Lionel Casson – författare

The unsurpassed satirist of the ancient era was a young Syrian named Lucian, who, writing in Greek in the second century a.d., combined wit, irony, fearless candor, and exuberant comic fantasy to create the triumphantly irreverent dialogues and stories contained in this book. His genial mockery, aimed at man's omnipresent feelings, has never gone out of date. The jabs he gave the hypocrites; grandstanders, fakers and boobs of the ancient world can just as appropriately be administered to their counterparts in the modern world.Lucian's most typical genre is a parody of a Platonic dialogue, in which Zeus, Hermes, Eros, and other Olympians jabber in undivine harassment as some clever mortal (who very much resembles Lucian) is about to make scandalous fools of them. He also excelled at straight narrative, his two most famous tales being the elaborate science fiction spoof; "A True Story," and an old folk tale retold outrageously, "Lucius the Ass." His works were the product of an unrelentingly rational and skeptical mind, and have had an incalculable effect on writers and painters through the ages.Until this volume, the English language reader of today to appreciate the importance and intelligence of Lucian. No volume of representative selections in translation is in print. There are satisfactory versions of the complete works, but the reader who takes this long will most likely lose a good deal of the sting of Lucian's needle. Lionel Cassen also illustrates the full range of Lucian's subject matter and various literary forms and when translating tried to focus on the Greek spirit as opposed to the literal meaning.

This delightful book tells the story of ancient libraries from their very beginnings, when “books” were clay tablets and writing was a new phenomenon. Renowned classicist Lionel Casson takes us on a lively tour, from the royal libraries of the most ancient Near East, through the private and public libraries of Greece and Rome, down to the first Christian monastic libraries. To the founders of the first public libraries of the Greek world goes the credit for creating the prototype of today’s library buildings and the science of organizing books in them.Casson recounts the development of ancient library buildings, systems, holdings, and patrons, addressing questions on a wide variety of topics, such as:  • What was the connection between the rise in education and literacy and the growth of libraries?• Who contributed to the early development of public libraries, especially the great library at Alexandria?• What did ancient libraries include in their holdings?• How did ancient libraries acquire books?• What was the nature of publishing in the Greek and Roman world?• How did different types of users (royalty, scholars, religious figures) and different kinds of “books” (tablets, scrolls, codices) affect library arrangements?• How did Christianity transform the nature of library holdings?Just as a library yields unexpected treasures to a meandering browser, this entertaining book offers to its perusers the surprising history of the rise and development of ancient libraries—a fascinating story never told before.

Lucian, born in Syria in the second century C.E., came to Greece at an early age and mastered its language and literature. He took up law, left it for public speaking, then turned to full-time writing, producing the wide range of subject matter and literary form which is represented in this collection.A master of the vivid scene, Lucian used his pungent style to ridicule the tyrants, prophets, waning gods, and hypocrite philosophers of his own day and the centuries preceding him. His most typical genre is a parody of a Platonic dialogue, but he also excelled in straight narrative, as in the elaborate spoof "A True Story" and the old folk tale outrageously retold, "Lucius, the Ass." His skeptical mind and imaginative irony have influenced generations of artists and writers, and now in Professor Casson's new translations can be freshly enjoyed today.

This anthology includes his best plays and also seeks to give some idea of his range. His forte was farce, and these selections exemplify at least two of his favorite farcical devices: mistaken identity (Amphitryon) and the lecherous old codger (Casina). The Pot of Gold reveals what Plautus could do with the subtler humor to be evoked from character.

Written by the renowned authority on ancient ships and seafaring Lionel Casson, The Ancient Mariners has long served the needs of all who are interested in the sea, from the casual reader to the professional historian. This completely revised edition takes into account the fresh information that has appeared since the book was first published in 1959, especially that from archaeology's newest branch, marine archaeology. Casson does what no other author has done: he has put in a single volume the story of all that the ancients accomplished on the sea from the earliest times to the end of the Roman Empire. He explains how they perfected trading vessels from mere rowboats into huge freighters that could carry over a thousand tons, how they transformed warships from simple oared transports into complex rowing machines holding hundreds of marines and even heavy artillery, and how their maritime commerce progressed from short cautious voyages to a network that reached from Spain to India.

Written to replace and extend Torr's Ancient Ships, this generously illustrated underwater Bible" traces the art and technology of Mediterranean ships and seamanship from their first crude stages (about 3000 B.C.) to the heyday of the Byzantine fleets. Originally published in 1971. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Written to replace and extend Torr's Ancient Ships, this generously illustrated underwater Bible" traces the art and technology of Mediterranean ships and seamanship from their first crude stages (about 3000 B.C.) to the heyday of the Byzantine fleets. Originally published in 1971. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

The only book of its kind in any language, Travel in the Ancient World offers a lively, comprehensive history of ancient travel, from the first Egyptian voyages recorded in Old Kingdom inscriptions through Greek and Roman times to the Christian pilgrimages of the fourth and sixth centuries. Rich in anecdote and colorful detail, it now returns to print in paperback with a new preface by the author.

Lionel Casson's encyclopedic study is the first of its kind to use underwater archaeological data to refine and area of scholarship that had, for the most part, relied on ancient texts and graphic representations. Tracing the history of early ships and seamanship from pre-dynastic Egypt to the Roman empire, from skiffs and barges to huge oared warships and royal yachts, Casson describes not only the ships themselves, but also the make-up and training of the crews, placement of weaponry, how cargo was stored, methods of navigation, harbor facilities, and the ways ships were named.

