Lauren Jacobi – författare

The concepts of purity and contamination preoccupied early modern Europeans fundamentally, structuring virtually every aspect of their lives, not least how they created and experienced works of art and the built environment. In an era that saw a great number of objects and people in motion, the meteoric rise of new artistic and building technologies, and religious upheaval exert new pressures on art and its institutions, anxieties about the pure and the contaminated - distinctions between the clean and unclean, sameness and difference, self and other, organization and its absence - took on heightened importance. In this series of geographically and methodologically wide-ranging essays, thirteen leading historians of art and architecture grapple with the complex ways that early modern actors negotiated these concerns, covering topics as diverse as Michelangelo's unfinished sculptures, Venetian plague hospitals, Spanish-Muslim tapestries, and emergency currency. The resulting volume offers surprising new insights into the period and into the modern disciplinary routines of art and architectural history. Provides a novel perspective on the art and architecture of early modern Europe and its colonial territories by focusing on the opposing analytical categories of purity and contamination, while also paying attention to their extraordinary theoretical and historical variety. Offers new readings of works both canonical (e.g., Michelangelo's unfinished sculptures, Durer's Italianate influences) and less so (e.g., Vermeyen's tapestries of the Conquest of Tunis). Models a new approach to an important epoch in the history of art, architecture, and culture, bringing together the close study of objects (e.g., tapestries, sculpture, and coins) and materials (e.g., cosmetics, dyes, stone) with wider topics such as global exchange and economics. Inspires broader questions about the ideological underpinnings of early modernity, while also offering new insights into the implications of the current material turn and global turn in the humanities. Features twelve essays by leading scholars of the art and architecture of southern and northern Europe, the colonial Americas, and southeast Asia, with correspondingly broad geographical and chronological coverage.

The concepts of purity and contamination preoccupied early modern Europeans fundamentally, structuring virtually every aspect of their lives, not least how they created and experienced works of art and the built environment. In an era that saw a great number of objects and people in motion, the meteoric rise of new artistic and building technologies, and religious upheaval exert new pressures on art and its institutions, anxieties about the pure and the contaminated - distinctions between the clean and unclean, sameness and difference, self and other, organization and its absence - took on heightened importance. In this series of geographically and methodologically wide-ranging essays, thirteen leading historians of art and architecture grapple with the complex ways that early modern actors negotiated these concerns, covering topics as diverse as Michelangelo's unfinished sculptures, Venetian plague hospitals, Spanish-Muslim tapestries, and emergency currency. The resulting volume offers surprising new insights into the period and into the modern disciplinary routines of art and architectural history. Provides a novel perspective on the art and architecture of early modern Europe and its colonial territories by focusing on the opposing analytical categories of purity and contamination, while also paying attention to their extraordinary theoretical and historical variety. Offers new readings of works both canonical (e.g., Michelangelo's unfinished sculptures, Durer's Italianate influences) and less so (e.g., Vermeyen's tapestries of the Conquest of Tunis). Models a new approach to an important epoch in the history of art, architecture, and culture, bringing together the close study of objects (e.g., tapestries, sculpture, and coins) and materials (e.g., cosmetics, dyes, stone) with wider topics such as global exchange and economics. Inspires broader questions about the ideological underpinnings of early modernity, while also offering new insights into the implications of the current material turn and global turn in the humanities. Features twelve essays by leading scholars of the art and architecture of southern and northern Europe, the colonial Americas, and southeast Asia, with correspondingly broad geographical and chronological coverage.

