Heffner had with such Hollywood heavyweights as Clint Eastwood, Oliver Stone, Michael Douglas, George C. Scott, Lew Wasserman, Arthur Krim, Jerry Weintraub, and many others.

This is a story that Jack Valenti has long tried to keep secret. Freedom and Entertainment is the first book to offer a behind-the-scenes account of the motion picture rating system and the Motion Picture Association of America under Valenti's leadership. The book is based on the private papers and oral history of Richard D. Heffner, who headed the Classification and Rating Administration for two decades, from 1974 to 1994, and who was once called 'the least-known most powerful person in Hollywood.' The story chronicles the often tense working relationship between Heffner and Valenti, and the sometimes bruising encounters Heffner had with such Hollywood heavyweights as Clint Eastwood, Oliver Stone, Michael Douglas, George C. Scott, Lew Wasserman, Arthur Krim, Jerry Weintraub, and many others.

The importance of history and its relevance to the present have seldom gone unquestioned in modern times. This is particularly true in the United States, born as the quintessentially modern nation, where the image of a vast open frontier and the unofficial state creed of limitless progress have diminished the importance of the past, and where the writings of Ralph Waldo Emerson proclaimed that nature and personal experience made tradition irrelevant for the self-reliant American.