Mandakranta Bose – författare

The essays in this collection explore ideas about women and their positions in Indian society from the earliest historical period up to the present day. The collection is designed both to provide students and researchers with primary material from literary, historical and sociological sources and on that basis to critically explore specific issues.

While the "standard" version of the Ramayana is a 14th-century Sanskrit text by Valmiki, the diversity and adaptability of this narrative are extraordinary. Many regions and languages have their own versions of the tale that they consider authoritative. In addition, the basic tale of the Ramayana is continually adapted to new contexts, forms, and media. It is, in one form or another, read, recited, sung, danced, and acted. Yet the vast majority of scholarship on the Ramayana has dealt exclusively with the textual editions, and mainly with Valmiki's Sanskrit version. In this volume, fourteen leading Ramayana scholars examine the epic in its myriad contexts throughout South and Southeast Asia. They explore the role the narrative plays in societies as varied as India, Indonesia, Thailand, and Cambodia. The essays also expand the understanding of the "text" to include non-verbal renditions of the epic, with particular attention to the complex ways such retellings change the way the narrative deals with gender. This volume will be useful for courses in the history of religions, Hinduism, Asian studies, and anthropology, all of which teach the Ramayana as a foundational myth of Asian culture.

The Oxford History of Hinduism: The Goddess provides a critical exposition of the Hindu idea of the divine feminine, or Devī, conceived as a singularity expressed in many forms. With the theological principles examined in the opening chapters, the book proceeds to describe and expound historically how individual manifestations of Devī have been imagined in Hindu religious culture and their impact upon Hindu social life. In this quest the contributors draw upon the history and philosophy of major Hindu ideologies, such as the Purāṇic, Tāntric, and Vaiṣṇava belief systems. A particular distinction of the book is its attention not only to the major goddesses from the earliest period of Hindu religious history but also to goddesses of later origin, in many cases of regional provenance and influence. Viewed through the lens of worship practices, legend, and literature, belief in goddesses is discovered as the formative impulse of much of public and private life. The influence of the goddess culture is especially powerful on women's life, often paradoxically situating women between veneration and subjection. This apparent contradiction arises from the humanization of goddesses while acknowledging their divinity, which is central to Hindu beliefs. In addition to studying the social and theological aspect of the goddess ideology, the contributors take anthropological, sociological, and literary approaches to delineate the emotional force of the goddess figure that claims intense human attachments and shapes personal and communal lives.

This book accounts for the origin and evolution of the nature and roles of women within the Hindu belief system. It explains how the idea of the goddess has been derived from Hindu philosophical ideas and texts of codes of conduct and how particular models of conduct for mortal women have been created. Hindu religious culture correlates philosophical speculation and social imperatives to situate femininity on a continuum from divine to mortal existence. This creates in the Hindu consciousness multiple - often contradictory - images of women, both as wielders and subjects of authority. The conception and evolution of the major Hindu goddesses, placed against the judgments passed by texts of Hindu sacred law on women’s nature and duties, illuminate the Hindu discourse on gender, the complexity of which is compounded by the distinctive spirituality of female ascetic poets. Drawing on a wide range of Sanskrit texts, the author explains how the idea of the goddess has been derived from Hindu philosophical ideas and also from the social roles of women as reflected in, and prescribed by, texts of codes of conduct. She examines the idea of female divinity which gave rise to models of conduct for mortal women. Instead of a one-way order of ideological derivation, the author argues that there is constant traffic between both ways the notional and the actual feminine. This book brings together for the first time a wide range of material and offers fresh stimulating interpretations of women in the Hindu Tradition.

