Maira Kalman – författare

From the critically acclaimed artist, designer, and author of the bestsellers The Principles of Uncertainty and My Favorite Things comes a wondrous collection of words and paintings that is a moving art book and meditation on the beauty and complexity of women’s lives and roles, revealed in the things they hold."What do women hold? The home and the family. And the children and the food. The friendships. The work. The work of the world. And the work of being human. The memories. And the troubles. And the sorrows and the triumphs. And the love."In the spring of 2021, Maira and Alex Kalman created a small, limited-edition booklet "Women Holding Things," which featured select recent paintings by Maira, accompanied by her insightful and deeply personal commentary. The booklet quickly sold out. Now, the Kalmans have expanded that original publication into this extraordinary visual compendium and coffee table book.Women Holding Things includes the bright, bold images featured in the booklet as well as an additional sixty-seven new paintings highlighted by thoughtful and intimate anecdotes, recollections, and ruminations. Most are portraits of women, both ordinary and famous, including Virginia Woolf, Sally Hemings, Hortense Cezanne, Gertrude Stein, as well as Kalman’s family members and other real-life people. These women hold a range of objects, from the mundane—balloons, a cup, a whisk, a chicken, a hat—to the abstract—dreams and disappointments, sorrow and regret, joy and love.Kalman considers the many things that fit physically and metaphorically between women’s hands: We see a woman hold a book, hold shears, hold children, hold a grudge, hold up, hold her own. In visually telling their stories, Kalman lays bare the essence of women’s lives—their tenacity, courage, vulnerability, hope, and pain. Ultimately, she reveals that many of the things we hold dear—as well as those that burden or haunt us—remain constant and connect us from generation to generation.Here, too, are pictures of a few men holding things, such as Rainer Maria Rilke and Anton Chekhov, as well as objects holding other objects that invite us to ponder their intimate relationships to one another.Women Holding Things, a stunning illustrated book, explores the significance of the objects we carry—in our hands, hearts, and minds—and speaks to, and for, all of us. Maira Kalman’s unique work is a celebration of life, of the act and the art of living, offering an original way of examining and understanding all that is important in our world—and ultimately within ourselves.This beautiful volume explores the profound in the everyday:Artistic Meditation: A moving exploration of women’s lives, revealed through the mundane and meaningful things they carry.Illustrated Portraits: Features dozens of new, bright, bold paintings of both ordinary women and famous figures like Virginia Woolf and Gertrude Stein.Insightful Commentary: Each image is accompanied by Kalman’s intimate anecdotes and ruminations on memory, joy, sorrow, and love.A Perfect Gift: A thoughtful book for mothers, daughters, sisters, and friends that celebrates the tenacity, courage, and vulnerability that connects generations.

From Maira Kalman, the author of the bestsellers The Principles of Uncertainty and The Elements of Style, comes this beautiful pictorial and narrative exploration of the significance of objects in our lives, drawn from her personal artifacts, recollections, and selections from the collection of the Cooper-Hewitt, Smithsonian Design Museum. With more than fifty original paintings and featuring bestselling author and illustrator Maira Kalman's signature handwritten prose, My Favorite Things is a poignant and witty meditation on the importance of both quotidian and unusual objects in our culture and private worlds.Created in the same colorful, engaging, and insightful style as her previous works, which have won her fans around the world, My Favorite Things features more than fifty objects from both the Cooper-Hewitt, Smithsonian Design Museum and Kalman's personal collections: the pocket watch Abraham Lincoln was carrying when he was shot, original editions of Winnie-the-Pooh and Alice in Wonderland, a handkerchief in memoriam of Queen Victoria, an Ingo Maurer lamp, Rietveld's Z chair, a pair of Toscanini's pants, and photographs Kalman has taken of people walking towards and away from her. A pictorial index provides photographs of the actual objects and a short description of them, enhancing the reading experience. As it speaks to the universal experience and importance of beloved objects in our lives-big and small, famous and private-this unique work is a fresh way of examining and understanding our society, history, culture, and ourselves.

2018 National Jewish Book Award FinalistMaira Kalman, the author of the bestsellers The Principles of Uncertainty and The Elements of Style, and Alex Kalman, the designer, curator, writer, and founder of Mmuseumm, combine their talents in this captivating family memoir, a creative blend of narrative and striking visuals that is a paean to an exceptional woman and a celebration of individuality, personal expression, and the art of living authentically.In the early 1950s, Jewish émigré Sara Berman arrived in the Bronx with her husband and two young daughters When the children were grown, she and her husband returned to Israel, but Sara did not stay for long. In the late 1960s, at age sixty, she left her husband after thirty-eight years of marriage. One night, she packed a single suitcase and returned alone to New York City, moving intoa studio apartment in Greenwich Village near her family. In her new home, Sara began discovering new things and establishing new rituals, from watching Jeopardy each night at 7:00 to eating pizza at the Museum of Modern Art’s cafeteria every Wednesday. She also began discarding the unnecessary, according to the Kalmans: "in a burst of personal expression, she decided to wear only white." Sara kept her belongings in an extraordinarily clean and organized closet. Filled with elegant, minimalist, heavily starched, impeccably pressed and folded all-white clothing, including socks and undergarments, as well as carefully selected objects—from a potato grater to her signature perfume, Chanel No.19—the space was sublime. Upon her death in 2004, her family decided to preserve its pristine contents, hoping to find a way to exhibit them one day.In 2015, the Mmuseumm, a new type of museum located in a series of unexpected locations founded and curated by Sara’s grandson, Alex Kalman, recreated the space in a popular exhibit—Sara Berman's Closet—in Tribeca. The installation eventually moved to the Metropolitan Museum of Art. The show will run at the Skirball Center in Los Angeles from December 4, 2018 to March 10, 2019; it will open again about a month later at the National Museum of American Jewish History from April 5, 2019 to September 1, 2019.Inspired by the exhibit, this spectacular illustrated memoir, packed with family photographs, exclusive images, and Maira Kalman's distinctive paintings, is an ode to Sara’s life, freedom, and re-invention. Sara Berman’s Closet is an indelible portrait of the human experience—overcoming hardship, taking risks, experiencing joy, enduring loss. It is also a reminder of the significance of the seemingly insignificant moments in our lives—the moments we take for granted that may turn out to be the sweetest. Filled with a daughter and grandson’s wry and touching observations conveyed in Maira’s signature script, Sara Berman’s Closest is a beautiful, loving tribute to one woman’s indomitable spirit.