The concepts of purity and contamination preoccupied early modern Europeans fundamentally, structuring virtually every aspect of their lives, not least how they created and experienced works of art and the built environment. In an era that saw a great number of objects and people in motion, the meteoric rise of new artistic and building technologies, and religious upheaval exert new pressures on art and its institutions, anxieties about the pure and the contaminated – distinctions between the clean and unclean, sameness and difference, self and other, organization and its absence – took on heightened importance. In this series of geographically and methodologically wide-ranging essays, thirteen leading historians of art and architecture grapple with the complex ways that early modern actors negotiated these concerns, covering topics as diverse as Michelangelo’s unfinished sculptures, Venetian plague hospitals, Spanish-Muslim tapestries, and emergency currency. The resulting volume offers surprising new insights into the period and into the modern disciplinary routines of art and architectural history. Provides a novel perspective on the art and architecture of early modern Europe and its colonial territories by focusing on the opposing analytical categories of purity and contamination, while also paying attention to their extraordinary theoretical and historical variety. Offers new readings of works both canonical (e.g., Michelangelo's unfinished sculptures, Dürer's Italianate influences) and less so (e.g., Vermeyen's tapestries of the Conquest of Tunis). Models a new approach to an important epoch in the history of art, architecture, and culture, bringing together the close study of objects (e.g., tapestries, sculpture, and coins) and materials (e.g., cosmetics, dyes, stone) with wider topics such as global exchange and economics. Inspires broader questions about the ideological underpinnings of early modernity, while also offering new insights into the implications of the current material turn and global turn in the humanities. Features twelve essays by leading scholars of the art and architecture of southern and northern Europe, the colonial Americas, and southeast Asia, with correspondingly broad geographical and chronological coverage.

Over the course of the twelfth and thirteenth centuries, European society confronted rapid monetization, a process that has been examined in depth by economic historians. Less well understood is the development of architecture to meet the needs of a burgeoning mercantile economy in the Late Middle Ages and early modern period. In this volume, Lauren Jacobi explores some of the repercussions of early capitalism through a study of the location and types of spaces that were used for banking and minting in Florence and other mercantile centers in Europe. Examining the historical relationships between banks and religious behavior, she also analyzes how urban geographies and architectural forms reveal moral attitudes toward money during the onset of capitalism. Jacobi's book offers new insights into the spaces and locations where pre-industrial European banking and minting transpired, as well as the impact of religious concerns and financial tools on those sites.

Over the course of the twelfth and thirteenth centuries, European society confronted rapid monetization, a process that has been examined in depth by economic historians. Less well understood is the development of architecture to meet the needs of a burgeoning mercantile economy in the Late Middle Ages and early modern period. In this volume, Lauren Jacobi explores some of the repercussions of early capitalism through a study of the location and types of spaces that were used for banking and minting in Florence and other mercantile centers in Europe. Examining the historical relationships between banks and religious behavior, she also analyzes how urban geographies and architectural forms reveal moral attitudes toward money during the onset of capitalism. Jacobi''s book offers new insights into the spaces and locations where pre-industrial European banking and minting transpired, as well as the impact of religious concerns and financial tools on those sites.

Over the course of the twelfth and thirteenth centuries, European society confronted rapid monetization, a process that has been examined in depth by economic historians. Less well understood is the development of architecture to meet the needs of a burgeoning mercantile economy in the Late Middle Ages and early modern period. In this volume, Lauren Jacobi explores some of the repercussions of early capitalism through a study of the location and types of spaces that were used for banking and minting in Florence and other mercantile centers in Europe. Examining the historical relationships between banks and religious behavior, she also analyzes how urban geographies and architectural forms reveal moral attitudes toward money during the onset of capitalism. Jacobi''s book offers new insights into the spaces and locations where pre-industrial European banking and minting transpired, as well as the impact of religious concerns and financial tools on those sites.

Land Air Sea: Architecture and Environment in the Early Modern Era positions the long Renaissance and eighteenth century as being vital for understanding how many of the concerns present in contemporary debates on climate change and sustainability originated in earlier centuries. Traversing three physical and intellectual domains, Land Air Sea consists of case studies examining how questions of environmentalism were formulated in early modern architecture and the built environment. Addressing emergent technologies, indigenous cultural beliefs, natural philosophy, and political statecraft, this book aims to recast our modernist conceptions of what buildings are by uncovering early modern epistemologies that redefined human impact on the habitable world.

Land Air Sea: Architecture and Environment in the Early Modern Era positions the long Renaissance and eighteenth century as being vital for understanding how many of the concerns present in contemporary debates on climate change and sustainability originated in earlier centuries. Traversing three physical and intellectual domains, Land Air Sea consists of case studies examining how questions of environmentalism were formulated in early modern architecture and the built environment. Addressing emergent technologies, indigenous cultural beliefs, natural philosophy, and political statecraft, this book aims to recast our modernist conceptions of what buildings are by uncovering early modern epistemologies that redefined human impact on the habitable world.