Kenneth W. Warren – författare

Part of the Norton Library seriesThe Norton Library edition of The Jungle features the complete text of the first (1906) edition. An introduction by Kenneth W. Warren discusses the novel’s biographical and historical contexts, its literary merits, and its successes (and shortcomings) in affecting social change.The Norton Library is a growing collection of high-quality texts and translations—influential works of literature and philosophy—introduced and edited by leading scholars. Norton Library editions prepare readers for their first encounter with the works that they’ll re-read over a lifetime.Inviting introductions highlight the work’s significance and influence, providing the historical and literary context students need to dive in with confidence.Endnotes and an easy-to-read design deliver an uninterrupted reading experience, encouraging students to read the text first and refer to endnotes for more information as needed.An affordable price (most $10 or less) encourages students to buy the book and to come to class with the assigned edition.About the Editor: Kenneth W. Warren is Fairfax M. Cone Distinguished Service Professor in the Department of English at the University of Chicago. He is the author of Black and White Strangers: Race and American Literary Realism (1993), So Black and Blue: Ralph Ellison and the Occasion of Criticism (2003), and What Was African American Literature (2011).

"So Black and Blue is the best work we have on Ellison in his combined roles of writer, critic, and intellectual. By locating him in the precarious cultural transition between Jim Crow and the era of promised civil rights, Warren has produced a thoroughly engaging and compelling book, original in its treatment of Ellison and his part in shaping the history of ideas in the twentieth century."—Eric J. Sundquist, University of California, Los AngelesWhat would it mean to read Invisible Man as a document of Jim Crow America? Using Ralph Ellison's classic novel and many of his essays as starting points, Kenneth W. Warren illuminates the peculiar interrelation of politics, culture, and social scientific inquiry that arose during the post-Reconstruction era and persisted through the Civil Rights movement. Warren argues that Ellison's novel expresses the problem of who or what could represent and speak for the Negro in an age of limited political representation. So Black and Blue shows that Ellison's successful transformation of these limits into possibilities has also, paradoxically, cast a shadow on the postsegregation world. What can be the direction of African American culture once the limits that have shaped it are stricken down? Here Warren takes up the recent, ongoing, and often contradictory veneration of Ellison's artistry by black writers and intellectuals to reveal the impoverished terms often used in discussions about the political and cultural future of African Americans. Ultimately, by showing what it would mean to take seriously the idea of American novels as creatures of their moment, Warren questions whether there can be anything that deserves the label of classic American literature.

African American literature is over. With this provocative claim Kenneth Warren sets out to identify a distinctly African American literature—and to change the terms with which we discuss it.Rather than contest other definitions, Warren makes a clear and compelling case for understanding African American literature as creative and critical work written by black Americans within and against the strictures of Jim Crow America. Within these parameters, his book outlines protocols of reading that best make sense of the literary works produced by African American writers and critics over the first two-thirds of the twentieth century.In Warren’s view, African American literature begged the question: what would happen to this literature if and when Jim Crow was finally overthrown? Thus, imagining a world without African American literature was essential to that literature. In support of this point, Warren focuses on three moments in the history of Phylon, an important journal of African American culture. In the dialogues Phylon documents, the question of whether race would disappear as an organizing literary category emerges as shared ground for critical and literary practice. Warren also points out that while scholarship by black Americans has always been the province of a petit bourgeois elite, the strictures of Jim Crow enlisted these writers in a politics that served the race as a whole.Finally, Warren’s work sheds light on the current moment in which advocates of African American solidarity insist on a past that is more productively put behind us.

Imperium in Imperio (1899) was the first black novel to countenance openly the possibility of organized black violence against Jim Crow segregation. Its author, a Baptist minister and newspaper editor from Texas, Sutton E. Griggs (1872–1933), would go on to publish four more novels; establish his own publishing company, one of the first secular publishing houses owned and operated by an African American in the United States; and help to found the American Baptist Theological Seminary in Tennessee. Alongside W. E. B. Du Bois and Booker T. Washington, Griggs was a key political and literary voice for black education and political rights and against Jim Crow.Jim Crow, Literature, and the Legacy of Sutton E. Griggs examines the wide scope of Griggs’s influence on African American literature and politics at the turn of the twentieth century. Contributors engage Griggs’s five novels and his numerous works of nonfiction, as well as his publishing and religious careers. By taking up Griggs’s work, these essays open up a new historical perspective on African American literature and the terms that continue to shape American political thought and culture.