In Everyday Life in Ancient Rome, Lionel Casson offers a lively introduction to the society of the times. Instead of following the standard procedure of social history, he presents a series of vignettes focusing on the "ways of life" of various members of that society, from the slave to the emperor. The book opens with a description of the historical context and includes examination of topics such as the family, religion, urban and rural life, and leisure activities. This revised edition of Casson's engaging work, originally published in 1975 as Daily Life in Ancient Rome, includes two new chapters as well as full documentation of the sources.

Lionel Casson offers a comprehensive introduction to the people of ancient Egypt. He describes the structure of Egyptian society-the levels from peasant to pharaoh, the nature of the family, and the role of women. He reviews the professions, from the lowliest scribes to the architects and engineers who built the pyramids, and examines the work of sculptors, painters, cabinetmakers, jewelers, and smiths whose hands turned out the sculptures, murals, and objects of beauty that are so prized today. He deals with that key factor in Egyptian life, religion: the nature of the gods; the powerful role played by belief in the afterlife; and the career of one pharaoh, Akhenaten, who attempted to put heretical views into practice. Originally published in 1975 as The Horizon Book of Daily Life in Ancient Egypt, this revised edition includes a new chapter as well as full documentation of the sources.

The unsurpassed satirist of the ancient era was a young Syrian named Lucian, who, writing in Greek in the second century a.d., combined wit, irony, fearless candor, and exuberant comic fantasy to create the triumphantly irreverent dialogues and stories contained in this book. His genial mockery, aimed at man's omnipresent feelings, has never gone out of date. The jabs he gave the hypocrites; grandstanders, fakers and boobs of the ancient world can just as appropriately be administered to their counterparts in the modern world.Lucian's most typical genre is a parody of a Platonic dialogue, in which Zeus, Hermes, Eros, and other Olympians jabber in undivine harassment as some clever mortal (who very much resembles Lucian) is about to make scandalous fools of them. He also excelled at straight narrative, his two most famous tales being the elaborate science fiction spoof; "A True Story," and an old folk tale retold outrageously, "Lucius the Ass." His works were the product of an unrelentingly rational and skeptical mind, and have had an incalculable effect on writers and painters through the ages.Until this volume, the English language reader of today to appreciate the importance and intelligence of Lucian. No volume of representative selections in translation is in print. There are satisfactory versions of the complete works, but the reader who takes this long will most likely lose a good deal of the sting of Lucian's needle. Lionel Cassen also illustrates the full range of Lucian's subject matter and various literary forms and when translating tried to focus on the Greek spirit as opposed to the literal meaning.

The unsurpassed satirist of the ancient era was a young Syrian named Lucian, who, writing in Greek in the second century a.d., combined wit, irony, fearless candor, and exuberant comic fantasy to create the triumphantly irreverent dialogues and stories contained in this book. His genial mockery, aimed at man''s omnipresent feelings, has never gone out of date. The jabs he gave the hypocrites; grandstanders, fakers and boobs of the ancient world can just as appropriately be administered to their counterparts in the modern world.Lucian''s most typical genre is a parody of a Platonic dialogue, in which Zeus, Hermes, Eros, and other Olympians jabber in undivine harassment as some clever mortal (who very much resembles Lucian) is about to make scandalous fools of them. He also excelled at straight narrative, his two most famous tales being the elaborate science fiction spoof; "A True Story," and an old folk tale retold outrageously, "Lucius the Ass." His works were the product of an unrelentingly rational and skeptical mind, and have had an incalculable effect on writers and painters through the ages.Until this volume, the English language reader of today to appreciate the importance and intelligence of Lucian. No volume of representative selections in translation is in print. There are satisfactory versions of the complete works, but the reader who takes this long will most likely lose a good deal of the sting of Lucian''s needle. Lionel Cassen also illustrates the full range of Lucian''s subject matter and various literary forms and when translating tried to focus on the Greek spirit as opposed to the literal meaning.

The unsurpassed satirist of the ancient era was a young Syrian named Lucian, who, writing in Greek in the second century a.d., combined wit, irony, fearless candor, and exuberant comic fantasy to create the triumphantly irreverent dialogues and stories contained in this book. His genial mockery, aimed at man''s omnipresent feelings, has never gone out of date. The jabs he gave the hypocrites; grandstanders, fakers and boobs of the ancient world can just as appropriately be administered to their counterparts in the modern world.Lucian''s most typical genre is a parody of a Platonic dialogue, in which Zeus, Hermes, Eros, and other Olympians jabber in undivine harassment as some clever mortal (who very much resembles Lucian) is about to make scandalous fools of them. He also excelled at straight narrative, his two most famous tales being the elaborate science fiction spoof; "A True Story," and an old folk tale retold outrageously, "Lucius the Ass." His works were the product of an unrelentingly rational and skeptical mind, and have had an incalculable effect on writers and painters through the ages.Until this volume, the English language reader of today to appreciate the importance and intelligence of Lucian. No volume of representative selections in translation is in print. There are satisfactory versions of the complete works, but the reader who takes this long will most likely lose a good deal of the sting of Lucian''s needle. Lionel Cassen also illustrates the full range of Lucian''s subject matter and various literary forms and when translating tried to focus on the Greek spirit as opposed to the literal meaning.