From the critically acclaimed artist, designer, and author of the bestsellers The Principles of Uncertainty, My Favorite Things, and Women Holding Things comes a moving work of visual storytelling, a meditation in words and pictures on remorse, joy, ancestry, and memory.Maira Kalman’s most autobiographical and intimate work to date, Still Life with Remorse is a beautiful, four-color collection and illustrated memoir combining deeply personal stories and 50 striking full-color paintings in the vein of her and Alex Kalman’s acclaimed Women Holding Things.Tracing her family’s story from her grandfather’s birth in Belarus and emigration to Tel Aviv—where she was born—Maira considers her unique family history, illuminating the complex relationship between recollection, regret, happiness, and heritage. The vibrant original art accompanying these autobiographical pieces are mostly still lifes and interiors which serve as counterpoints to her powerful words. In addition to personal essays exploring her Israeli and Jewish roots, Kalman includes short stories about other great artists, writers, and composers, including Leo Tolstoy, Franz Kafka, Gustav Mahler, and Robert Schumann.Through these narratives, Kalman uses her signature wit and tenderness to reveal how family history plays an influential role in all of our work, lives, and perspectives. A feat of visual storytelling and vulnerability, Still Life with Remorse explores the profound hidden in the quotidian, and illuminates the powerful universal truths about art and memory in our most personal family stories.Part family history, part artist’s journal, this collection is a meditation on the fragments that make a life.Family History: Follow the author’s story from her family’s roots in Belarus to her own birth in Tel Aviv, tracing a line through generations of love and loss.Creative Nonfiction: Discover surprising and intimate short stories about historical figures like Tolstoy, Kafka, and Mahler, woven into Kalman’s own narrative.Still Life as Memoir: See how dozens of vibrant, full-color paintings of interiors and objects serve as poignant counterpoints to the deeply personal text.Jewish Roots: Explore the complexities of Jewish identity, culture, and heritage through the author’s signature wit, tenderness, and unflinching honesty.

Based on a journal she kept when her granddaughter was new, Darling Baby celebrates life with a baby. Like Tell Me Again About the Night I was Born and The Night You Were Born, this book offers a telling for young children about the time before they can remember, a phase about which they are endlessly curious. Like Vera Williams' classic More, More, More Said the Baby, this book bursts with the joy and love shared with babies and their multigenerational family members. With resonant simplicity, the book conveys the way that a baby, even when very small, is the center of a world of joy and enduring love.

Hurry Up and Wait, the second volume in a new series of collaborations between artist Maira Kalman, author Daniel Handler (a.k.a. Lemony Snicket), and The Museum of Modern Art, New York, is a whimsical collection of images that capture people in motion – or not. In snapshots by the likes of Lee Friedlander, Stephen Shore, Philip-Lorca diCorcia, Dorothea Lange, Garry Winogrand, Helen Levitt, Henri Cartier-Bresson and Walker Evans, some people stride forth, dash across streets, race on bicycles, and jump over puddles, while others form snaking lines, daydream on park benches, and linger on sidewalks with friends. So what’s the rush? With 11 new vibrant illustrations by Kalman inspired by photographs in MoMA’s collection, and thought-provoking prose by Handler that ponder the merits of action, Hurry Up and Wait is a spirited reflection on the daily rhythms of life.

The romantic and enigmatic character of this picture has inspired many theories about its subject, meaning, history, and even its attribution to Rembrandt. Several portrait identifications have been proposed, including an ancestor of the Polish Oginski family, which owned the painting in the eighteenth century, and the Polish Socinian theologian Jonasz Szlichtyng. The rider's costume, his weapons, and the breed of his horse have also been claimed as Polish. But if The Polish Rider is a portrait, it certainly breaks with tradition. Equestrian portraits are not common in seventeenth-century Dutch art, and furthermore, in the traditional equestrian portrait the rider is fashionably dressed and his mount is spirited and well-bred. The painting may instead portray a character from history or literature, and many possibilities have been proposed. Candidates range from the Prodigal Son to Gysbrech van Amstel, a hero of Dutch medieval history, and from the Old Testament David to the Mongolian warrior Tamerlane. It is possible that Rembrandt intended simply to represent a foreign soldier, a theme popular in his time in European art, especially in prints. Nevertheless, Rembrandt's intentions in The Polish Rider seem clearly to transcend a simple expression of delight in the exotic. The painting has also been described as a latter-day Miles Christianus (Soldier of Christ), an apotheosis of the mounted soldiers who were still defending Eastern Europe against the Turks in the seventeenth century. Many have felt that the youthful rider faces unknown dangers in the strange and somber landscape, with its mountainous rocks crowned by a mysterious building, its dark water, and the distant flare of a fire.