These historically grounded essays by Adolph Reed, Jr. and Kenneth W. Warren incorporate essential historical, contemporary, and literary perspectives on Black cultural criticism to explore the full portrait of racial injustice and inequality in America.Taking up such topics as the evolving politics of New Orleans before and after Hurricane Katrina and novels by Toni Morrison and Colson Whitehead, this book engages with the Black Radical Tradition, Afropessimism, antiblackness, race reductionism, and other key theories and concepts in contemporary Black studies. Challenging the prevailing assertion that longstanding white animus against nonwhite peoples sufficiently and adequately explains deepening injustice, past injustice or present inequality, the essays argue that such thinking fails to fully explain America’s past and leaves us ill-equipped to handle the continuing challenges in the present.Tracing black cultural criticism across the 19th, 20th, and 21st centuries, this book will appeal to students, scholars and researchers of Black studies, race and ethnic studies, and contemporary and black American literature.

These historically grounded essays by Adolph Reed, Jr. and Kenneth W. Warren incorporate essential historical, contemporary, and literary perspectives on Black cultural criticism to explore the full portrait of racial injustice and inequality in America.Taking up such topics as the evolving politics of New Orleans before and after Hurricane Katrina and novels by Toni Morrison and Colson Whitehead, this book engages with the Black Radical Tradition, Afropessimism, antiblackness, race reductionism, and other key theories and concepts in contemporary Black studies. Challenging the prevailing assertion that longstanding white animus against nonwhite peoples sufficiently and adequately explains deepening injustice, past injustice or present inequality, the essays argue that such thinking fails to fully explain America’s past and leaves us ill-equipped to handle the continuing challenges in the present.Tracing black cultural criticism across the 19th, 20th, and 21st centuries, this book will appeal to students, scholars and researchers of Black studies, race and ethnic studies, and contemporary and black American literature.

Reflecting critically on the discipline of African American studies is a complicated undertaking. Making sense of the black American experience requires situating it within the larger cultural, political-economic, and ideological dynamics that shape American life. This volume moves away from privileging racial commonality as the fulcrum of inquiry and moves toward observing the quality of the accounts scholars have rendered of black American life. This book maps the changing conditions of black political practice and experience from Emancipation to Obama with excursions into the Jim Crow era, Black Power radicalism, and the Reagan revolt. Here are essays, classic and new, that define historically and conceptually discrete problems affecting black Americans as these problems have been shaped by both politics and scholarly fashion. A key goal of the book is to come to terms with the changing terrain of American life in view of major Civil Rights court decisions and legislation.

Reflecting critically on the discipline of African American studies is a complicated undertaking. Making sense of the black American experience requires situating it within the larger cultural, political-economic, and ideological dynamics that shape American life. This volume moves away from privileging racial commonality as the fulcrum of inquiry and moves toward observing the quality of the accounts scholars have rendered of black American life. This book maps the changing conditions of black political practice and experience from Emancipation to Obama with excursions into the Jim Crow era, Black Power radicalism, and the Reagan revolt. Here are essays, classic and new, that define historically and conceptually discrete problems affecting black Americans as these problems have been shaped by both politics and scholarly fashion. A key goal of the book is to come to terms with the changing terrain of American life in view of major Civil Rights court decisions and legislation.

Sutton E. Griggs’s first novel, originally published in 1899, paints a searing picture of the violent enforcement of disfranchisement and Jim Crow racial segregation. Based on events of the time, including US imperial policies, revolutionary movements, and racial protests, Imperium in Imperio introduces the fictional Belton Piedmont and Bernard Belgrave as “future leaders of their race” and uses these characters to make sense of the violence that marked the dawn of the twentieth century. Taking on contemporary battles over separatism and integration, Griggs’s novel continues to play a crucial role in understandings of Black politics.Edited and introduced by Tess Chakkalakal and Kenneth W. Warren, this new critical edition offers not only an incisive biographical and historical introduction to the novel and its author but also a wealth of references that make the events and characters of Griggs’s Imperium in Imperio, and its aftermath, accessible to readers today.