The Rāmāyana, an ancient epic of India, with audiences across vast stretches of time and geography, continues to influence numberless readers socially and morally through its many re-tellings. Made available in English for the first time, the 16th century version presented here is by Candrāvatī, a woman poet from Bengal. It is a highly individual rendition as a tale told from a woman's point of view which, instead of celebrating masculine heroism, laments the suffering of women caught in the play of male ego.This book presents a translation and commentary on the text, with an extensive introduction that scrutinizes its social and cultural context and correlates its literary identity with its ideological implications. Taken together, the narrative and the critical study offered here expand the understanding both of the history of women’s self-expression in India and the cultural potency of the epic tale. The book is of interest equally to students and researchers of South Asian narratives, Rāmāyana studies and gender issues.

This book accounts for the origin and evolution of the nature and roles of women within the Hindu belief system. It explains how the idea of the goddess has been derived from Hindu philosophical ideas and texts of codes of conduct and how particular models of conduct for mortal women have been created. Hindu religious culture correlates philosophical speculation and social imperatives to situate femininity on a continuum from divine to mortal existence. This creates in the Hindu consciousness multiple - often contradictory - images of women, both as wielders and subjects of authority. The conception and evolution of the major Hindu goddesses, placed against the judgments passed by texts of Hindu sacred law on women’s nature and duties, illuminate the Hindu discourse on gender, the complexity of which is compounded by the distinctive spirituality of female ascetic poets. Drawing on a wide range of Sanskrit texts, the author explains how the idea of the goddess has been derived from Hindu philosophical ideas and also from the social roles of women as reflected in, and prescribed by, texts of codes of conduct. She examines the idea of female divinity which gave rise to models of conduct for mortal women. Instead of a one-way order of ideological derivation, the author argues that there is constant traffic between both ways the notional and the actual feminine. This book brings together for the first time a wide range of material and offers fresh stimulating interpretations of women in the Hindu Tradition.

The Rāmāyana, an ancient epic of India, with audiences across vast stretches of time and geography, continues to influence numberless readers socially and morally through its many re-tellings. Made available in English for the first time, the 16th century version presented here is by Candrāvatī, a woman poet from Bengal. It is a highly individual rendition as a tale told from a woman's point of view which, instead of celebrating masculine heroism, laments the suffering of women caught in the play of male ego.This book presents a translation and commentary on the text, with an extensive introduction that scrutinizes its social and cultural context and correlates its literary identity with its ideological implications. Taken together, the narrative and the critical study offered here expand the understanding both of the history of women’s self-expression in India and the cultural potency of the epic tale. The book is of interest equally to students and researchers of South Asian narratives, Rāmāyana studies and gender issues.

Women in the Hindu World encourages readers to develop and nurture their own understanding of the life of a woman as a Hindu. The seven chapters proceed both historically and thematically, exploring abstract philosophical concepts about women, as well as concrete worldly conditions of the lives they lead, from the earliest stages of Hindu society to the present, marking through time the evolving religious roles and social status of women. Hindu women have consistently found in their faith resources for claiming selfhood both within their faith and in society. Within the home, women are the keepers of the family’s religious rites. Outside the home, they worship through poetry, painting, dance, and music. Like their peers around the world, modern Hindu women have fought and worked together to claim decisive roles in shaping their own lives, while maintaining their faith and culture. Women in the Hindu World explores and explains the place of women in Hinduism, and the impact of Hinduism on women’s roles in society. EXPERT ANALYSIS: Author Mandakranta Bose is Professor Emerita and former Director of the Centre for India and South Asia Research at the University of British Columbia, Vancouver, Canada, where she also has taught courses in religious and gender studies.SUPPLEMENTAL STUDY: Women in the Hindu World provides a breadth of educational knowledge as a supplement to both academic coursework and the independent study of Hinduism. With the integration of discussion questions, suggested further reading, and images throughout, Women in the Hindu World offers an accessible introduction to exploring the connection between womanhood and Hinduism.EXPLORE THE SERIES: Women in the Hindu World joins the collection of academic texts produced by the Oxford Centre for Hindu Studies. Expand your understanding of the many facets of Hinduism with other books in the series, including: The Hindu Temple and Its Sacred Landscape and The Bhagavad Gītā: A New Translation and Study Guide.