Larissa Lai – författare

Passionate critic, principled citizen, attentive reader and editor, and energizing teacher – Roy Miki is all these and more, a poet whose writing articulates a moving body of work. The two main areas of his passionate research and writing – social critique and poetics – inform each other in these essays, poems, and artwork compiled to mark a milestone in the life of an important public intellectual.

Contributors from across North America take Miki’s literary and artistic achievements as a starting point for analytical and creative reflections on key artistic, social, and political movements of the second half of the 20th century. Essays on poetics by Daphne Marlatt and George Bowering combine with original poems by Fred Wah and Michael Barnholden, among others, to explore topics ranging from voice, to love, to translation. Mona Oikawa, Dave Gaertner, Phinder Dulai, and Cindy Mochizuki write or create artwork on social justice, placing Miki’s redress work in relation to the politics and art of other historical reparations. Ashok Mathur, Ayaka Yoshimizu, Mark Nakada, David Fujino, and Hiromi Goto present various views of biotext. Jerry Zaslove, Susan Crean, Alessandra Capperdoni, and Smaro Kamboureli discuss the public intellectual’s relationship to institutions. The collection ends with an interview with Miki on interrelations between his photographic and poetic practices.

Miki’s history reflects that of the West Coast’s literary world. Not only did he found the influential literary journal West Coast Line, but he has researched and written works on poets Roy Kiyooka, George Bowering, and bp Nichol. Miki taught many of the poets and academics now working and writing on the West Coast.

When Fox is a Thousand is a lyrical, magical novel, rich with poetry and folklore and elements of the fairytale. Larissa Lai interweaves three narrative voices and their attendant cultures: an elusive fox growing toward wisdom and her 1000 birthday, the ninth-century Taoist poet/nun Yu Hsuan-Chi (a real person executed in China for murder), and the oddly named Artemis, a young Asian-American woman living in contemporary Vancouver.

With beautiful and enchanting prose, and a sure narrative hand, Lai combines Chinese mythology, the sexual politics of medieval China, and modern-day Vancouver to masterfully revise the myth of the Fox (a figure who can inhibit women’s bodies in order to cause mischief). Her potent imagination and considerable verbal skill result in a tale that continues to haunt long after the story is told.

First published to wide acclaim in 1995 and out of print since 2001, this new edition of When Fox is a Thousand, published by Arsenal Pulp Press for the first time, features a new foreword by the author.

“Part exoskeletal enjambment, part shared soft biology, Automaton Biographies wends through creative industries and uncommon commons, picking up the shards of both our latent futures and our Polaroid pasts.”—Mark Nowak, poet

The first poetry book by novelist Larissa Lai (When Fox is a Thousand) is a multilayered “autobiography” that puts an ear to the white noise of advertising, pop music, CNN, and biotechnology, exploring the problem of what it means to exist on the boundaries of “human.” Lai, who teaches English at the University of British Columbia in Vancouver, is prominent within the women’s, LGBT, and Asian American communities.

Iron Goddess of Mercyby Lambda Literary Award winner Larissa Lai (for the novel The Tiger Flu) is a long poem that captures the vengeful yet hopeful movement of the Furies mid-whirl and dance with them through the horror of the long now. Inspired by the tumultuous history of Hong Kong, from the Japanese and British occupations to the ongoing pro-democracy protests, the poem interrogates the complicated notion of identity, offering a prism through which the term “Asian” can be understood to make sense of a complex set of relations. The self crystallizes in moments of solidity, only to dissolve and whirl away again. The poet is a windsock, catching all the affect that blows at her and ballooning to fullness, only to empty again when the wind changes direction. Iron Goddess of Mercy is a game of mah jong played deep into the night, an endless gamble.

Presented in sixty-four fragments to honor the sixty-four hexagrams of the I Ching, Iron Goddess of Mercy also borrows from haibun, a traditional Japanese form of travel writing in which each diary entry closes with a haiku. The poem dizzies, turns on itself. It rants, it curses, it writes love letters, but as the Iron Goddess is ever changing, so is the object of her address: a maenad, Kool-Aid, Chiang Kai-shek, the economy, a clown, freedom of speech, a brother, a bother, a typist, a monster, a machine, Iris Chang, Hannah Arendt, the Greek warrior Achilles, or a deer caught in the headlights.

Finally, a balm to the poem’s devastating passion and fury, Iron Goddess of Mercy is also a type of oolong tea, a most fragrant infusion said to have been a gift from the

compassionate bodhisattva Guan Yin.

Summoning the ghosts of history and politics, Iron Goddess of Mercy explores the complexities of identity through the lens of rage and empowerment.

This publication meets the EPUB Accessibility requirements and it also meets the Web Content Accessibility Guidelines (WCAG-AA). It is screen-reader friendly and is accessible to persons with disabilities. A Simple book with few images, which is defined with accessible structural markup. This book contains various accessibility features such as alternative text for images, table of contents, page-list, landmark, reading order and semantic structure.

Lambda Literary Award winner Larissa Lai (The Tiger Flu) returns with a sprawling historical novel about war, colonialism and queer experience during Japan’s occupation of Hong Kong during World War II.

On the eve of the return of the British Crown Colony of Hong Kong to China in 1997, young Ophelia asks her peculiar great-aunt Violet about the Japanese occupation of Hong Kong during World War II and the disappearance of her uncle Theo. From Violet, she learns the story of her grandmother, Emily.

Emily’s marriage—three times—to her father’s mortal enemy causes a stir among three very different Hong Kong Chinese families, as well as among the young cricketers at the Hong Kong Cricket Club, who’ve just witnessed King Edward VIII’s abdication to marry Wallis Simpson. But the class and race pettiness of the scandal around Emily’s marriage is violently disrupted by the Japanese Imperial Army’s invasion of Hong Kong on Christmas Day, 1941, which plunges the colony into a landscape of violence none of its inhabitants escape from unscathed, least of all Emily. When her situation becomes dire, Violet, along with a crew of unlikely cosmopolitans determines to rescue Emily from the wrath of the person she thought loved her the most, her husband, Tak-Wing. In the middle of it all, a strange match of timeless Test cricket unfolds, in which the ball has an agency all its own.

With great heart, The Lost Century explores the intersections of Asian relations, queer Asian history, underground resistance, the violence of war, and the rise of modern China― a sprawling novel of betrayal, epic violence and intimate passions.

This publication meets the EPUB Accessibility requirements and it also meets the Web Content Accessibility Guidelines (WCAG-AA). It is screen-reader friendly and is accessible to persons with disabilities. A Simple book with few images, which is defined with accessible structural markup. This book contains various accessibility features such as alternative text for images, table of contents, page-list, landmark, reading order and semantic structure.