Laura Browder – författare
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3 produkter
3 produkter
579 kr
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In the 1920s, black janitor Sylvester Long reinvented himself as Chief Buffalo Child Long Lance, and Elizabeth Stern, the native-born daughter of a German Lutheran and a Welsh Baptist, authored the immigrant's narrative I Am a Woman--and a Jew ; in the 1990s, Asa Carter, George Wallace's former speechwriter, produced the fake Cherokee autobiography, The Education of Little Tree . While striking, these examples of what Laura Browder calls ethnic impersonator autobiographies are by no means singular. Over the past 150 years, a number of American authors have left behind unwanted identities by writing themselves into new ethnicities. Significantly, notes Browder, these ersatz autobiographies have tended to appear at flashpoints in American history: in the decades before the Civil War, when immigration laws and laws regarding Native Americans were changing in the 1920s, and during the civil rights era, for example. Examining the creation and reception of such works from the 1830s through the 1990s--against a background ranging from the abolition movement and Wild West shows to more recent controversies surrounding blackface performance and jazz music--Browder uncovers their surprising influence in shaping American notions of identity. |Examining the creation and reception of ethnic impersonator autobiographies from the 1830s through the 1990s, Browder uncovers their surprising influence in shaping American notions of identity.
435 kr
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This title features from Molly Pitcher to Patty Hearst. The gun-toting woman holds enormous symbolic significance in American culture. Laura Browder examines the relationship between women and guns in America and the ways in which the figure of the armed woman has served as a lightning rod for cultural issues. In an entertaining and provocative analysis, she looks at women including Deborah Sampson, who disguised herself as a man to fight in the American Revolution; Pauline Cushman, who posed as a Confederate to spy for Union forces during the Civil War; Wild West sure-shot Annie Oakley; African explorer Osa Johnson; 1930s gangsters Ma Barker and Bonnie Parker; and Patty Hearst, the hostage-turned-revolutionary-turned-victim.
399 kr
Drugs. Sex. Revolutionary violence. From its first pages, Susan Stern's memoir With the Weathermen provides a candid, first-hand look at the radical politics and the social and cultural environment of the New Left during the late 1960s.The Weathermen--a U.S.-based, revolutionary splinter group of Students for a Democratic Society--advocated the overthrow of the government and capitalism, and toward that end, carried out a campaign of bombings, jailbreaks, and riots throughout the United States. In With the Weathermen Stern traces her involvement with this group, and her transformation from a shy, married graduate student into a go-go dancing, street-fighting "macho mama." In vivid and emotional language, she describes the attractions and difficulties of joining a collective radical group and in maintaining a position within it.Stern's memoir offers a rich description of the raw and rough social dynamics of this community, from its strict demands to "smash monogamy," to its sometimes enforced orgies, and to the demeaning character assassination that was led by the group's top members. She provides a distinctly personal and female perspective on the destructive social functionality and frequently contradictory attitudes toward gender roles and women's rights within the New Left.Laura Browder's masterful introduction situates Stern's memoir in its historical context, examines the circumstances of its writing and publication, and describes the book's somewhat controversial reception by the public and critics alike.